List of selected artworks. Maps for the tour in the museum

Preview

Search

Related Pepe Espaliú

Results

  • Pepe Espaliú. Sin título. Diez últimos dibujos, 1993. Drawing. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    10 february, 1994 - 29 march, 1994

    Carrying the name “Proyectos”, the Museo Nacional Centro de Arte Reina Sofía is launching an exhibition program that aims to exhibit the most recent, or in progress, works of current artists -both domestic and international-, whose importance lies in their unusual and original ideas. The inaugural exhibition is also the posthumous exhibition of last works by Pepe Espaliú (Córdoba, 1955-1993) who makes his homosexuality the pretext for survival in a world (and society) that he knows and feels excluded from.

  • Concha García. Cedazos, 1992. Sculpture. Museo Nacional Centro de Arte Reina Sofía Collection
    6 december, 1995 - 31 january, 1996

    This exhibition is a selection of works recently included in the Museo Nacional Centro de Arte Reina Sofía collection and has been organised especially for their exhibition at the Wifredo Lam Center in Havana. The work of young artists who represent a range of techniques and disciplines that are current trends on the Spanish art scene have been chosen for the occasion. The selected artists assume in all cases a high degree of experimentation and innovation applied to different media present in the exhibition: painting, sculpture, installation and photography.

  • Pablo Picasso. Mujer en el Jardín, 1929-30. Sculpture. Museo Nacional Centro de arte Reina Sofía Collection, Madrid
    21 october, 1997 - 11 january, 1998

    The Museo Nacional Centro de Arte Reina Sofía is collaborating with the Mexican Consejo Nacional para la Cultura y las Artes -as they did in 1996 for the ¿Buñuel! The Eye of the Century exhibition- to present at the Museo del Palacio de Bellas Artes in Mexico City a selection of paintings, sculptures and drawings by the major Spanish artists of the twentieth century. This exhibition is a reflection of Spanish avant-garde key historical figures as well as the most celebrated artists of the second half of the twentieth century. Also present in the exhibition are the creations of artists who have achieved great relevance in the current scene. In this way, the Mexican public is invited to construct a global vision of the Spanish art scene over the last hundred years through this exhibition divided into three chapters.

  • Pepe Espaliú. Sin título. Diez últimos dibujos, 1993. Drawing. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    14 october, 1998 - 11 january, 1999

    The exhibition Dibujos germinales. 50 artistas españoles. 1947-1998 provides a general and previously unimagined vision of drawing in Spain during the second half of the twentieth century, through fifty artists from different generations (from Eduardo Chillida to Eva Lootz or from Luis Gordillo to Azucena Vieites). Because it is an extended period and a relatively common practice for most of the authors, there is a need to find a conceptual unity that seeks to convey a general idea and propose a systematic structure. Therefore, in this exhibition drawing does not appear as a technique, rule or discipline, but as a starting point -germination in the strict sense- to delve into the mechanisms of creation and try to go beyond the notion of sketch or preparatory study.

  • Txomin Badiola. Una. El alumno aventajado (N.S.), 1993. Sculpture. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    17 may, 2001 - 1 july, 2001

    The hundred-year-old Zachêta Gallery in Warsaw, Poland, holds an exhibition of Spanish Art from the Eighties and Nineties featuring the work of forty-seven artists. All of the works selected belong to the Museo Nacional Centro de Arte Reina Sofía Collection, which opens and consolidates its activity throughout the Eighties.

  • Guillermo Pérez Villalta. La juventud de los héroes, 1987. Painting. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    31 july, 2001 - 23 september, 2001

    The Museo Nacional de Bellas Artes de Buenos Aires and later the Pinacoteca del Estado de Sao Paulo in Brazil host the exhibition: De Picasso a Barceló: la colección del Museo Nacional Centro de Arte Reina Sofía, siglo XX, which, as its title indicates, includes the beginning and end of twentieth century Spanish art with a period marked by two multi-faceted artists. Chronologically organised, the exhibition invites its Argentine and Brazilian public to participate in the wealth of the last hundred years of art in Spain.

  • Exhibition view. Pepe Espaliú, 2003
    14 january, 2003 - 30 march, 2003

    Pepe Espaliú (Cordoba, 1955 - Madrid, 1993) is one of the leading artists of the Spanish generation of the Eighties. Painter, sculptor, illustrator and writer, he develops a coherent and meaningful work very closely associated to his reflections on his own identity. His work is thanks to one of the most profound conceptualisations of living with AIDS, which caused his death and which he boldly accepted on an artistic level and where he produced some of his most important works.

  • Exhibition view. em>Impure Vision. Works from the Permanent Collection, 2006
    February 14 - September 11, 2006

    The exhibition La visión impura (Impure Vision) presents a selection of works recently acquired by the Museo Nacional Centro de Arte Reina Sofía, and does so using the title to highlight the fact that the art produced in the latter part of the 20th century undermines any notion of purely visual art.

  • Exhibition view. El retorno de lo imaginario. Realismos entre XIX y XXI, 2010
    20 May - 27 September, 2010

    El retorno de lo imaginario

    Realismos entre XIX y XXI (Tributo a Juan Antonio Ramírez)

    In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's Collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.

  • Fischli y Weiss. Minimal Resistance, 1980-1981. DVD. Museo Nacional Centro de Arte Reina Sofía. © Peter Fischli David Weiss, Zürich 2013
    October 16, 2013 - January 5, 2014

    Minimal Resistance

    Between late modernism and globalisation: artistic practices during the 80s and 90s

    With this selection of works form the Collection, the Museo Reina Sofía takes a close look at art produced in Spain and abroad during the 1980s and 1990s.

  • Dorothea Tanning, Chambre 202, Hôtel du Pavot, 1970. Instalation. Musée national d'art moderne - Centre Georges Pompidou, Paris. © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Georges Meguerditchian © VEGAP, Madrid, 2013
    November 27, 2013 – March 31, 2014

    Biographical forms

    Construction and individual mythology

    The dichotomy between creative practices and life has been one of the main themes of historical-artistic reflection over the centuries.

See past exhibitions