November 10, 2015 - 6:30 p.m.
Hito Steyerl. Eye Explosion and Kassem Mosse. Combat Zones that See
This double performance serves as an introduction to the Hito Steyerl retrospective in the Museo. The studied disappearance of the image in modern surveillance technology is developed in a performance lecture by the artist, followed by an exploration into the new acoustic landscape of war – between military noise and sounds from consumer devices - by Kassem Mosse. Both performances are a posthumous homage to Harun Farocki.
April 20 - 25, 2015
After organising activities with Merce Cunningham and Simone Forti, the Museo presents the choreographer and dancer Steve Paxton (USA, 1939), a central figure in the development of contemporary dance and the creator of contact improvisation. On this occasion Bound, a solo devised by Paxton, will be performed, for the first time in Spain, by the dancer Jurij Konjar, who will also hold a workshop.
18 - 19 July, 2014
Performing Gender is a European project that takes a critical look at the politics of gender and sexuality using dance and performance tools. Bodies and their multiple gender inscriptions are the subject of exploration and experimentation by a group of artists that, over the course of one year, have carried out their research by touring around different European institutions.
April 12 - 13, 2013
There is no other poetry than action
The new direction taken by political and social happenings in recent years has once again made public space an excellent place for manifestations by the community. In contrast with the situation during the last third of the 20th century, dissident action does not avoid urban spectacularization, hiding in private or clandestine spheres. Instead it transforms and is shown in public space. This seminar explores the use of “theatrical” gestures, behaviours and performances in social space for the purpose of expressing disagreement and dissidence, and it also examines the way that today's art, specifically theatre, has taken in and dialogued with these non-artistic theatricalities.
April 12, 2013 - 8:30 p.m.
The Inhabitants of Images
Three mysterious occurrences in a city haunted by images, of people known to me, and others unknown. Images abandoned by their occupants; some have become ruins. An image is invaded, a new face moves in—sometimes an ally, sometimes an old foe. One vanishes, while another travels from one picture to another
October 27, 2012 - 8:00 p.m.
Traces of El Periférico de Objetos
El Periférico de Objetos is a theatre group with a dramaturgical style capable of conjuring up the trauma, fear and collective unconscious of the Argentine dictatorship. With both the doll and its manipulator playing a prominent role, its dramatic works, in allusion to Antonin Artaud, Witold Gombrowicz or Heiner Müller, explore the return and liberation of a repressed body. This performance reflects the importance of El Periférico and engages in a dialogue with the exhibition Losing the human form.
January 12- March 30, 2012 - 7:30 PM
Theatre and performative practices in contemporary art museums
Reactivate/reinterpret brings together a varied group of specialists from different fields with the idea of analysing the place of performative practices within the realm of contemporary art museums. The series is comprised of various public lectures, workshops with the students of the Study Centre and two art interventions, by Jerôme Bel and Falke Pisano.
16 december, 2011 - 16 december, 2011 - 7:30 PM
Guy de Cointet. Espahor ledet ko Uluner and Five Sisters
This performance, organised in connection with the exhibition Locus Solus. Impressions of Raymond Roussel, is a unique opportunity to see the work of Guy de Cointet in the context for which it was conceived, somewhere between the theatre and the museum. Put on by the Dutch company If I Can't Dance, I Don't Want To Be Part Of Your Revolution, the two plays are the result of a long research process related to the complexity of re-staging.
10 november, 2011 - 10 november, 2011 - 7:00 PM
Spoken Exhibition is an alternative history of Polish art since 1960, a history that tells about the creation of art institutions, the major exhibitions and the art gestures that have determined the specificity of a post-communist era. It is presented as a cross between performance art and narrative that is reinterpreted and reread in every new context in which it takes place.
26 May - 3 October, 2011 - 5 to 9 p.m.
In this performance piece, Maja Bajevic uses gestures and situations to look at how ideology operates. The performance goes on for four hours a day, for two five-day periods. The tools used are also left on view to the public during the exhibition.
24 may, 2011 - 24 may, 2011 - 7:30 PM
Divisor. A Lygia Pape performance
To mark the occasion of the exhibition Lygia Pape. Espacio imantado, there will be a performance of the artist's piece Divisor, in which audience participation plays a vital role. With Divisor, Pape wanted to create a collective work that could be repeated even when she was not present.
02 september, 2010 - 02 september, 2010 - 7:30 PM
Eviva Il Cotello (Lang lebe das Messer). Ines Doujak
Ines Doujak's performance Eviva Il Cotello (Lang lebe das Messer) intervenes the exhitibion space and discoursive realm of the The Potosí Principle. How Shall We Sing the Lord’s Song in a Strange Land? In her work, Ines Doujak examines the norms of human behaviour as structural and constituent elements of society from a decidedly feminist perspective.