List of selected artworks. Maps for the tour in the museum

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  • Mike and George Kuchar. Sins of the Fleshapoids. Film, 1965
    6 - 28 August, 2014 - 7:00 p.m.
    Cinema and video Film series

    This programme presents pop confronting pop, recognising the seduction of consumer culture whilst also keeping it at a critical distance. In relation to the exhibition devoted to Richard Hamilton, this series approaches the popular as subversion and as an investigation into the characteristics of a new society that emerged between the 1950s and 1970s.

  • Black Audio Film Collective. Handsworth Songs. Film, 1987. Courtesy of the Black Audio Film Collective and LUX, London
    2, 3, 9, 10 and 16 July 2014 - 7:00 p.m.
    Cinema and video Film series

    Active in the UK between 1982 and 1997, the Black Audio Film Collective symbolised a radical attempt to transform education, institutions and the representation of black identity in independent film, with their work condensing a complex palimpsest of voices that, found between nascent politics of representation, put forward a language of diaspora.

  • Djibril Diop Mambéty. Touki Bouki. Film, 1973
    24 March - 30 April, 2014 - 7:00 p.m.
    Cinema and video Film series

    Cinema is a privileged medium in the narrative construction of biography, yet, in the face of narcissism from the mythologies of self, this film series shows life in its temporary form, both fragile and precarious, and presents a programme that spans from Neorealism to recent post-colonial cinema.

  • Aki Kaurismäki. Dogs have no hell. Film, 2002
    February 21 - March 22, 2014 - 7:00 p.m.

    After the Shipwreck

    The Cinema of Aki Kaurismäki (1983-1996)

    Cinema and video Film series

    With a filmography that contains theatrical parody and documentary realism in equal proportions, Kaurismäki’s cinema is based on the paradoxes and fault lines of contemporaneity. This retrospective, the first to be held in a modern art museum, is complemented by a master class and a carte blanche program chosen by the filmmaker. 

  • Amos Gitai. House. Movie, 1980
    5, 6, 11, 12, 13, 17, 18, 19, 24 and 26 February, 2014

    Biography, history, territories

    Nine films by Amos Gitai

    Cinema and video Film series

    The cinema of Amos Gitai is that of an architect-filmmaker, but it is also that of a biographer-filmmaker. Organised in connection with the exhibition The Biographies of Amos Gitai, this series spans over 30 years of activity and points to the historical strata underlying the conflict between Israel and Palestine.   

  • Rafael França. Prelúdio de uma morte anunciada. Video, 1991
    December 11, 2013 - 7:00 p.m.
    Cinema and video Film series

    AIDS Anarchive began within the framework of the 2012-2013 research residencies at Museo Reina Sofía, as part of the production process of a “counter-archive” or an anarchive of AIDS policies, with attention being paid for the first time to practices occurring outside of the Anglo-Saxon or Western and Central European settings.

    Study center
  • David Cronenberg. Videodrome. Film, 1983. Courtesy of Video Profilmar
    November 11, 14, 18, 24, 25, 28 and December 2, 5, 12, 2013 - 7:00 p.m. except for November 24

    The image is a virus

    Histories of cinema (1980-1990s)

    Cinema and video Film series

    This audiovisual series looks at the 1980s, and that decade’s prolongation into the 1990s, as a genealogy of much of the dialectics that explain contemporary, as a time period and cultural category.

  • View of the Sabatini Auditorium
    September 27 and 28, 2013

    After the margins

    A look at the other cinema in Spain

    Cinema and video Film series Seminars and conferences Seminar

    Film on the margins, from the peripheries, and the other cinema are among the terms used to refer to works that have been made outside the industry in recent years in Spain. Beyond this condition of existence, a number of additional criteria are fulfilled by these films, suggesting something of a group identity. More specifically: independent production and distribution platforms, the incorporation of the experimental language used in the field of art (exhibition video and film) and the liberal use of documentary techniques in the form of essay film are some of the features found throughout this other cinema.

