List of selected artworks. Maps for the tour in the museum

Preview

Search

Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • Diego Lara, 1980
    15 december, 2011 - 7 p.m.
    Seminars and conferences Book presentation

    This presentation by Ángel González, Eva Rivas, José Luis Gallero and José María Parreño explores the life and work - inseparable from one another - of Quico Rivas. Cómo escribir de pintura sin que se note [How to write about painting without anybody noticing] is the name of a collection of critical texts written by the critic in the final years of his life.

  • Image of Mario Giambattista. © Sucesión Pablo Picasso, VEGAP, Madrid, 2011
    November 23 - 24, 2011 - 7:30 p.m.
    Seminars and conferences Lecture
  • Antoni Muntadas. Stadium, 1989
    23 november, 2011 - 11:30 a.m.
    Seminars and conferences Seminar

    At this round table, the artist, theorists and project participants debate the exhibition Entre/Between, from its narrative components up through its spatial arrangement and the way it speaks to the public.

  • Exhibition view
    18 november, 2011 - 11 a.m.and 17:00 h
    Seminars and conferences Seminar

    Guernica, a testimony and condemnation of the bombing by Franco's forces of the Basque town of the same name is considered a foundational work of 20th century art and it continues to be a universal symbol of the struggle against oppression. Its arrival in Madrid in September of 1981 was presented as the symbolic conclusion of Spain's transition to democracy following the dictatorship. The complicated diplomatic negotiations undertaken to bring about the painting's move were also the first important steps in cultural policy to be taken by the country's new government, and they highlighted the role that avant-garde art would play in the official culture of Spain's young democracy. With its arrival, it ceased to be the emblem of dissidence against the dictatorship and became the symbol of the healing of the fracture between the two historical factions in Spain: a sign of the reconciliation upon which the new democratic society would be based.

    Restoration
  • Is it possible to (re)think Latin America?
    14 november, 2011 - 9 a.m. to 7:30 p.m.
    Seminars and conferences Seminar

    Five hundred years into the invention of America, and two hundred years after the birth of the first Latin American republics, a question appears, like an inescapable shadow, hidden in the very name comprising these countries: Is it possible to think about a thing called Latin America? Is it even possible to think of it as a unit that can be grasped? Evidently, the answer is no. However, the main issue eludes this contradiction inasmuch as the name given to this part of the world calls for general reflections that encompass the whole and also multiple reflections that go further and take into account particular questions relevant to each geographical area.

    Associated project
  • Soledad Sevilla en conversación con Santiago Olmo
    11 november, 2011 - 7:30 p.m.
    Seminars and conferences Encounter

    The art critic and independent curator Santiago Olmo has a conversation with the artist Soledad Sevilla about the exhibition Written in the celestial bodies, a site-specific installation at Palacio de Cristal in Madrid's Parque del Retiro.

  • Exhibition view
    28 october, 2011 - 5:30 p.m.
    Seminars and conferences Encounter

    Comprised of a guided visit to the exhibition Fragments of memory, with commentary by the artist, followed by a colloquium with the audience, this workshop seeks to articulate both languages, that of the visible and that of the verbal, that of the artist and that of the audience or that of the exhibition and that of debate, as keys to understanding Elena Asins' work.

  • Salvador Dalí. Endless Enigma (Enigma sin fin), 1938
    26 october, 2011 - 7:30 p.m.
    Seminars and conferences Encounter

    The exhibition Locus Solus. Impressions of Raymond Roussel, is about the legacy of Raymond Roussel, one of the lateral histories of modern art. In this conversation, the exhibition's curators discuss the keys to understanding the poetic universe of Raymond Roussel and his significance in artistic modernism.

  • René Daniëls.Alzumeazume. Painting, 1984. Kunstmuseum Wolfsburg
    21 october, 2011 - 7:30 p.m.

    René Daniëls

    Presentation of the exhibition and lecture by Dominic van den Boogerd, René Daniëls revisited

    Seminars and conferences Encounter

    In a lecture entitled René Daniëls revisited, the art critic Dominic van den Boogerd discusses some of the recurring themes found in Daniëls' oeuvre: his fascination for the picture as a "fleece" and for painting as a play of appearances and disappearances.

  • Alighiero e Boetti. Aerei (Blue), 1989. Carmignac Gestion Foundation
    5 october, 2011 - 7:30 p.m.

    alighiero boetti. game plan

    Lynne Cooke, Robert Lumley and Christian Rattemeyer in conversation

    Seminars and conferences Encounter

    This conversation serves as an introduction to the largest retrospective to be held to date on the Italian artist. alighiero boetti. game plan is co-produced by Tate Modern (London), MoMA (New York) and the Museo, and is curated by Lynne Cooke, Mark Godfrey and Christian Rattemeyer.

  • View ofSin título #223, sound installation by Francisco López at Museo Reina Sofía, 2010
    2 - 6 July 2011

    The museum as aural space

    JIEM 2011. 18th Conference on Computer and Electronic Music

    Seminars and conferences Festival

    Once again the Conference on Computer and Electronic Music offers a series of workshops on sound production and post-production, concerts dedicated to the aural perception of space and to live improvisation and sound projection, as well as a series of reflections, in a conversation and round table, about the artistic possibilities of radio and a fresh look at the Museum Collection from a new perspective, the auditory sphere.

  • Georgy Zelma.Se fotografía a los mejores mineros, 1930. Detail
    15, 17, 22 and 24 June 2011 - 7 p.m.
    Seminars and conferences Room conferences
  • PAD/D: Political Art Documentation & Distribution, 1980-1988
    14-15 June 2011 - 6 p.m.

    Seminar with Gregory Sholette

    The boundaries of the artistic sphere

    Seminars and conferences Seminar
  • Yayoi Kusama. Alice in Wonderland, 1968. Happening
    11 may, 2011 - 7:30 p.m.
    Seminars and conferences Encounter

    There is no possible separation between art and life with Yayoi Kusama (Matsumoto, 1928). She was an active member in the critical art scene during the Vietnam War in the 1960s in New York, where she was also connected to minimalism, happenings and pop art. In 1973, she returned to Japan, extending the boundaries of her work. Her heterogeneous production ranges from collage to musical compositions, design, novels and installation art. Kusama obsessively develops the idea of repetition and screentone, covering surfaces with polka dots, creating what she calls ‘infinity nets’, one of her trademarks.

  • Leon Golub. Interrogatorio I (Interrogation I), 1981. Acrílico sobre Lino. © The Estate of Leon Golub, VEGAP, Madrid, 2011
    6 may, 2011 - 7:30 p.m.
    Seminars and conferences Encounter

    Encounters is a programme with which the Museo looks to generate debate on its scheduled exhibitions. Temporarily coinciding with the public opening of the exhibitions, a dialogue is initiated between artists, curators, critics and historians in order to look ahead to and question the lines and set-up of each exhibition project.