26 july, 1994 - 14 october, 1994
Program: Biblioteca y Centro de Documentación
Biblioteca y centro de documentación
Under the stage name "Gecé" Ernesto Giménez Caballero (Madrid, 1899-1988), intellectually multifaceted and a key figure in the Madrid avant-garde scene during the Twenties and Thirties, he is also the author of a collection of over sixty literary posters, produced between 1925 and 1927. They all display his poetic, artistic and critical heritage which recognises the visual poetry imprint of Guillaume Apollinaire’s calligrammes; the transformation of the page into a scene of a collage of heterogeneous images in the same futuristic style as Filippo Tommaso Marinetti’s parole in libertà, and as noted by Martí Peran - curator of the exhibition - the synthesis (and play) between the textual records (verbal) and visual as proposed by Francis Picabia throughout the pages of 391.