  • Albert Serra. Historia de la méva mort. Film, 2013
    September 18 - October 17, 2013

    Unending stories

    Narrations from the Other Cinema (2010-2013)

    Cinema and video Film series

    In recent years, it has been pointed out that one of the identifying features of Spanish alternative film is the exploration of the real.

  • Alexander Kluge. News from Ideological Antiquity: Marx/Eisenstein/Capital . Film, 2008
    September 7 and 14, 2013

    Alexander Kluge

    News from Ideological Antiquity: Marx/Eisenstein/Capital

    Cinema and video Film series

    News from Ideological Antiquity: Marx/Eisenstein/Capital (2008) is one of the most complex and monumental films of recent film history. Throughout the almost nine hours that the film lasts, its director, Alexander Kluge (Germany, 1932), offers his own construction of Eisenstein's unfinished project of filming Capital by Karl Marx, an idea conceived after a feverish encounter between the Russian filmmaker and James Joyce in 1927.

  • Babaouo is a surrealist film, 1932. Collage for the film's poster. © Salvador Dalí. Fundació Gala – Salvador Dalí, VEGAP, Madrid, 2013
    Friday August 30th and Saturday August 31st - Sessions starting at 11 a.m.

    Final Delirium

    The Audiovisual Dalí

    Cinema and video Film series

    This audiovisual series looks at Salvador Dalí's film, video and television production, as a culmination of the exhibition Dalí. All of the poetic suggestions and all of the plastic possibilities. Almost five hours in length, this collection of works, with repeat screenings over two days, argues that the relationship between Dalí and mass culture is key to understanding the artist's work, but also to developing a different idea of modernity, one that conveys the spectacular and tumultuous nature of 1930s modernity. 

  • Carlos Reygadas. Post Tenebras Lux. Film, 2012
    July 17 - August 30, 2013 - 7:00 p.m.

    Imminent Mexico

    Imaginaries of the insurgency in contemporary film

    Cinema and video Film series

    This summer film series explores one of the contemporary cinematographies that, although very interesting, is among the least distributed in Europe. Midway between new auteur voices and the poetics of documentary, this series shows how film responds to a situation of provisionality and how it imagines the future from the vantage point of uncertainty.

  • Eduardo Coutinho. Babilônia 2000. 2000. Copia proporcionada por Videofilmes, Brasil
    February 23 – April 12, 2013 - 7:00 p.m.

    Eduardo Coutinho

    Retrospective

    Cinema and video Film series

    Eduardo Coutinho (São Paulo, 1933) is an essential name in Latin American documentary film. His work is shaped by political issues but manages to avoid propaganda, as he addresses the everyday lives and subjectivities of marginal majorities with a sensibility not altered by melodrama. This retrospective, the most extensive to date, presents a body of work that ranges from the context of Cinema Novo to the analysis of fiction in contemporary film.

  • Rafael Saar. Homem-ave, 2010. Photograph: Angelo Zolini
    January 9 - February 15, 2013 - 7:00 p.m.

    The friction of bodies

    Film and video about the 1980s in Latin America

    Cinema and video Film series

    The friction of bodies is a film and video series that presents a broad panorama of different artistic and political manifestations from the 1980s, which arose during and co-existed with the years of repression in Latin America. Many of these videos and films, most of which have never been shown publicly outside of their original contexts, demonstrate the emergency of new political subjects and forms of subcultural participation. The program also includes recent film proposals that look back at the agitated times of the 1980s in this context, to offer different readings or to activate a memory still throbbing within us.

  • January, 2012 or The apotheosis of Isabella the Catholic (Los Hijos)
    November 5 - December 5, 2012

    New forms of documentary in Spain

    The urgencies of contemporeneity

    Cinema and video Film series

    This collection offers a broad vision of how some of the audiovisuals now being made in Spain and produced outside of the industry are responding to today's situation of change and structural crisis. It also shows how documentary images constitute one of the most lively spheres for formal experimentation and essay film in the new systems of production and distribution.