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Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • Andreas Seltzer & Dieter Hacker. Volksfoto: Foto kaput. Installation, Museum Bochum (Germany). Reconstruction in Not Yet. On the Reinvention of Documentary and the Critique of Modernism, Museo Reina Sofía, 2015
    May 11 - 26, 2015 - 19:00 h
    Seminars and conferences Conference

    In relation to the exhibition Not Yet. On the Reinvention of Documentary and the Critique of Modernism, this series of lectures offers a context for the discussion on the reframing of documentary culture in the 1970s and 1980s. The programme brings together international scholars to debate some of the key aspects of the exhibition from different perspectives.

  • Carl Andre, Magnesium Copper Plain, 1969. Sculpture. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    May 4, 2015 - 6:00 p.m.

    Encounter centred on Carl Andre

    Yasmil Raymond in conversation with João Fernandes

    Seminars and conferences Conference

    This encounter serves as an introduction to the exhibition in the Museo devoted to North American artist Carl Andre (Quincy, Massachusetts, 1935) and looks to provide perspective on an artistic career that spans the second half of the 20th century and which has been historiographically defined by its generational affiliation with the time Minimalism embarked upon the redefinition of sculpture.

  • Colliers Magazine, Preview of a War We Don’t Want, 1957
    April 29 - 30, 2015 - 6:00 p.m.
    Seminars and conferences Seminar

    This seminar sets out to rewrite the history of post-war art in Europe, traditionally presented as the disjointed amalgamation of art scenes divided into antagonistic blocs. By deconstructing national limits and articulating a transversal debate, this programme presents a divergent history, whilst also identifying new voices and positions.

  • Exhibition view. Federico Guzmán. Tuiza. The Cultures of the Bedouin Tent, 2015
    April 16 - July 2, 2015
    Live Arts Concert Cinema and video Film series Seminars and conferences Conference Poetry reading

    This programme of activities, which relates Sahrawi culture to a broader social and cultural framework, aims to become tuiza, a space that reimagines an alternative possible geography, where its centres are not metropolises of financial power, but narrations and accounts of a periphery that lives on in expressions of identity and cultural contamination.

  • Mathias Goeritz. Dibujo ideográfico del Museo Experimental El Eco, 1952. Colección Luis Enrique Noriega
    Seminar: April 8 - 9, 2015 - 6:00 p.m.
    Seminars and conferences Seminar Book presentation

    This seminar is the culmination of the exhibition The Return of the Snake. Mathias Goeritz and the Invention of Emotional Architecture and looks to generate a debate centred on the artist Mathias Goertiz as a unique case study with which to understand the phenomena of the translation, reinterpretation and survival of modernity in a new time in history, straight after the war.

  • Daniel García Andújar. Not Found, 1000 casos de estudio, 2014. Courtesy of the artist
    March 26 - 27, 2015 - 6:00 p.m.
    Seminars and conferences Workshop Seminar

    The Internet has produced new behaviours, subjectivities and institutions linked to another way of being and doing. This seminar debates how these changes throw established categories of art, the author and the circulation of unique work off balance, whilst also forming profound contradictions – from creativity as an economic value to indistinct work time. Is considering another artistic ecosystem possible from these ambiguities?

     

  • View of the Nouvel Building, Auditorium 200, Museo Reina Sofía
    February 25-26, 2015

    4th Meeting of European and Latin American Museums

    Travelling Exhibitions: The Production of Circuits, Routes and Collaborative Networks

    Seminars and conferences Seminar

    Organize with the occasion of ARCOmadrid, this meeting aims to provide a space for reflection where art professionals working in museums and contemporary art centres can exchange ideas about the possibilities that this exhibition format offers to their institutions.

  • Theaster Gates. The Black Monks of Mississippi. Performance, 2014
    February 17, 2015 - 7:00 p.m.
    Seminars and conferences Conference Encounter

    This activity introduces conversations, a new series of twice-monthly dialogues and lectures that open up a new space aside from the research conducted by the Museo. In this first instalment, Thelma Golden and artists Theaster Gates and Glenn Ligon debate the recent shift in the politics of race and representation in the United States.

