List of selected artworks. Maps for the tour in the museum

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  • José Luis Fernández del Amo. Exposición “Otro Arte”, Sala Negra
    20 october, 1995 - 6 january, 1996
    Program: Biblioteca y Centro de Documentación

    José Luis Fernández del Amo (Madrid, 1914 - 1995) was the first director of the new Museo de Arte Contemporáneo between 1952 and 1958, a time that represents a significant change in the definition of modern and contemporary aspects of Spanish society and culture. Now he is the focus of the second documentary exhibition series entitled Plataformas de las vanguardias en España (Avant-garde Platforms in Spain), organised by the Museo Nacional Centro de Arte Reina Sofía.

    Biblioteca y centro de documentación
  • Exhibition view. Galería Multitud, 1995
    1 june, 1995 - 1 september, 1995
    Program: Biblioteca y Centro de Documentación

    This exhibition makes up part of the season Plataformas de la Vanguardia en España (Avant-garde Platforms in Spain), organised by the Centro de Documentación of the Museo Nacional Centro de Arte Reina Sofía, with the aim of re-examining galleries and the most salient names in the study and dissemination of contemporary Spanish art. On this occasion, a large number of documents (photographs, journals, catalogues, etc.) have been brought together to facilitate the reconstruction of the undertakings of the Madrid gallery Multitud (1974-1978) and the exhibitions it housed.

    Biblioteca y centro de documentación
  • 18 october, 1994 - 9 january, 1995
    Program: Biblioteca y Centro de Documentación

    Despite the history of Surrealism being written in French, Spain's role in the movement is significant. Salvador Dalí, Luis Buñuel, Óscar Domínguez, Joan Miró and Pablo Picasso are some of the most representative artists from the Spanish side. Even though a large part of their work is produced outside of Spain, the nationality of the group is key to causing the active reception of the movement inside Spain and the development of a particular set of characteristics.

    Biblioteca y centro de documentación
  • 26 july, 1994 - 14 october, 1994
    Program: Biblioteca y Centro de Documentación

    Under the stage name "Gecé" Ernesto Giménez Caballero (Madrid, 1899-1988), intellectually multifaceted and a key figure in the Madrid avant-garde scene during the Twenties and Thirties, he is also the author of a collection of over sixty literary posters, produced between 1925 and 1927. They all display his poetic, artistic and critical heritage which recognises the visual poetry imprint of Guillaume Apollinaire’s calligrammes; the transformation of the page into a scene of a collage of heterogeneous images in the same futuristic style as Filippo Tommaso Marinetti’s parole in libertà, and as noted by Martí Peran - curator of the exhibition - the synthesis (and play) between the textual records (verbal) and visual as proposed by Francis Picabia throughout the pages of 391.

    Biblioteca y centro de documentación
  • 4 april, 1994 - 7 august, 1994
    Program: Biblioteca y Centro de Documentación

    This exhibition on Joaquin Torres-García (Montevideo, 1874-1949) highlights his "archetype of the avant-garde" character, as expressed by Miguel Logroño - curator of the exhibition along with Ángeles Dueñas - it is a recognisable quality that exists in every art project he establishes, directs and participates in throughout his career.

    Biblioteca y centro de documentación
  • 1 february, 1994 - 1 march, 1994
    Program: Biblioteca y Centro de Documentación

    Spain is key to the development of Surrealism. Although the movement stands out for its artistic expression, there is also an extensive body of literary work. Surrealism is prolific in its manifestos, pamphlets and proclamations from the time André Breton publishes The First Surrealist Manifesto in 1924. In the exhibition, this particular text can be read in Spanish via the translation by Fernando Vela, a collaborator of José Ortega y Gasset, published in Revista de Occidente.

    Biblioteca y centro de documentación
  • Juan Dolcet. Manolo Millares, 1971. Photography. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    7 july, 1992 - 28 october, 1992
    Program: Biblioteca y Centro de Documentación

    Since the beginning of the Nineties the Centro de Documentación (Documentation Centre) and Biblioteca (Library) of the Museo Nacional Centro de Arte Reina Sofía has been carrying out a series of documentary-style exhibitions inside a small exhibition space.

    Biblioteca y centro de documentación