List of selected artworks. Maps for the tour in the museum

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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

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  • Andrzej Wróblewski. Muzeum (Museum).Drawing, 1956
    February 11 - 12, 2016 - 7:00 h

    Luc Tuymans and Andrzej Wajda

    Two Readings of Andrzej Wróblewski

    Cinema and video Screenings Seminars and Lectures Seminar

    The conversation between the painter Luc Tuymans and the curator Ulrich Loock, and the film Wróblewski According to Wajda, premiered by the film-maker Andrzej Wajda in the Museo Reina Sofía, represent two reflections on the painting of Andrezej Wróblewski, who still challenges the interpretative frameworks of 20th-century art history today. A realist and at the same time abstract, an individualist whilst also an advocate of collective artistic practice, experimental yet socially committed, Wróblevski considers a series of ambivalences through his work that call into question key aspects of both his own epoch and the present.

  • View of the Sabatini Auditorium
    September 27 and 28, 2013

    After the margins

    A look at the other cinema in Spain

    Cinema and video Film series Seminars and Lectures Seminar

    Film on the margins, from the peripheries, and the other cinema are among the terms used to refer to works that have been made outside the industry in recent years in Spain. Beyond this condition of existence, a number of additional criteria are fulfilled by these films, suggesting something of a group identity. More specifically: independent production and distribution platforms, the incorporation of the experimental language used in the field of art (exhibition video and film) and the liberal use of documentary techniques in the form of essay film are some of the features found throughout this other cinema.