Since his career began in the mid-sixties, the video artist and sculptor, Dan Graham (Urbana, United States, 1942) has also been a gallery owner, art critic, graphic designer, filmmaker and performer. Through a personal artistic language, this artist uses his sculptures and videos to delve into social and aesthetic codes. In this way a large part of his production focuses on the reflection of perceptual and philosophical structures put into play by spectators when observing his works, this is why his work has been defined in line with what has been called Art Behaviour. The works selected for this exhibition at the Centro de Arte Reina Sofia clearly demonstrate the artist's evolution over two decades and expose the essential concepts of his work which are closely related to a psycho-social approach to the perception of space.
This exhibition is an overview to understand how the recording, transmission and reproduction technology of sound and images born in 1950, and technically different from cinema, became artistic media. It examines the influence of technology and mass culture in social and artistic changes in an era of cultural acceleration and proliferation of ideas. In this way 1968 marks a before and after, as that was the year when a relatively affordable portable television appeared on the market, opening up the media to a vast new group of people.
Realismos entre XIX y XXI (Tributo a Juan Antonio Ramírez)
In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's Collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.