All of the poetic suggestions and all of the plastic possibilities
Together, Museo Reina Sofía and the Centre Georges Pompidou have organised a large exhibition devoted to Salvador Dalí. The exhibition is conceived as a contribution to the reappraisal of Dalí as a thinker, a writer and the creator of a very particular vision of the world.
The exhibition Huellas Dalinianas reflects Salvador Dalí’s (Figueras, 1904-1989) influence on the Spanish avant-garde, from 1929 until after the Civil War. This exhibition is part of the Museo Nacional Centro de Arte Reina Sofía’s programme celebrating the centenary of the birth of Catalan artist, which is accompanied by another almost simultaneous exhibition at the Museum, Dalí. cultura de masas.
This exhibition, focusing on the artistic and literary production of Salvador Dali (Figueras, Spain, 1904-1989) between 1918 and 1930, traces the configuration of the Dali character, from his first successful exhibitions in Figueras until his immersion into Parisian surrealism, including his move to Paris in 1929. For this, all factors (artistic and family) involved in defining his provocative personality are put on display and he finds in Surrealism the ideal setting for the launch of his "anti-artistic" aesthetic project. In this way, this exhibition is a counterweight to André Breton’s view who, in an edition of Le Surréalisme et la peinture (1928/1968), argued that "when Salvador Dali was introduced in 1929 to Surrealism, his earlier work had not announced anything rigorously personal."