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  • Mike and George Kuchar. Sins of the Fleshapoids. Film, 1965
    6 - 28 August, 2014 - 7:00 p.m.
    Cinema and video Film series

    This programme presents pop confronting pop, recognising the seduction of consumer culture whilst also keeping it at a critical distance. In relation to the exhibition devoted to Richard Hamilton, this series approaches the popular as subversion and as an investigation into the characteristics of a new society that emerged between the 1950s and 1970s.

  • Black Audio Film Collective. Handsworth Songs. Film, 1987. Courtesy of the Black Audio Film Collective and LUX, London
    2, 3, 9, 10 and 16 July 2014 - 7:00 p.m.
    Cinema and video Film series

    Active in the UK between 1982 and 1997, the Black Audio Film Collective symbolised a radical attempt to transform education, institutions and the representation of black identity in independent film, with their work condensing a complex palimpsest of voices that, found between nascent politics of representation, put forward a language of diaspora.

  • Djibril Diop Mambéty. Touki Bouki. Film, 1973
    24 March - 30 April, 2014 - 7:00 p.m.
    Cinema and video Film series

    Cinema is a privileged medium in the narrative construction of biography, yet, in the face of narcissism from the mythologies of self, this film series shows life in its temporary form, both fragile and precarious, and presents a programme that spans from Neorealism to recent post-colonial cinema.

  • Aki Kaurismäki. Dogs have no hell. Film, 2002
    February 21 - March 22, 2014 - 7:00 p.m.

    After the Shipwreck

    The Cinema of Aki Kaurismäki (1983-1996)

    Cinema and video Film series

    With a filmography that contains theatrical parody and documentary realism in equal proportions, Kaurismäki’s cinema is based on the paradoxes and fault lines of contemporaneity. This retrospective, the first to be held in a modern art museum, is complemented by a master class and a carte blanche program chosen by the filmmaker. 

  • Amos Gitai. House. Movie, 1980
    5, 6, 11, 12, 13, 17, 18, 19, 24 and 26 February, 2014

    Biography, history, territories

    Nine films by Amos Gitai

    Cinema and video Film series

    The cinema of Amos Gitai is that of an architect-filmmaker, but it is also that of a biographer-filmmaker. Organised in connection with the exhibition The Biographies of Amos Gitai, this series spans over 30 years of activity and points to the historical strata underlying the conflict between Israel and Palestine.   

  • Rafael França. Prelúdio de uma morte anunciada. Video, 1991
    December 11, 2013 - 7:00 p.m.
    Cinema and video Film series

    AIDS Anarchive began within the framework of the 2012-2013 research residencies at Museo Reina Sofía, as part of the production process of a “counter-archive” or an anarchive of AIDS policies, with attention being paid for the first time to practices occurring outside of the Anglo-Saxon or Western and Central European settings.

    Study center
  • David Cronenberg. Videodrome. Film, 1983. Courtesy of Video Profilmar
    November 11, 14, 18, 24, 25, 28 and December 2, 5, 12, 2013 - 7:00 p.m. except for November 24

    The image is a virus

    Histories of cinema (1980-1990s)

    Cinema and video Film series

    This audiovisual series looks at the 1980s, and that decade’s prolongation into the 1990s, as a genealogy of much of the dialectics that explain contemporary, as a time period and cultural category.

  • View of the Sabatini Auditorium
    September 27 and 28, 2013

    After the margins

    A look at the other cinema in Spain

    Cinema and video Film series Seminars and conferences Seminar

    Film on the margins, from the peripheries, and the other cinema are among the terms used to refer to works that have been made outside the industry in recent years in Spain. Beyond this condition of existence, a number of additional criteria are fulfilled by these films, suggesting something of a group identity. More specifically: independent production and distribution platforms, the incorporation of the experimental language used in the field of art (exhibition video and film) and the liberal use of documentary techniques in the form of essay film are some of the features found throughout this other cinema.

  • Albert Serra. Historia de la méva mort. Film, 2013
    September 18 - October 17, 2013

    Unending stories

    Narrations from the Other Cinema (2010-2013)

    Cinema and video Film series

    In recent years, it has been pointed out that one of the identifying features of Spanish alternative film is the exploration of the real.

