List of selected artworks. Maps for the tour in the museum



Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.


  • Screenshot from, archiving project by Red Conceptualismos del Sur, in collaboration with the Museo Reina Sofia
    December 11 - 12, 2015
    Seminars and conferences Seminar

    This seminar views the archive as a present-day political driving force striving to define mechanisms that do not cancel out the dynamic and transversal collectives they originate from. Via two tables for discussion and public presentations, the seminar will debate institutional, technological and economic models that comprise different forms of archive.

    Study center
  • Fabià Puigserver, drawing for the “Llibertat d’expressió” campaign, 1977 Centre de Documentació i Museu de les Arts Escèniques (MAE) del Institut del Teatre
    November 19 - 21 and 26, 2015
    Seminars and conferences Seminar Conference

    Independent theatre groups in Spain revamped the stage from popular culture, university classrooms, alternative circuits and touring as a form of representation. As a whole, they represent a key chapter in the history of 20th-century theatre in Spain, and this seminar, integrated into a broader network project, looks to remedy the absence of debates and studies around this crucial subject.

  • Exhibition view. Danh Vō. Banish the Faceless / Reward your Grace, 2015
    October 2, 2015 - 7:00 p.m.

    Encounter with Danh Vō

    In conversation with Patricia Falguières

    Seminars and conferences Encounter

    Iconoclasm, desire, vulnerability, migration and cultural translation are some of the themes that impress particular intensity upon the work of Danh Vō. This encounter, also held in the Palacio de Cristal, sees the artist enter into conversation with Patricia Falguières, professor at the École des hautes etudes in social sciences in Paris, and author of essays such as Les Chambres de merveilles (Bayard, 2002).

  • Cristina Iglesias. Tres Aguas (Three Waters). 2014
    September 30, 2015 - 7:00 p.m.

    Presentation of Tres Aguas (Three Waters)

    Cristina Iglesias in conversation with James Lingwood and Manuel Borja-Villel

    Seminars and conferences Book presentation

    The presentation of Cristina Iglesias’ book and project could be seen as an epilogue to the exhibition Metonymy, a 2013 retrospective on the artist held in the Museo. Tres Aguas (Three Waters) is a sculptural intervention in the city of Toledo that joins nature, history and landscape.

  • Nasreen Mohamedi. Untitled, ca. 1970. Drawing. Kiran Nadar Museum of Art, New Delhi
    September 23, 2015 - 7:00 p.m.
    Seminars and conferences Encounter

    This encounter serves as an introduction to the retrospective devoted to Indian artist Nasreen Mohamedi (Karachi, 1937 – Baroda, 1990), an exhibition that looks to acknowledge the specific nature of her work, beyond the canonical accounts that have systematically placed it within minimalist abstraction.

  • Colectivo Armadillo. 66 Exercises. Stage work, 2015
    September 17 and October 1, 2015 - 8:00 p.m.
    Live Arts Theatre Seminars and conferences Encounter

    The Museo marks the 55th anniversary of the OuLiPo group with two activities: The presentation of the work 66 Exercises in Style by Colectivo Armadillo, and a discussion which revolves around the group, which includes participation from illustrious specialists and certain members of this historic literary experiment.

  • Eduardo Arroyo. Los cuatro dictadores (The Four Dictators), 1963. Painting. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    June 18 - 20, 2015
    Seminars and conferences Seminar

    The international conference Politics, State Power and the Making of Art History in Europe after 1945 explores the ways political power seeks to shape and influence the activities of art historians, art critics, museum professionals and cultural institutions in order to control the understanding of art and artistic heritage from 1945 to the present.

  • Marcel Broodthaers. Panel with Eggs and Stool, 1966. Assemblage. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    June 9 - 10, 2015

    Benjamin Buchloh

    Master Lecture

    Seminars and conferences Lecture

    Started in 2010, the Museo Reina Sofía’s programme of master lectures marks the beginning, or end, of the annual academic activity conducted in the Museo, comprising a series of MAs, study programmes, debate groups and research residencies, run in collaboration with different universities.

