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  • Marcel Broodthaers. Section publicité du Musée d’Art Moderne. Département des Aigles (Publicity Section from the Modern Art Museum. Department of Eagles). 1972 Installation. Kunstsammlung Nordrhein-Westfalen
    5 october, 2016 - 9 january, 2017

    Marcel Broodthaers

    A Retrospective

    The Museum of Modern Art, New York, and the Museo Reina Sofía have organised what will be one of the most comprehensive retrospectives devoted to Belgian artist Marcel Broodthaers (1924–1976). His remarkable output in the 1960s and 1970s established him as one of the most important artists on the international scene, and one of the most influential for numerous contemporary artists from that time to the present day.

  • Txomin Badiola. Bañiland 6, 1990-1992. Painting, wood, construction, plastic and serigraphy. A. Trullenque Collection
    22 September, 2016 - 26 February, 2017

    The retrospective by Basque artist Txomin Badiola (Bilbao, 1957), housed in the Palacio de Velázquez, will present a broad selection of his output – photographic works, drawings, sculptures and multimedia installations – spanning from the 1980s to the present day.

  • Exhibition view. Damián Ortega. The Rocket and the Abyss, 2016
    May 5 - October 2, 2016

    Damián Ortega

    The Rocket and the Abyss

    Damián Ortega (Mexico City, 1967) started out as a newspaper cartoonist in the 1980s, approaching the political scene with acerbic wit. His artistic concerns shifted when he joined the Taller de los Viernes (Friday Workshop) in Tlalpan (active from 1987 to 1992), a self-styled school and the place where he would come into contact with a creative community that was both diverse and an alternative to the dominant reactionary muralism in Mexico at the time. It was in this milieu that he realised his first sculptures, continuing the ironic tone from his previous profession.

  • Quintanilla, Luis. Ruinas [Ruins], 1943. Graphite, watercolor, black ink pen, crayon on paper. Museo Nacional Centro de Arte Reina Sofía Collection
    April 26 - September 26, 2016

    Campo Cerrado

    Spanish Art 1939–1953

    The exhibition Campo Cerrado takes its name from the homonymous novel by Max Aub and looks to examine Spanish art in the complex and controversial 1940s, a decade that has received little attention and one that exists in a critical and historiographical vacuum, despite its importance in structuring modern sensibility in Spain.

  • Exhibition view. Erlea Maneros Zabala, 2016
    April 19 – August 29, 2016
    Program: Fisuras

    The work of Erlea Maneros Zabala (Bilbao, 1977) analyses the conditions and effects of image production, addressing the contexts generated and the modes of distribution. The issues raised by her work can be found in the academisation of languages of abstraction, the notion of authorship and the relationships established between handicrafts and mass production through the use of mechanical resources in production processes.

  • C.A.D.A. (Colectivo Acciones de Arte). ¡Ay Sudamérica!, 1981. Museo Nacional Centro de Arte Reina Sofía © 2016 Archivo y obra C.A.D.A.
    April 12 - September 13, 2016

    This exhibition brings together an extensive selection of materials from the C.A.D.A. Archive and Work, recently acquired by the Museum on the basis of the dialogue with the artists who conserve the original material, Lotty Rosenfeld and Diamela Eltit, and the researches of the Red de Conceptualismos del Sur, besides other complementary materials.

    Biblioteca y Centro de Documentación
  • Wifredo Lam in front of one of his works from the Brousses series in his studio of Albissola, 1963
    April 6 - August 15, 2016

    The retrospective on Cuban painter Wifredo Lam (Sagua La Grande, 1902 – Paris, 1982), organised by the Centre Pompidou, Museo Reina Sofía and Tate Modern, acknowledges the common desire to consider modernity in all its complexity and endeavours to redefine Lam’s work inside a history of international art in which he stands as a key figure.

  • Exhibition view. Rémy Zaugg. The Question of Perception, 2016
    March 31 - August 28, 2016

    Rémy Zaugg

    The Question of Perception

  • Mail Art and the Big Monster (detail), 1977
    March 16 - October 10, 2016

    Ulises Carrión

    Dear reader. Don’t read

    The retrospective devoted to Ulises Carrión (San Andrés Tuxtla, Veracruz, Mexico, 1941 – Amsterdam, 1989) explores his multifaceted artistic and intellectual work. It spans his beginnings as a young, successful and well-respected writer in Mexico, his spells in France, Germany and England between 1964 and 1972, when he sharpens his resolve to innovate in language, ending at the time he definitively settles in Amsterdam, the place where he realises a wide array of artistic, literary and cultural activation activities.

  • Alexandre Estrela. Pockets of Silence, 2015
    December 16, 2015 – March 28, 2016

    Alexandre Estrela

    Pockets of Silence

    Program: Fisuras

    Alexandre Estrela (Lisbon, 1971) uses film and video as the core mediums in his artistic practice, which questions the materiality of the image, dialoguing with a history of experimental film, video and photography, which finds some of its symbolic evidence in the films of Marcel Duchamp, in photographs by Man Ray or cut-up narratives from Burroughs, for example.

  • Juan Giralt. Zumo de limón, 2006.  Acrilic and collage on canvas. Private Collection. Image: Juan Giralt Ortiz, VEGAP, Madrid, 2015
    December 2, 2015 - February 29, 2016

    The work of Juan Giralt (Madrid, 1940–2007) was initially self-taught in the Informalism that predominated the 1950s. During 1970s and 1980s his new interpretation of figurative painting, turning him into a reference point of New Figuration in Madrid.

  • Andrzej Wróblewski, Szofer (Szofer niebieski) [Chauffeur (Blue Chauffeur)], 1948, Private collection, Warszaw  © Courtesy Andrzej Wróblewski Foundation
    November 17, 2015 - February 28, 2016

    Andrzej Wróblewski

    Recto / Verso

    Andrzej Wróblewski (1927–1957) is, despite his short life, one of the most important Polish artists of the 20th century. This exhibition, the first retrospective held outside his country, enables his work to be contemplated in a way that goes beyond the reductionist clichés of socialist realism.

  • Hito Steyerl. How Not to Be Seen: A Fucking Didactic Educational.MOV File, 2013*
    November 11, 2015 - March 21, 2016

    Hito Steyerl

    Duty-Free Art

    Regarded as one of the most relevant contemporary artists in the field of Video art, Hito Steyerl (Munich, 1966) approaches current themes in her work, for instance the impact the proliferation of images and the use of the Internet and technology have on our lives.

  • Ignasi Aballí Mapamundi 2010, 2011. Collage on paper, 30 x 21 cm each one (110-115 copies approx.). Artist’s collection
    October 28, 2015 - March 27, 2016

    Ignasi Aballí

    without beginning / without end

    In October the Museo Nacional Centro de Arte Reina Sofía will present an exhibition devoted to Ignasi Aballí (Barcelona 1958). The output of this Catalan artist offers a conceptual reflection on the representation and perception of mediums such as painting, the object or photography.

  • Constant Rode sector, 1958. © Constant, VEGAP, Madrid, 2015
    October 21, 2015 - February 29, 2016

    Constant

    New Babylon

    Constant (Constant Anton Nieuwenhuys, Amsterdam, 1920 – Utrecht, 2005) realised scale models, paintings, drawings and collages displaying his concept of a nomad city of the future – New Babylon – a complex and expansive labyrinth that transformed the whole world into one sole network.