List of selected artworks. Maps for the tour in the museum

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  • January, 2012 or The apotheosis of Isabella the Catholic (Los Hijos)
    November 5 - December 5, 2012

    New forms of documentary in Spain

    The urgencies of contemporeneity

    Cinema and video Film series

    This collection offers a broad vision of how some of the audiovisuals now being made in Spain and produced outside of the industry are responding to today's situation of change and structural crisis. It also shows how documentary images constitute one of the most lively spheres for formal experimentation and essay film in the new systems of production and distribution.

  • Efim Dzigan. We are from Kronstadt (My iz Kronshtadta), 1936. Copy provided by Arkeion Films, France. Courtesy of Mosfilm Cinema
    October 4 - 31, 2012 - 7 p.m.
    Cinema and video Film series

    In his 1936 essay, The Artwork in the Age of Its Technical Reproducibility, Walter Benjamin uses the Blaue Blume—the romantic incarnation of unobtainable desire—to signify the artifice and perceived immediacy of film made possible through the concealment of the cinematic apparatus.

  • Costa-Gavras. Z, 1969
    April 23 and 26, May 3, 7, 10, 17, 21, 24, 28, 31 and June 4, 2012

    The Turbulent Screen

    Histories of cinema. Collection 3 (1962-1982)

    Cinema and video Film series

    The presence of film in the successive re-readings of Museo Reina Sofía Collection alludes to the crisis in the distinction between hierarchies and artistic narrations, but it also points to the idea that a collection involves a network of stories, memories and times that are inseparable from film practice.

  • Ann Hui. Night and Fog, 2009
    March 13, 15 and 20, 2012 - 5:00 p.m. and 7:30 p.m.
    Cinema and video Film series

    All About Love, a title borrowed from the film of the same name made by Ann Hui (Anshan, 1947), sums up the subject matter of this Chinese filmmaker's work, which usually revolves around social and personal relationships and has a great deal of affective and emotional content.

    Associated project
  • Julie Dash. Daughters of the dust. 35 mm, 1991
    March 1, 5, 7, 9, 10, 12, 14, 21, 23, 24, 26 and 28, 2012
    Cinema and video Film series

    How to give feminist film its own voice against the conventions of classic film and how to maintain the subaltern nature of this voice?