List of selected artworks. Maps for the tour in the museum

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  • Ree Morton, Signs of Love (Detail), studio of the artist, 1976 © Estate of Ree Morton. Courtesy Alexander and Bonin, New York and Annemarie Verna, Zurich
    May 19 - September 28, 2015

    The work of Ree Morton (Ossining, NY, 1936 – Chicago, 1977) can be found in the specific art scene in the USA around 1970, characterised by a strong reaction to Abstract Expressionism, via Minimal art, on the one hand, and Conceptual art and Pop art on the other. Different hard-to-classify movements materialised and were defined by Lucy Lippard as “Eccentric Abstraction”, or, for instance, Post-minimalism and phenomenological and performative practices inclined towards ritualism, animism and the body.

  • Carl Andre. Uncarved Blocks, Vancouver, 1975. Kunstmuseum Wolfsburg. Photo: Helge Mundt, Hamburg © Kunstmuseum Wolfsburg Art © Carl Andre/Licensed by VAGA, New York, NY
    May 4 - October 12, 2015

    The exhibition features around 200 sculptures and works on paper of the work of Carl Andre produced over the past 50 years, ranging from his most influential works made with metallic plates, levers, ribbons and slopes, to other unique examples of his artistic practice, serving as an example with which to understand the development of his progressive concept of “sculpture as form, sculpture as structure, sculpture as place”.

  • Federico Guzmán. Tuiza, 2014-2015. The exhibition is organised jointly by the Museo Nacional Centro de Arte Reina Sofía and Fundación Donostia / San Sebastián, European Capital of Culture 2016
    April 16 – August 30, 2015

    Federico Guzmán

    Tuiza. The Cultures of the Bedouin Tent

    Federico Guzmán (Sevilla, 1964) transfers part of his experience and the close ties he has formed with Western Sahara over the past six years or more to the Palacio de Cristal, using plastic possibilities to explore the relationship between art and cultural identity.

  • Paul Klee. Baldgreis, 1922. Oil on cardboard, 40.3 x 37.4 cm. Kunstmuseum Basel © Kunstmuseum Basel
    March 18 - September 14, 2015

    White Fire

    The Kunstmuseum Basel Modern Collection

    The Kunstmuseum Basel is considered one of the finest public municipal museums in the world. The two cornerstones of its collection are the works dating from the 15th and 16th centuries, on one side, and artworks from the 19th century to the 21st , on the other, with the ensemble of the latter making it one of the most significant collections of contemporary art in Europe.

  • Pablo Picasso. Buveuse d’absinthe (The Absinthe Drinker), 1901. Oil on canvas, 81 x 60 cm. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel
    March 18 - September 14, 2015

    Collectionism and Modernity

    Two Case Studies: The Im Obersteg and Rudolf Staechelin Collections

    This exhibition brings together two leading collections of early modernist art that now form part of the holdings of the Kunstmuseum Basel (Basle, Switzerland), the Staechelin Collection and the Im Obersteg Collection, offering an opportunity to enjoy works by the most reputed early modernist masters, the vast majority of which have never before been seen in Spain.

  • Exhibition view. Not Yet. On the Reinvention of Documentary and the Critique of Modernism, 2015
    February 11 - July 13, 2015

    Not Yet

    On the Reinvention of Documentary and the Critique of Modernism

    Not Yet. On the Reinvention of Documentary and the Critique of Modernism sets out from the re-discovery of the Worker-photography movement of the 1920s and 1930, but within the social and intellectual context after 1968 and the new urban struggles.

  • Daniel García Andújar. Estamos vigilando, 1994. Intervention in public space, image of La Concha beach in San Sebastián, Spain. Variable dimensions. Courtesy of the artist
    January 21 - May 4, 2015

    Daniel G. Andújar

    Operating System

    Through interventions in public space and a critical use of digital media and the communication strategies of the corporations connected to it, the theoretical and artistic work developed by Daniel G. Andújar (Almoradí, Alicante, 1966) oscillates between territories that are real (the city) and virtual (the Net). He sets out from the premise that when displaying/dissecting the connections found between both, the inequalities that generate social and power relations are envisaged in a context like the current one.

  • Exhibition view. Luciano Fabro, 2014
    November 27, 2014 — April 12, 2015

    This exhibition, the first retrospective devoted to the artist since his death, assembles over fifty works that reflect the audacity, strength and complexity of Fabro's work; a body of work that is key to gaining an understanding of the new roads contemporary sculpture has travelled down.

  • Janet Cardiff & George Bures Miller. The Marionette Maker, 2014
    November 19, 2014 - March 16, 2015

    Through the critical and experimental use of sound and voices combined with diverse narrative, scenic and visual elements, Canadian artists Janet Cardiff and George Bures Miller create engulfing, multi-sensorial installations that explore how our perception of reality is shaped and obstructed.

  • Mathias Goeritz, La serpiente de El Eco, variant, 2010-2011. Assembled cardboard and polychrome, 11.5 x 32 x 9.5 cm. Private collection, Madrid
    November 12, 2014 - April 13, 2015

    The return of the snake

    Mathias Goeritz and the invention of emotional architecture

    This exhibition represents an approach to the work of Mathias Goeritz (Danzig, 1915 – Mexico City, 1990), produced after he settled in Mexico in 1949.

  • Patricia Gadea. Untitled. Serie Circo, 1992. Mixed media and collage on cardboard and canvas. 146 x 97 cm. Private collection
    November 5, 2014 - January 5, 2015

    Patricia Gadea

    Atomic-Circus

    Atomic-Circus is the first retrospective devoted to the work of artist Patricia Gadea (Madrid, 1960 – Palencia 2006), a key figure in the revival of Spanish painting in the 1980s and 1990s. Her painting emerged at a time of experimentation with freedom, sheltered by the movida cultural movement in Madrid and an atmosphere of euphoria brought about by democratic change.

  • Adelita Husni-Bey, Postcards from the Desert Island, 2010-2011. Kaddist Art Foundation Collection
    October 29, 2014 - February 9, 2015

    The exhibition endeavours to position the notion of critical pedagogy as a crucial element in collective struggles, and explore the tension between individual and social emancipation through education with examples that are both historical and current.

  • Juan Luis Moraza. Endscape (oppenheimereinstein), 2013. Stainless steel, wood. Collection of the author
    October 15, 2014 - March 2, 2015

    republic is an exhibition by Juan Luis Moraza (Vitoria, 1960), assembling a broad selection of his works and structuring them in areas that examine the museum as a system of conventions and possibilities of citizenship.

  • Robert Filliou. Livre-étalon / Standard-book, 1982. Museo Nacional Centro de Arte Reina Sofía. © 2014 Estate of Robert Filliou
    September 23, 2014-April 2015

    It is not new, it is a book, a quotation by Jacques Louis Nyst, is the title of the first in a series of exhibitions to be presented in the Library and Documentation Centre of the Reina Sofía Museum. The aim of this series is to present every aspect of the artists’ book. Both individual and thematic exhibitions are programmed.

    Biblioteca y centro de documentación
  • Richard Hamilton. Just what is it that makes today’s homes so different, so appealing?, 1956/1992. Collage. 26 x 25 cm. Private Collection. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    June 27 - October 13, 2014

    By virtue of more than 250 works produced between 1949 and 2011, this exhibition offers a comprehensive retrospective look at the work of Richard Hamilton (London, 1922 – 2011), a key figure in Pop Art and one of the most influential British artists of the 20th century.