List of selected artworks. Maps for the tour in the museum

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  • Poster for the Encuentros de Pamplona, 1972. Biblioteca y Centro de Documentación, Museo Nacional Centro de Arte Reina Sofía, Madrid
    15 july, 1997 - 14 september, 1997
    Program: Biblioteca y Centro de Documentación

    Los Encuentros de Pamplona (The Pamplona Meetings) (June 26-July 3, 1972) were the turning point in a national artistic evolution in the last years of the Franco dictatorship, in addition to noting a symbolic end to the predominance of informalist painting and abstraction, accepted and used by official cultural policy. The meetings came about from private initiative to support contemporary music creations, sponsored by the Huarte family. From the organisation of a musical event by the Alea Group (Luis de Pablo and José Luis Alexanco), the project quickly grows into an international festival where the new artistic, poetic and cinematographic forms accommodate themselves. The fact that it should be the artists themselves who create and design is insisted upon.

    Biblioteca y centro de documentación
  • Daniel Vázquez Díaz. Eugenio D'Ors, 1926. Drawing. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    22 may, 1997 - 30 september, 1997

    The writer and philosopher Eugenio d'Ors (Barcelona, 1882 - Vilanova i la Geltrú, 1954) is one of the key figures of art criticism in Spain. He is the creator of the Noucentisme concept, which includes a large group of Catalan artists who are Renaixença (Renaissance) heirs. d'Ors has a wealth of literary, critical and historiographical production. His early writings, published in 1899, are followed by the book La muerte de Isidro Nonell (1905), which marks the beginning of a fruitful career and establishes him as an indispensable reference for Spanish intellectuals in the first half of the twentieth century.

    Biblioteca y centro de documentación