  • Exhibition view. If You Lived Here…, Dia Art Foundation (New York, 1989)
    February 11, 2015 - 7:00 p.m.

    Encounter with Martha Rosler

    In conversation with Jorge Ribalta

    Seminars and conferences Conference Encounter

    This encounter brings together Martha Rosler (New York, 1943) and the historian and theorist of photography Jorge Ribalta. The activity signals the start of the exhibition Not Yet. On the Reinvention of Documentary and the Critique of Modernity and looks to debate some of the question marks it raises.

  • Daniel G. Andújar. Not Found, 1000 casos de estudio, 2014. Courtesy of the artist
    January 21, 2015 - 7:00 p.m.

    Encounter with Daniel G. Andújar

    In conversation with Manuel Borja-Villel and Iris Dressler

    Seminars and conferences Conference Encounter

    This encounter sees Daniel G. Andújar engage in conversation with the curator of the exhibition, Manuel Borja-Villel, and a critic with extensive knowledge of his output, Iris Dressler, to look at some of the key aspects of the artist’s work. The role of the artist in the new cultural ecosystem and the Internet as a utopian, and also repressive, space are some of the themes touched upon.

  • Núria Güell and Levi Orta, Arte político degenerado, 2014. Photograph courtesy of Eva Carol
    November 27, 2014 - 7:00 p.m.
    Seminars and conferences Conference

    Can strategies of capital be replicated to build horizontal social dynamics? As part of an action in the Really Useful Knowledge exhibition, artists Núria Güell and Levi Orta donate bank accounts in tax havens to a group of activists, who will use this route to attack the system that produces it. The project culminates in this seminar, which is organised by both artists.

  • Janet Cardiff & George Bures Miller. The Marionette Maker, 2014
    20 November, 2014 - 5:00 p.m.
    Seminars and conferences Encounter

    This encounter serves as an introduction to the site-specific installation The Marionette Maker (Palacio de Cristal, from 19 November to 16 March, 2015), and the work of Janet Cardiff and George Bures Miller as a whole, with both artists engaging in conversation with João Fernandes, the curator of the project and deputy director of the Museo Reina Sofía.

  • Mathias Goeritz. Pirámide de doce cajas apiladas (Pyramid of Twelve Boxes Piled Up), 1961. Wood and metal leaf. Collection Museo Nacional Centro de Arte Reina Sofía. D.R. © MATHIAS GOERITZ, 1961. USE UNDER LICENSE BY L.M. DANIEL GOERITZ AND GALERÍA LA CAJA NEGRA, MADRID
    November 11, 2014 - 6:30 p.m.

    Encounter centred on Mathias Goeritz

    Lecture held by Francisco Reyes Palma

    Seminars and conferences Encounter

    This lecture offers a journey through the work of Mathias Goeritz as it introduces the expansive retrospective exhibition the Museo is devoting to the artist. The creator of both syncretic and original work, after 1940 Goeritz would reformulate European geometric abstraction through ancestral pre-Hispanic tradition and a new sense of the public sphere.

  • Diego de Pozo, Whisperers, 2014
    October 28, 2014 - February 9, 2015
    Action Seminars and conferences Workshop Encounter

    A programme of actions and activities within the context of the exhibition Really Useful Knowledge, devised by the collective Subtramas (Diego del Pozo, Montse Romaní and Virginia Villaplana). These actions take place inside the galleries of the exhibition and feature participation from different social and cultural collectives.

  • Trevor Plagen and Jacob Appelbaum. Transmediale Festival
    October 27, 2014 - 7:00 p.m.
    Seminars and conferences Conference

    Within the framework of the exhibition Really Useful Knowledge, artist Trevor Paglen and journalist and programmer Jacob Appelbaum debate the increase of government surveillance and the way in which this affects people’s freedom and their ability to act.