List of selected artworks. Maps for the tour in the museum

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  • December 4 and 5, 2013

    Cities in revolt

    Producing common knowledge in Madrid

    Seminars and conferences Workshop Seminar

    This activity presents the research conducted by Pulska Grupa, a Croatian collective of architects and urban planners who have been research residents at Museo Reina Sofía in 2012-2013.

    Study center
  • November 27 and 28, 2013 - 10:00 a.m. and 4:00 p.m.
    Seminars and conferences Seminar Conference

    This project is conceived as a plural space for reflection and debate, the aim of which is generate proposals based on a critical diagnosis of the contemporary art system in Spain.

  • Exhibition view. Idea: Pintura Fuerza, 2013
    November 15, 2013 - 6:00 p.m.
    Seminars and conferences Seminar Conference

    With the participation of Armando Montesinos, Mariano Navarro and Juan Pablo Wert, this activity presents the exhibition Idea: Painting-Force

  • February, June and November 2013
    Seminars and conferences Seminar

    This series of three seminars is an interuniversity partnership project based on the collaborative work of a diverse group of researchers. The debate platform, with the participation of the Faculty of Fine Arts of the Universidad Complutense de Madrid, the Universidad de Navarra and the Museo Reina Sofía, analyses art education at a time in which academic teaching hovers between the creative industry and the specificity of the artist's role.

  • View of the Sabatini Auditorium
    September 27 and 28, 2013

    After the margins

    A look at the other cinema in Spain

    Cinema and video Film series Seminars and conferences Seminar

    Film on the margins, from the peripheries, and the other cinema are among the terms used to refer to works that have been made outside the industry in recent years in Spain. Beyond this condition of existence, a number of additional criteria are fulfilled by these films, suggesting something of a group identity. More specifically: independent production and distribution platforms, the incorporation of the experimental language used in the field of art (exhibition video and film) and the liberal use of documentary techniques in the form of essay film are some of the features found throughout this other cinema.

  • Joaquín Torres-García. Círculo y cuadrado Magazine, n. 3, Asociación de Arte Constructivo, Montevideo, February 1937. Library and Documentation Centre, Museo Nacional Centro de Arte Reina Sofía, Madrid
    July 11 – 13, 2013
    Seminars and conferences Conference Seminar

    This international event, which brings together researchers, artists and curators from both sides of the Atlantic, seeks to stimulate reflection about the notion of avant-garde in relation to the experience and discourse of modernity between 1920 and 1970.

  • Brian Holmes. Movements of Capital. Sketch, 2005
    May 20 and 21, 2013 - 6:00 p.m. and 5:00 p.m.

    Unleashing the event

    Seminar with Brian Holmes

    Seminars and conferences Conference Seminar

    When trying to understand the impact that artistic practices have on the public sphere, people usually speak of a confrontation between art and politics. In this seminar, comprised of a lecture and a workshop, Brian Holmes takes a step beyond this dichotomy, and situates art, once again, in relation to existential affections, forms of organisation, bodies and theory. 

  • Rabih Mroué. The Pixelated Revolution. Performance, 2012
    April 12 - 13, 2013
    Seminars and conferences Seminar Live Arts Performance art

    The new direction taken by political and social happenings in recent years has once again made public space an excellent place for manifestations by the community. In contrast with the situation during the last third of the 20th century, dissident action does not avoid urban spectacularization, hiding in private or clandestine spheres. Instead it transforms and is shown in public space. This seminar explores the use of “theatrical” gestures, behaviours and performances in social space for the purpose of expressing disagreement and dissidence, and it also examines the way that today's art, specifically theatre, has taken in and dialogued with these non-artistic theatricalities.

    Study center
  • Maruja Mallo. El canto de las espigas. Pintura, 1939. Colección Museo Reina Sofía.
    April 8 – May 14, 2013 - 7:00 p.m.
    Seminars and conferences Conference Seminar

    This post-graduate course, associated with the research project "After the Republic: networks and two-way paths in Spanish art from 1931 to 1981" (National Plan for Research, Development and Innovation HAR2011-25864), is conceived as an introduction to the evolution, creation, promotion and historiographic fate of Spanish art, in times of peace and war and both within and outside the country, over a period of five decades. The period examined spans the Republic, the Civil War and dictatorship-exile.

    Study center
  • Call for Papers. Transatlantic Encounters: avant-garde discourses in Spain and Latin America
    February 28, 2013

    Call for Papers

    Transatlantic Encounters: avant-garde discourses in Spain and Latin America

    Seminars and conferences Seminar

    This program aims to explore the notion of avant-garde as it relates to the experience of modernity and to the shaping of the political and aesthetic vanguardia by post-war art and politics between 1920 and 1970. The specific nature of avant-garde and neo avant-garde practices, and the way in which transnational dialogue helped delineate artistic discourses in Spain and Latin America, will be the reflections guiding this event.

  • February 28 and March 1, 2013 - 7:00 p.m.

    Simón Marchán Fiz

    From object art to concept art (1972-2012)

    Seminars and conferences Lecture Seminar
  • Eulàlia Grau. Temps de lleure (Etnografía), 1974. Museo Nacional Centro de Arte Reina Sofía. Depósito temporal colección de la artista, 2010
    February 22 and 23, 2013
    Seminars and conferences Seminar

    This seminar seeks to contribute to the discussion begun by the exhibition Feminist Genealogies in Spanish Art: 1960-2010 (MUSAC, León, 24 June 2012 - 23 February 2013). This exhibition, curated by Juan Vicente Aliaga and Patricia Mayayo, highlights the role of discourses concerning gender and sexual identities in contemporary Spanish art, a topic traditionally ignored by historiography. The project, in parallel with the successive rearrangements of the Museum's Collection, proposes a rereading of recent art history in Spain, with different eyes and from a different perspective, recovering the work of many female artists who have been unfairly disdained.

  • Subtramas. Diagram. Drawing, 2012
    January 11-12, 2013
    Seminars and conferences Seminar

    This seminar studies audiovisual works that use methodologies and processes of a collective nature at different levels. This seminar juxtaposes three fundamental lines of work related to the politics of collaborative practices in the field of images: the audiovisual production of new imaginaries, the participatory experiences they undergo upon reception and a pedagogy of the collective image.

    Study center