  • Alexander Kluge. News from Ideological Antiquity: Marx/Eisenstein/Capital . Film, 2008
    September 7 and 14, 2013

    Alexander Kluge

    News from Ideological Antiquity: Marx/Eisenstein/Capital

    Cinema and video Film series

    News from Ideological Antiquity: Marx/Eisenstein/Capital (2008) is one of the most complex and monumental films of recent film history. Throughout the almost nine hours that the film lasts, its director, Alexander Kluge (Germany, 1932), offers his own construction of Eisenstein's unfinished project of filming Capital by Karl Marx, an idea conceived after a feverish encounter between the Russian filmmaker and James Joyce in 1927.

  • Babaouo is a surrealist film, 1932. Collage for the film's poster. © Salvador Dalí. Fundació Gala – Salvador Dalí, VEGAP, Madrid, 2013
    Friday August 30th and Saturday August 31st - Sessions starting at 11 a.m.

    Final Delirium

    The Audiovisual Dalí

    Cinema and video Film series

    This audiovisual series looks at Salvador Dalí's film, video and television production, as a culmination of the exhibition Dalí. All of the poetic suggestions and all of the plastic possibilities. Almost five hours in length, this collection of works, with repeat screenings over two days, argues that the relationship between Dalí and mass culture is key to understanding the artist's work, but also to developing a different idea of modernity, one that conveys the spectacular and tumultuous nature of 1930s modernity. 

  • Carlos Reygadas. Post Tenebras Lux. Film, 2012
    July 17 - August 30, 2013 - 7:00 p.m.

    Imminent Mexico

    Imaginaries of the insurgency in contemporary film

    Cinema and video Film series

    This summer film series explores one of the contemporary cinematographies that, although very interesting, is among the least distributed in Europe. Midway between new auteur voices and the poetics of documentary, this series shows how film responds to a situation of provisionality and how it imagines the future from the vantage point of uncertainty.

  • Eduardo Coutinho. Babilônia 2000. 2000. Copia proporcionada por Videofilmes, Brasil
    February 23 – April 12, 2013 - 7:00 p.m.

    Eduardo Coutinho

    Retrospective

    Cinema and video Film series

    Eduardo Coutinho (São Paulo, 1933) is an essential name in Latin American documentary film. His work is shaped by political issues but manages to avoid propaganda, as he addresses the everyday lives and subjectivities of marginal majorities with a sensibility not altered by melodrama. This retrospective, the most extensive to date, presents a body of work that ranges from the context of Cinema Novo to the analysis of fiction in contemporary film.

  • Rafael Saar. Homem-ave, 2010. Photograph: Angelo Zolini
    January 9 - February 15, 2013 - 7:00 p.m.

    The friction of bodies

    Film and video about the 1980s in Latin America

    Cinema and video Film series

    The friction of bodies is a film and video series that presents a broad panorama of different artistic and political manifestations from the 1980s, which arose during and co-existed with the years of repression in Latin America. Many of these videos and films, most of which have never been shown publicly outside of their original contexts, demonstrate the emergency of new political subjects and forms of subcultural participation. The program also includes recent film proposals that look back at the agitated times of the 1980s in this context, to offer different readings or to activate a memory still throbbing within us.

  • January, 2012 or The apotheosis of Isabella the Catholic (Los Hijos)
    November 5 - December 5, 2012

    New forms of documentary in Spain

    The urgencies of contemporeneity

    Cinema and video Film series

    This collection offers a broad vision of how some of the audiovisuals now being made in Spain and produced outside of the industry are responding to today's situation of change and structural crisis. It also shows how documentary images constitute one of the most lively spheres for formal experimentation and essay film in the new systems of production and distribution.

