List of selected artworks. Maps for the tour in the museum

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  • Janet Cardiff & George Bures Miller. The Secret Hotel, 2005. Photo: Markus Tretter. Installation view in Kunsthaus Bregenz
    20 November, 2014 - 16 March, 2015
  • Mathias Goeritz, La serpiente de El Eco, variant, 2010-2011. Assembled cardboard and polychrome, 11.5 x 32 x 9.5 cm. Courtesy of La Caja Negra
    12 November 2014 - 13 April 2015

    This exhibition represents an approach to the work of Mathias Goeritz (Danzig, 1915 – Mexico City, 1990), produced after he settled in Mexico in 1949.

  • Patricia Gadea. Untitled. Serie Circo, 1992. Mixed media and collage on cardboard and canvas. 146 x 97 cm. Private collection
    5 November, 2014 - 5 January, 2015

    Patricia Gadea

    Atomic-Circus

  • Adelita Husni-Bey, Postcards from the Desert Island, 2010-2011. Kaddist Art Foundation Collection
    29 October 2014 - 9 February 2015

    The exhibition endeavours to position the notion of critical pedagogy as a crucial element in collective struggles, and explore the tension between individual and social emancipation through education with examples that are both historical and current.

  • Juan Luis Moraza. Endscape (oppenheimereinstein), 2013. Stainless steel, wood. Collection of the author
    15 October, 2014 - 2 March, 2015
  • Robert Filliou. Livre-étalon / Standard-book, 1982. Museo Nacional Centro de Arte Reina Sofía. © 2014 Estate of Robert Filliou
    September 23, 2014-April 2015

    It is not new, it is a book, a quotation by Jacques Louis Nyst, is the title of the first in a series of exhibitions to be presented in the Library and Documentation Centre of the Reina Sofía Museum. The aim of this series is to present every aspect of the artists’ book. Both individual and thematic exhibitions are programmed.

    Biblioteca y centro de documentación
  • Richard Hamilton. Just what is it that makes today’s homes so different, so appealing?, 1956/1992. Collage. 26 x 25 cm. Private Collection. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    June 27 - October 13, 2014

    By virtue of more than 250 works produced between 1949 and 2011, this exhibition offers a comprehensive retrospective look at the work of Richard Hamilton (London, 1922 – 2011), a key figure in Pop Art and one of the most influential British artists of the 20th century.

  • Kerry Jame Marshall. Lost boys AKA Black Johnny, 1993. Courtesy of the artist. Jack Shainman Gallery, NY, and Koplin Del Rio, CA
    June 13 - October 26, 2014

    Kerry James Marshall: painting and other stuff is the first major presentation in Europe of the work of this American artist (Birmingham, Alabama, 1955).

  • Collection Palabra e Imagen, published by the Lumen publishing house between 1961 and 1975
    28 May, 2014 – 5 January, 2015

    The Exhibition photobooks. Spain 1905-1977 presents a journey through the history of the photobook in Spain, setting off at the beginning of the 20th century and ending in the mid seventies, via a selection from the Museo Reina Sofía Collection, contextualised and accompanied by an assortment of complementary material.

  • Palle Nielsen, A group of activists from different organisations in Denmark cleared a backyard in Stengade 52 in the area Nørrebro in Copenhagen the 31 of March 1968 and build a playground for the children instead. This was done to create attention of the lack of playgrounds as well as an overall redevelopment of the area. © VEGAP, Madrid, 2014 © PETERSEN ERIK / Polfoto
    April 30 – September 22, 2014

    Playgrounds

    Reinventing the Square

    The exhibition uses the term playground to propose a historical-artistic look at play areas and their socializing, transgressive and political potential, from the beginning of modernity to our day.

  • Exhibition view. Time and Things. The Home Studio of Hanne Darboven, 2014
    March 26 – September 1, 2014

    Hanne Darboven’s home studio forms the starting and arrival point of her work, both materially and conceptually; a key part of her legacy and essential to her oeuvre.

  • March 13 – October 19, 2014
  • Wols. Composition, 1941-1942. Pen, ink with color on paper. 20 x 12,8 cm. The Menil Collection, Houston. Photographer: Paul Hester
    February 13 - May 26, 2014

    The exhibition focuses on the “abstract” ouvre by Wols produced since the Second World War and in the photographs taken shortly before the war. “The street” and “the cosmos” are an original key reading of Wols’ work, whose contribution to twentieth-century art is yet to be fully recognized.

  • Amos Gitai. Photographies of the set for the film Esther. 1984-1985
    February 5 – May 19, 2014

    The exhibition proposes a journey through the places and characters that have shaped the films and the biography of Amos Gitai. Fragments of his films and documents drawn from his personal archive, examine the way in which the filmmaker has interpreted his own genealogy.

  • “Exterminate all the Brutes”, a scene from La Nave Madre, 2013 © Tracey Rose, courtesy Dan Gunn, Berlin and Goodman Gallery, Johannesburg. Photograph by Christopher Wessels. Pictured: Tracey Rose and Javier Montero
    January 29 - May 26, 2014
    Program: Fisuras

    For her first solo exhibition in Spain, the artist Tracey Rose (Durban, South Africa, 1974) presents her new project entitled (x). It consists of a video-installation and an energy space created from two pieces that feature light, acoustic and chromatic elements.