List of selected artworks. Maps for the tour in the museum

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  • Exhibition view. Imagined Memories, 2013
    March 14 – September 2, 2013

    Mitsuo Miura

    Imagined Memories

    Although recognised primarily as a painter, in the making of his works Mitsuo Miura goes beyond traditional pictorial media. His art can thus be situated halfway along the path towards sculpture or installation, due to its tendency to use chromatic forms in space. 

  • Cristina Iglesias. Towards the Bottom, 2009 (detail). Artist Collection
    February 6 – May 13, 2013

    Cristina Iglesias has been very interested in redefining sculpture as an expanded field that leads to a questioning of the object in its relationship with space and architecture. Her sculptures integrate with the architecture of the places they occupy, and thus play with the interweaving of reality and appearances.

  • Willys de Castro. Objeto ativo (cubo vermelho/branco), 1962. Patricia Phelps de Cisneros Collection
    January 23 – September 16, 2013

    Concrete Invention

    Patricia Phelps de Cisneros Collection

    The exhibition The concrete invention looks at the development of geometric abstraction in Latin America, and it encompasses the period spanning the 1930s through the 1970s.

  • Robert Adams. Frame for Tract House, Colorado Springs, Colorado (Armazón de una vivienda en una urbanización residencial, Colorado Springs, Colorado), 1969. Yale University Art Gallery, adquirida gracias a las donaciones de Saundra B. Lane, Trellis Fund y Janet and Simeon Braguin Fund
    January 16 - May 20, 2013

    Robert Adams: The Place We Live

    A Retrospective Selection of Photographs

    With a photographic style that is austere and direct yet also full of nuance and expressive potential, Robert Adams (Orange, New Jersey, 1937) has been widely regarded as one of the most lucid chroniclers of the profound changes taking place in the landscape of the American West in recent decades.

  • Manga Rosa. Arte ao ar livre. Intervención de Viajou Sem Passaporte Sao Paulo, 1981-1982. Courtesy Archivo Jorge Bassani
    October 26, 2012 – March 11, 2013

    Losing the Human Form

    A Seismic Image of the 1980s in Latin America

  • Heimo Zobernig. Untitled, 1998. Photography: Archive HZ.  Courtesy of the artist
    November 9, 2012 – April 15, 2013
  • Exhibition view. Jiří Kovanda. Two Golden Rings, 2012
    October 30, 2012 – February 24, 2013

    Jiří Kovanda

    Two Golden Rings

  • María Blanchard. Paisaje, ca. 1912
    October 17, 2012 - February 25, 2013
  • Exhibition view. Juan Pérez Agirregoikoa. Do you want a master? You will have it!, 2013
    October 10, 2012 - February 25, 2013
    Program: Fisuras
  • Vasily Kandinsky. Succession, 1935 © Vassily Kandinsky, VEGAP, Madrid, 2012
    October 3, 2012 - January 7, 2013
  • Mieko Shiomi. A fluxatlas: Spatial Poem, 1965 (facsimile from 1992). Poster
    September 21, 2012 - September 30, 2013
    Program: Biblioteca y Centro de Documentación

    Categories such as collective, attitude, movement and even network are of questionable value when defining Fluxus, the identity of which has been the subject of debate since its first public appearance at the Festival of Wiesbaden fifty years ago.

    Biblioteca y centro de documentación
  • Exhibition view. Especters of Artaud. Language and the Arts in the 1950s, 2012
    September 19 - December 17, 2012

    Specters of Artaud

    Language and the Arts in the 1950s

  • Exhibition view. Sharon Hayes. Habla, 2012
    May 30 - September 24, 2012

    Using methodological and conceptual strategies drawn from spheres of discourse such as theatre, dance, anthropology, archival work and journalism, the projects of Sharon Hayes (Baltimore, Maryland, 1970) explore the sometimes tense relations between history, politics and language, and they dissect the symbolic and narrative mechanisms through which the collective imaginary is built. In her performances, videos and installations, Hayes shows how the process of documenting a historical event ends up conditioning the way we see that event. She also proposes a critical reflection on topics such as the frictions arising between the public and the private – the personal and the collective – in today's media culture and the cathartic and empowering effect of the act of using one's voice and occupying urban space.

  • Rosemarie Trockel, VG Bild-Kunst Bonn. © VEGAP, Madrid, 2012
    May 23 - September 24, 2012
  • Exhibition view. Nacho Criado. Collaborating Agents, 2012
    May 5 - October 1, 2012

    Nacho Criado

    Collaborating Agents