  • Efim Dzigan. We are from Kronstadt (My iz Kronshtadta), 1936. Copy provided by Arkeion Films, France. Courtesy of Mosfilm Cinema
    October 4 - 31, 2012 - 7 p.m.
    Cinema and video Film series

    In his 1936 essay, The Artwork in the Age of Its Technical Reproducibility, Walter Benjamin uses the Blaue Blume—the romantic incarnation of unobtainable desire—to signify the artifice and perceived immediacy of film made possible through the concealment of the cinematic apparatus.

  • Costa-Gavras. Z, 1969
    April 23 and 26, May 3, 7, 10, 17, 21, 24, 28, 31 and June 4, 2012

    The Turbulent Screen

    Histories of cinema. Collection 3 (1962-1982)

    Cinema and video Film series

    The presence of film in the successive re-readings of Museo Reina Sofía Collection alludes to the crisis in the distinction between hierarchies and artistic narrations, but it also points to the idea that a collection involves a network of stories, memories and times that are inseparable from film practice.

  • Ann Hui. Night and Fog, 2009
    March 13, 15 and 20, 2012 - 5:00 p.m. and 7:30 p.m.
    Cinema and video Film series

    All About Love, a title borrowed from the film of the same name made by Ann Hui (Anshan, 1947), sums up the subject matter of this Chinese filmmaker's work, which usually revolves around social and personal relationships and has a great deal of affective and emotional content.

    Associated project
  • Julie Dash. Daughters of the dust. 35 mm, 1991
    March 1, 5, 7, 9, 10, 12, 14, 21, 23, 24, 26 and 28, 2012
    Cinema and video Film series

    How to give feminist film its own voice against the conventions of classic film and how to maintain the subaltern nature of this voice?

  • Javier Aguirre. Uts cero, 1970
    17 october, 2011 - 21 october, 2011
    Cinema and video Film series Seminar

    At the end of 1950, Jorge Oteiza concluded his investigations in the field of sculpture but, far from fading away, his aesthetic interests continued in a different sphere, one previously unexplored by him: film.

  • 7, 8 y 14 de octubre de 2011
    Cinema and video Film series
  • Hélio Oiticica. Agripina é Roma - Manhattan, 1972
    30 september, 2011 - 7 october, 2011
    Cinema and video Film series

    Brazilian cinema back then was not just film, it was something more: cinema of invention, Quasi-cinema, experimental cinema, barbaric cinema, bad taste cinema, Boca do Lixo, Cinema Marginal, udigrudi, pornochanchada. These are the expressions used by both critics and by the artists and filmmakers themselves to describe an important part of the film production of those years.

  • Oliver Laxe. Todos vós sodes capitáns, 2010
    13 july, 2011 - 7 august, 2011
    Cinema and video Film series

    In the midst of many changes in the area of audiovisual screening, as commercial circuits undergo a constant narrowing process, Museo Reina Sofía and ICAA (Madrid's Institute of Cinematography and Audiovisual Arts) reformulate the former as a new space for film.

  • Robert Beavers. Early Monthly Segments, 1968-2002
    6 june, 2011 - 22 june, 2011
    Cinema and video Film series

    The aspiration of this audiovisual series is to make meanings explode upon collision; it is an arranged disagreement between the sections and works that constitute the general program.

  • Antoni Mercader. En torno al vídeo, 1980
    24 may, 2011 - 27 may, 2011
    Cinema and video Film series Conference
  • 24 may, 2011 - 29 may, 2011
    Cinema and video Film series

    Los Rencontres Internationales París/Berlín/Madrid ofrecen un espacio de encuentro entre diferentes ciudades europeas, artistas y crítica, mostrando tanto ciclos como las últimas realizaciones audiovisuales de carácter experimental.

  • Joris Ivens. Komsomolsk, 1932. 35 mm. Film
    11 may, 2011 - 19 may, 2011
    Cinema and video Film series

    This programme is presented in conjunction with the exhibition A Hard, Merciless Light. The Worker-Photography Movement, 1926-1939 (Museo Reina Sofía, 6 April to 22 August 2011), which analyses the history of amateur proletarian, documentary photography.