    Study center
  • Nouvel Building, Auditorium 400
    20 May, 2015 - 7:30 p.m.

    Conversations. Néstor García Canclini

    Creative, precarious and intercultural

    Seminars and conferences Conference

    What are innovation and originality in diverse times? How does the precarious artist participate in the so-called economies of creativity? This lecture sees the Argentinian philosopher and cultural critic Néstor García Canclini analyse the redistributions and alternatives to creativity that come together in a new contemporary framework of institutions, movements, audiences and networks.

  • 13 May, 2015 - 7 p.m.

    Conversations. Claudia Zaldívar

    Museum of Solidarity

    Seminars and conferences Conference

    Founded by intellectuals such as Mario Pedrosa, Dore Ashton, Carlo Levi and the Spanish critic José María Moreno Galván, this institution represented a brief experience that, while connecting Chile and Palestine, Senegal and the spaces of resistance in the Western world between 1971 and 1973, was used to seek alternative references during the Cold War. This talk by its director, Claudia Zaldívar, introduces its history and recovery. 

  • Andreas Seltzer & Dieter Hacker. Volksfoto: Foto kaput. Installation, Museum Bochum (Germany). Reconstruction in Not Yet. On the Reinvention of Documentary and the Critique of Modernism, Museo Reina Sofía, 2015
    May 11 - 26, 2015 - 19:00 h
    Seminars and conferences Conference

    In relation to the exhibition Not Yet. On the Reinvention of Documentary and the Critique of Modernism, this series of lectures offers a context for the discussion on the reframing of documentary culture in the 1970s and 1980s. The programme brings together international scholars to debate some of the key aspects of the exhibition from different perspectives.

  • Carl Andre, Magnesium Copper Plain, 1969. Sculpture. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    May 4, 2015 - 6:00 p.m.

    Encounter centred on Carl Andre

    Yasmil Raymond in conversation with João Fernandes

    Seminars and conferences Conference

    This encounter serves as an introduction to the exhibition in the Museo devoted to North American artist Carl Andre (Quincy, Massachusetts, 1935) and looks to provide perspective on an artistic career that spans the second half of the 20th century and which has been historiographically defined by its generational affiliation with the time Minimalism embarked upon the redefinition of sculpture.

  • Colliers Magazine, Preview of a War We Don’t Want, 1957
    April 29 - 30, 2015 - 6:00 p.m.
    Seminars and conferences Seminar

    This seminar sets out to rewrite the history of post-war art in Europe, traditionally presented as the disjointed amalgamation of art scenes divided into antagonistic blocs. By deconstructing national limits and articulating a transversal debate, this programme presents a divergent history, whilst also identifying new voices and positions.

  • Exhibition view. Federico Guzmán. Tuiza. The Cultures of the Bedouin Tent, 2015
    April 16 - August 21, 2015
    Live Arts Concert Cinema and video Film series Seminars and conferences Conference Poetry reading

    This programme of activities, which relates Sahrawi culture to a broader social and cultural framework, aims to become tuiza, a space that reimagines an alternative possible geography, where its centres are not metropolises of financial power, but narrations and accounts of a periphery that lives on in expressions of identity and cultural contamination.

  • Mathias Goeritz. Dibujo ideográfico del Museo Experimental El Eco, 1952. Colección Luis Enrique Noriega
    Seminar: April 8 - 9, 2015 - 6:00 p.m.
    Seminars and conferences Seminar Book presentation

    This seminar is the culmination of the exhibition The Return of the Snake. Mathias Goeritz and the Invention of Emotional Architecture and looks to generate a debate centred on the artist Mathias Goertiz as a unique case study with which to understand the phenomena of the translation, reinterpretation and survival of modernity in a new time in history, straight after the war.