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  • Performing Gender Madrid, 2013. © Bárbara Velasco Ghisleri
    18 - 19 July, 2014
    Live Arts Performance art

    Performing Gender is a European project that takes a critical look at the politics of gender and sexuality using dance and performance tools. Bodies and their multiple gender inscriptions are the subject of exploration and experimentation by a group of artists that, over the course of one year, have carried out their research by touring around different European institutions.

  • Rabih Mroué. The Pixelated Revolution. Performance, 2012
    April 12 - 13, 2013
    Live Arts Performance art Seminars and conferences Seminar

    The new direction taken by political and social happenings in recent years has once again made public space an excellent place for manifestations by the community. In contrast with the situation during the last third of the 20th century, dissident action does not avoid urban spectacularization, hiding in private or clandestine spheres. Instead it transforms and is shown in public space. This seminar explores the use of “theatrical” gestures, behaviours and performances in social space for the purpose of expressing disagreement and dissidence, and it also examines the way that today's art, specifically theatre, has taken in and dialogued with these non-artistic theatricalities.

    Study center
  • Rabih Mroué. The Inhabitants of Images. Performance, 2009. Photograph: Ernesto Donegana
    April 12, 2013 - 8:30 p.m.

    Rabih Mroué

    The Inhabitants of Images

    Live Arts Conference Performance art

    Three mysterious occurrences in a city haunted by images, of people known to me, and others unknown. Images abandoned by their occupants; some have become ruins. An image is invaded, a new face moves in—sometimes an ally, sometimes an old foe. One vanishes, while another travels from one picture to another

    Rabih Mroué.

  • Traces of El Periférico de Objetos
    October 27, 2012 - 8:00 p.m.
    Live Arts Performance art

    El Periférico de Objetos is a theatre group with a dramaturgical style capable of conjuring up the trauma, fear and collective unconscious of the Argentine dictatorship. With both the doll and its manipulator playing a prominent role, its dramatic works, in allusion to Antonin Artaud, Witold Gombrowicz or Heiner Müller, explore the return and liberation of a repressed body. This performance reflects the importance of El Periférico and engages in a dialogue with the exhibition Losing the human form.

  • Jérôme Bel. Cedric Andrieux. Performance, 2009
    January 12- March 30, 2012 - 7:30 PM

    Reactivate/reinterpret.

    Theatre and performative practices in contemporary art museums

    Live Arts Seminar Performance art

    Reactivate/reinterpret brings together a varied group of specialists from different fields with the idea of analysing the place of performative practices within the realm of contemporary art museums. The series is comprised of various public lectures, workshops with the students of the Study Centre and two art interventions, by Jerôme Bel and Falke Pisano.

  • Guy de Cointet. Espahor ledet ko Uluner y Five Sisters
    16 december, 2011 - 7:30 PM
    Live Arts Performance art

    This performance, organised in connection with the exhibition Locus Solus. Impressions of Raymond Roussel, is a unique opportunity to see the work of Guy de Cointet in the context for which it was conceived, somewhere between the theatre and the museum. Put on by the Dutch company If I Can't Dance, I Don't Want To Be Part Of Your Revolution, the two plays are the result of a long research process related to the complexity of re-staging.

  • Spoken Exhibition
    10 november, 2011 - 7:00 PM
    Live Arts Performance art

    Spoken Exhibition is an alternative history of Polish art since 1960, a history that tells about the creation of art institutions, the major exhibitions and the art gestures that have determined the specificity of a post-communist era. It is presented as a cross between performance art and narrative that is reinterpreted and reread in every new context in which it takes place.

  • Maja Bajevic performance al Palacio de Cristal
    26 May - 3 October, 2011 - 5 to 9 p.m.
    Live Arts Performance art

    In this performance piece, Maja Bajevic uses gestures and situations to look at how ideology operates. The performance goes on for four hours a day, for two five-day periods. The tools used are also left on view to the public during the exhibition.

  • Divisor. Performance of Lygia Pape
    24 may, 2011 - 7:30 PM
    Live Arts Performance art

    To mark the occasion of the exhibition Lygia Pape. Espacio imantado, there will be a performance of the artist's piece Divisor, in which audience participation plays a vital role. With Divisor, Pape wanted to create a collective work that could be repeated even when she was not present.

  • Le désir attrapé par la queue (El deseo atrapado por la cola)
    26 november, 2010 - 9:00 PM
    Live Arts Performance art
  • Suzanne Lacy. El esqueleto tatuado
    23 november, 2010 - 7:00 PM
    Live Arts Performance art
  • Ines Doujak. Eviva Il Cotello (Lang lebe das Messer), boceto, 2010
    2 september, 2010 - 7:30 PM
    Live Arts Performance art

    Ines Doujak's performance Eviva Il Cotello (Lang lebe das Messer) intervenes the exhitibion space and discoursive realm of the The Potosí Principle. How Shall We Sing the Lord’s Song in a Strange Land? In her work, Ines Doujak examines the norms of human behaviour as structural and constituent elements of society from a decidedly feminist perspective.