  • Archipiélago Val del Omar
    21 march, 2011 - 27 march, 2011
    Cinema and video Film series Conference

    Although they span the area between the avant-garde and the neo-avant-garde, the film and audiovisual activities of José Val del Omar have taken place in the territory of myth. Myth as something situated outside of history, that only leads to cult status.

  • silencio. Homenaje a las víctimas de la Guerra Civil y la represión franquista
    16 march, 2011 - 21 march, 2011
    Cinema and video Film series Conference

    The film representation of the Spanish Civil War and its victims has changed over the different historical periods between 1936 and today.

  • Los Hijos. Los Materiales, 2009
    9 december, 2010 - 17 december, 2010
    Cinema and video Film series Conference

    The Limits of Cinema is a series of screenings, meetings and debates designed to provide a space to reflect on the nature of the cinema, its boundaries and its interactions with other forms of expression.

  • Bruce Conner. Easter Morning, 2008
    10 november, 2010 - 18 november, 2010
    Cinema and video Film series Conference

    In a career that spanned more than half a century, Bruce Conner (Kansas, 1933-San Francisco, 2008) worked in nearly every medium of the fine arts.

  • Apichatpong Weerasethakul. Uncle Boonmee who can recall his past lives, 2010
    14 october, 2010 - 27 october, 2010
    Cinema and video Film series

    The Museo Nacional Centro de Arte Reina Sofía presents four premieres of films that have not been screened in Spain despite their formal and discursive value and the international recognition they have received.

  • Antoni Miralda y Benett Rossell. París, La Cumparsita, 1972
    4 october, 2010 - 7 october, 2010
    Cinema and video Film series Conference

    To mark the occasion of the exhibition Miralda. De gustibus non disputandum (24 June -11 October 2010), the Museo Nacional Centro de Arte Reina Sofía is presenting three video programmes by the artist Antoni Miralda (Tarrasa, 1942) that explain his view of art in the context of the exhibition.

  • Jeremy Deller y Mike Figgis. The Battle of Orgreave, 2002
    13 september, 2010 - 26 september, 2010
    Cinema and video Film series

    The Storyteller presents a group of international artists who use stories as a way to understand and convey political and social events. All of the works in The Storyteller revolve around situations that are either in the process of unfolding or that continue to impact the lives of the artists or protagonists.

  • Joan Jonas. Songdelay, 1973. Cortesía Electronic Arts Intermix, Nueva York
    9 june, 2010 - 24 june, 2010
    Cinema and video Film series Conference

    During the 1970s, a time of intensive de-industrialisation and the transition to an information economy in New York, artists found new ways to use the city. The creative use of abandoned and peripheral spaces intensified, especially in Lower Manhattan, which was becoming a centre of the commercial art world. Action Behind the Margins combines debates, performances pieces and film screenings to reveal a city where public and private spheres intermingle and marginal subjects assert their right to the city.

  • Iván Zulueta. Arrebato, 1980
    19 may, 2010 - 28 may, 2010
    Cinema and video Film series Conference

    Since the 1950s, Spain has been home to an important tradition of experimental film cut off from conventional exhibition spaces. This series was designed to give this unknown branch of film the visibility it deserves. From more than a thousand films, forty-three were chosen to be screened at the Museo Nacional Centro de Arte Reina Sofía in six sessions. In order to spark a dialogue between the different eras, this vastly diverse group of seminal films was shown out of chronological order, blazing a trail through the almost unknown history of Spanish cinema.

  • Egon Bunne. Everything Changes, 1990
    15 march, 2010 - 29 march, 2010
    Cinema and video Film series Conference

    Transitland: video art from Central and Eastern Europe 1989-2009 is a project put together to mark the occasion of the 20th anniversary of the fall of the Berlin Wall. It includes a selection of one hundred works produced between 1989 and 2009 that reflect the political, social and personal transformations that occurred in post-socialist Central and Eastern Europe.

  • Thom Andersen. Los Angeles Plays Itself, 2003
    1 february, 2010 - 28 february, 2010

    LAX

    Cinema and video Film series

    LAX (the code for the Los Angeles international airport) is a project conceived of and produced by the Museo Reina Sofía Audiovisual Department coinciding with ARCO10, which hosted Los Angeles as a guest city. The project is divided into three sections: L.A. Films, Video Art in Los Angeles (1970-1984) and, for the first time in Spain, a retrospective on the underground California filmmaker Kenneth Anger (Santa Monica, 1927).

