Following Artistas Españoles. Obras de los años 80 y 90 en las colecciones del Museo (Spanish Artists. Works from the 80s and 90s in the Museo collections), a complementary exhibition is presented, joining thirty-two works by international artists incorporated in the last three years into the Museo Nacional Centro de Arte Reina Sofía's Collection through acquisition, dation or donation. The common denominator of these works, bar the six pieces by Lucio Fontana and one by Barnett Newman, is that they have been produced either in the Eighties or the Nineties; therefore, the exhibition looks to consider these points of contact and connection with the international movements that link Spanish artists.
In his famous study The Raw and the Cooked (1964) the Belgian anthropologist Claude Lévi-Strauss develops an anthropological study about the confrontation between advanced and primitive societies through a summary of concepts of culinary culture - on the degree of the complexity in their food - the conclusions of which he extrapolates to a general plan that allows him to state the inevitable tendency of Western societies in the first world to define their identity by comparing themselves to the other, a phenomenon that is not reciprocal. The exhibition curator, Dan Cameron, intends to submit this idea to criticism, offering an alternative -he begins by inverting the terms in the title- and, through the work of fifty-four artists, he highlights how colonialism, in the field of artistic production and within the emerging trends of the Nineties, is based on the exchange of multiple cultural positions. That is, Cameron aims to include art in the debate on cultural identity, to do this, he brings together works in which dehierarchises the speaker's viewpoint and breaks the theoretical and artistic bipolarity that is dominant in the U.S. and Europe.
Sobre el futuro de la fuerza colectiva dentro del archivo
In their efforts to distance themselves from a linear narrative of modernity, The Museo Nacional Centro de Arte Reina Sofía addresses the Museum's vision as not merely a container of objects, but as an entity capable of producing new discourses for their Collection and generating new knowledge. For this reason through Two Different Readings of the Collection, two exhibitions have opened at the same time, about the meaning of collecting and relating the Museum's Collection from two different points of view. Artists Rosa Barba and Juan Luis Moraza, have made an exhaustive study on the Museum's collection to then choose a selection of works which can offer the public two alternative visions and proposals on the Collection.
In the tradition of the Flemish primitives, the body of work by Lili Dujourie (Roeselare, Belgium, 1941) establishes an intellectual and sensory connection with the viewer, at the same time that it presents a critical reflection on specific ideas and categories in art history.