List of selected artworks. Maps for the tour in the museum





  • Exhibition view. Ree Morton. Be a Place, Place an Image, Imagine a Poem, 2015
    May 20 - September 28, 2015

    Ree Morton

    Be a Place, Place an Image, Imagine a Poem

    The work of Ree Morton (Ossining, NY, 1936 – Chicago, 1977) can be found in the specific art scene in the USA around 1970, characterised by a strong reaction to Abstract Expressionism, in what Lucy Lippard defined as “Eccentric Abstraction”.

  • Vista de sala de la exposición. Federico Guzmán. Tuiza. Las culturas de la jaima, 2015
    April 16 – August 30, 2015

    Federico Guzmán

    Tuiza. The Cultures of the Bedouin Tent

    Actively working since the mid 1980s, Federico Guzmán (Seville, 1964) has always viewed artistic practice as a commitment to his environment. His spells in New York and Bogotá at the end of the 1990s lead him to lay great emphasis on this idea as he became particularly aware of art as a tool for social change, as well as understanding the figure of the artist and seeing his work as something inextricably linked to the context he lived in.

  • Paul Klee. Baldgreis, 1922. Oil on cardboard, 40.3 x 37.4 cm. Kunstmuseum Basel © Kunstmuseum Basel
    March 18 - September 14, 2015

    White Fire

    The Kunstmuseum Basel Modern Collection

    The Kunstmuseum Basel is considered one of the finest public municipal museums in the world. The two cornerstones of its collection are the works dating from the 15th and 16th centuries, on one side, and artworks from the 19th century to the 21st , on the other, with the ensemble of the latter making it one of the most significant collections of contemporary art in Europe.

  • Pablo Picasso. Buveuse d’absinthe (The Absinthe Drinker), 1901. Oil on canvas, 81 x 60 cm. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photography: Mark Gisler, Müllheim
    March 18 - September 14, 2015

    Collectionism and Modernity

    Two Case Studies: The Im Obersteg and Rudolf Staechelin Collections

    It was not the work of artists, critics and curators alone that made the development of modern and contemporary art possible. Another factor related to both economic and social concerns intervened as a catalyst in the process. This was art collecting.

  • Exhibition view. Not Yet. On the Reinvention of Documentary and the Critique of Modernism, 2015
    February 11 - July 13, 2015

    Not Yet

    On the Reinvention of Documentary and the Critique of Modernism

    Not Yet. On the Reinvention of Documentary and the Critique of Modernism sets out from the re-discovery of the Worker-photography movement of the 1920s and 1930, but within the social and intellectual context after 1968 and the new urban struggles.

  • Daniel García Andújar. Estamos vigilando, 1994. Intervention in public space, image of La Concha beach in San Sebastián, Spain. Variable dimensions. Courtesy of the artist
    January 21 - May 4, 2015

    Daniel G. Andújar

    Operating System

    Through interventions in public space and a critical use of digital media and the communication strategies of the corporations connected to it, the theoretical and artistic work developed by Daniel G. Andújar (Almoradí, Alicante, 1966) oscillates between territories that are real (the city) and virtual (the Net). He sets out from the premise that when displaying/dissecting the connections found between both, the inequalities that generate social and power relations are envisaged in a context like the current one.

  • Exhibition view. Luciano Fabro, 2014
    November 27, 2014 - April 12, 2015

    This exhibition, the first retrospective devoted to the artist since his death, assembles over fifty works that reflect the audacity, strength and complexity of Fabro's work; a body of work that is key to gaining an understanding of the new roads contemporary sculpture has travelled down.

  • Janet Cardiff & George Bures Miller. The Marionette Maker, 2014
    November 19, 2014 - March 16, 2015

    Through the critical and experimental use of sound and voices combined with diverse narrative, scenic and visual elements, Canadian artists Janet Cardiff and George Bures Miller create engulfing, multi-sensorial installations that explore how our perception of reality is shaped and obstructed.

  • Mathias Goeritz, La serpiente de El Eco, variant, 2010-2011. Assembled cardboard and polychrome, 11.5 x 32 x 9.5 cm. Private collection, Madrid
    November 12, 2014 - April 13, 2015

    The return of the snake

    Mathias Goeritz and the invention of emotional architecture

    This exhibition represents an approach to the work of Mathias Goeritz (Danzig, 1915 – Mexico City, 1990), produced after he settled in Mexico in 1949.

  • Patricia Gadea. Untitled. Serie Circo, 1992. Mixed media and collage on cardboard and canvas. 146 x 97 cm. Private collection
    November 5, 2014 - January 5, 2015

    Patricia Gadea


    Atomic-Circus is the first retrospective devoted to the work of artist Patricia Gadea (Madrid, 1960 – Palencia 2006), a key figure in the revival of Spanish painting in the 1980s and 1990s. Her painting emerged at a time of experimentation with freedom, sheltered by the movida cultural movement in Madrid and an atmosphere of euphoria brought about by democratic change.

  • Adelita Husni-Bey, Postcards from the Desert Island, 2010-2011. Kaddist Art Foundation Collection
    October 29, 2014 - February 9, 2015

    The exhibition endeavours to position the notion of critical pedagogy as a crucial element in collective struggles, and explore the tension between individual and social emancipation through education with examples that are both historical and current.

  • Juan Luis Moraza. Endscape (oppenheimereinstein), 2013. Stainless steel, wood. Collection of the author
    October 15, 2014 - March 2, 2015

    republic is an exhibition by Juan Luis Moraza (Vitoria, 1960), assembling a broad selection of his works and structuring them in areas that examine the museum as a system of conventions and possibilities of citizenship.

  • Robert Filliou. Livre-étalon / Standard-book, 1982. Museo Nacional Centro de Arte Reina Sofía. © 2014 Estate of Robert Filliou
    September 23, 2014 - May 13, 2015

    It is not new, it is a book, a quotation by Jacques Louis Nyst, is the title of the first in a series of exhibitions to be presented in the Library and Documentation Centre of the Reina Sofía Museum. The aim of this series is to present every aspect of the artists’ book. Both individual and thematic exhibitions are programmed.

    Biblioteca y centro de documentación
  • Richard Hamilton. Just what is it that makes today’s homes so different, so appealing?, 1956/1992. Collage. 26 x 25 cm. Private Collection. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    June 27 - October 13, 2014

    By virtue of more than 250 works produced between 1949 and 2011, this exhibition offers a comprehensive retrospective look at the work of Richard Hamilton (London, 1922 – 2011), a key figure in Pop Art and one of the most influential British artists of the 20th century.

  • Kerry Jame Marshall. Lost boys AKA Black Johnny, 1993. Courtesy of the artist. Jack Shainman Gallery, NY, and Koplin Del Rio, CA
    June 13 - October 26, 2014

    Kerry James Marshall: painting and other stuff is the first major presentation in Europe of the work of this American artist (Birmingham, Alabama, 1955).