  • Jose Antonio Sistiaga. Ere Erera Baleibu Icik Subua Aruaren, 1970
    7 january, 2010 - 12 february, 2010
    Cinema and video Film series

    Film at the Pamplona Encounters is a series of screenings and debates organised on the occasion of Encuentros de Pamplona 72. Fin de fiesta del arte experimental (The Pamplona Encounters 1972. End of the Party for Experimental Art), held at the Museo Reina Sofía (28 October 2009 - 22 February 2010). According to Vicente J. Benet, the Encounters “offered an overview of audiovisual media characterised by a hybridisation that may seem somewhat baffling today. The array of options for the viewers ranged from the most heterodox trends in the new video media of the time to vestiges of the earliest films, slices of the historical avant-garde of the 1920s, recent experimental films, examples of professional-quality films with ties to modern writing and independent films”.

  • Adrian Paci. Centro di Permanenza temporaneo , 2007
    23 october, 2009 - 25 october, 2009
    Cinema and video Film series

    The world is not perfect, although it can and must change to adjust to the needs of the moment and the people who inhabit it. This is the conceptual framework of Misura italiana, the video art series organised by the Centro per l'arte contemporanea Luigi Pecci-Prato for the Museo Nacional Centro de Arte Reina Sofía.

  • Harun Farocki y Andrei Ujica. Videogramme einer Revolution , 1992
    14 october, 2009 - 12 december, 2009
    Cinema and video Film series Conference

    Singular Multitude: The Art of Resistance is an ambitious series that includes conferences, a performance piece and a selection of audiovisual works that reflect the desire of their creators to investigate the unlimited possibilities found on the edges of official taste and the socio-political circumstances of the present day, all while recalling events, revealing traumas, mediating memory and producing counterimages in contemporary society and art.

  • Curro González. El hombre que soñó que se caía de la cama, 2006
    6 september, 2009 - 27 september, 2009
    Cinema and video Film series

    In the words of Gilles Deleuze, everyone has his south - it doesn't matter where it is. In the imaginary cartography of the global order, the idea of south presents itself as a powerful metaphor that acts on two fronts.

  • Glauber Rocha. O Patio, 1958
    18 may, 2009 - 15 june, 2009
    Cinema and video Film series Conference

    Visionaries - Audiovisual Works in Latin America is an eclectic exhibition that is full of vitality and deeply committed to audiovisual creation in Latin America. The series looks at Latin American experimental video and film from Mexico to the countries of the Southern Cone in a combination of screenings and conferences that put everything from pioneers in experimental film to more recent productions under the historical lens. Organised by Brazil’s Instituto Itaú Cultural, the series consists of 73 works grouped into nine programmes.

  • Sanja Iveković. Personal Cuts, 1982
    13 april, 2009 - 15 april, 2009
    Cinema and video Film series Conference

    Fragments of the East. Performance Art and Feminist Discourse (1968-1989) is a video and conference series on the origin of feminist discourse in the artistic practice in three historical contexts with no public sphere. As artists beginning within the framework of the communist dictatorships of Romania, the former Yugoslavia and Poland, Geta Brătescu (Ploiesti, 1926), Sanja Iveković (Zagreb, 1929) and Ewa Partum (Grodzisk, 1945) created works that question artistic specificity and autonomy at the same time that they allude to repressive contexts and the subject’s capacity for transformation and representation in works of art.

  • Hitomi Steyerl. Lovely Andrea, 2007
    23 march, 2009 - 5 april, 2009
    Cinema and video Film series

    Film has made its way into museums and galleries at the same time that art has opened up avenues in the world of film. Exhibition spaces often host multimedia installations, experimental film sessions and even narrative films. In their quest to integrate image, sound and movement, more and more artists are turning to cinema as a means of expression, exploring experimental abstraction, documentary and narrative fiction.