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Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • Núria Güell and Levi Orta, Arte político degenerado, 2014. Photograph courtesy of Eva Carol
    November 27, 2014 - 7:00 p.m.
    Seminars and conferences Conference

    Can strategies of capital be replicated to build horizontal social dynamics? As part of an action in the Really Useful Knowledge exhibition, artists Núria Güell and Levi Orta donate bank accounts in tax havens to a group of activists, who will use this route to attack the system that produces it. The project culminates in this seminar, which is organised by both artists.

  • Mathias Goeritz. Pirámide de doce cajas apiladas (Pyramid of Twelve Boxes Piled Up), 1961. Wood and metal leaf. Collection Museo Nacional Centro de Arte Reina Sofía. D.R. © MATHIAS GOERITZ, 1961. USE UNDER LICENSE BY L.M. DANIEL GOERITZ AND GALERÍA LA CAJA NEGRA, MADRID
    November 11, 2014 - 6:30 p.m.

    Encounter centred on Mathias Goeritz

    Lecture held by Francisco Reyes Palma

    Seminars and conferences Encounter

    This lecture offers a journey through the work of Mathias Goeritz as it introduces the expansive retrospective exhibition the Museo is devoting to the artist. The creator of both syncretic and original work, after 1940 Goeritz would reformulate European geometric abstraction through ancestral pre-Hispanic tradition and a new sense of the public sphere.

  • Diego de Pozo, Whisperers, 2014
    October 28, 2014 - February 9, 2015
    Action Seminars and conferences Workshop Encounter

    A programme of actions and activities within the context of the exhibition Really Useful Knowledge, devised by the collective Subtramas (Diego del Pozo, Montse Romaní and Virginia Villaplana). These actions take place inside the galleries of the exhibition and feature participation from different social and cultural collectives.

  • Trevor Plagen and Jacob Appelbaum. Transmediale Festival
    October 27, 2014 - 7:00 p.m.
    Seminars and conferences Conference

    Within the framework of the exhibition Really Useful Knowledge, artist Trevor Paglen and journalist and programmer Jacob Appelbaum debate the increase of government surveillance and the way in which this affects people’s freedom and their ability to act.

  • Juan Luis Moraza. Paragreenberg, 2010. Nickel-plated iron, wood. Artist's collection
    October 15, 2014 - 7:00 p.m.
    Seminars and conferences Encounter

    This encounter serves as an introduction to the Juan Luis Moraza exhibition republic in the Museo (15 October, 2014 - 2 March, 2015), bringing together the artist and João Fernandes, the curator of the exhibition and deputy director of the Museo Reina Sofía, in a public conversation. 

  • Richard Hamilton. Swingeing London 67. Lithography, 1968-69. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    19, 26 and 30 September, 2014 - 7:00 p.m.

    What is it that makes Pop so different, so attractive?

    Art and popular culture in a world undergoing a transformation

    Seminars and conferences Seminar

    Appropriating the theme raised by Richard Hamilton in his well-known 1956 collage, this seminar examines the crossover between artistic practices and popular culture that gave rise to multiple phenomena associated with Pop Art. With participation from Kerstin Stakemeier, Eloy Fernández Porta, Diedrich Diederichsen and Benjamin Buchloh.

  • Kerry James Marshall, Better Homes, Better Gardens, 1994. Denver Art Museum Collection: Funds from Polly and Mark Addison, the Alliance for Contemporary Art, Caroline Morgan, and Colorado Contemporary Collectors: Suzanne Farver, Linda and Ken Heller, Jan and Frederick Mayer, Beverly and Bernard Rosen, Annalee and Wagner Schorr, and anonymous donors, 1995.77 © Kerry James Marshall Photograph courtesy of the Denver Art Museum
    13 June, 2014 - 7:00 p.m.
    Seminars and conferences Encounter

    This activity introduces the artist’s first individual exhibition in Europe, Kerry James Marshall: Painting and Other Stuff (13 June – 26 October, 2014), as he presents his work as an analysis of Afro-American racial identity and the space of the black subject, both in the current social context and in official history.

  • Sad Playground, as found by Peter Fischli on the World Wide Web
    Eight sessions, from 19 May to 11 June 2014 - 5:30 p.m.

    Playgrounds

    Reinventing the Square

    Seminars and conferences Workshop

    This workshop sets out from the discourse and works that articulate the exhibition Playgrounds in order to relate them to experiences of urban intervention in Madrid; a three-way exercise in active dialogue between the Museo, the participating audience and contemporary playgrounds.

  • Maia Villot. After talk the "Blue". Encounter, 2011
    15-19 May, 2014 - 7:00 p.m.
    Seminars and conferences Seminar

    This seminar forms part of a tri-annual project that explores expanded theatricalities in different areas: the public sphere, the city, the home, networks of affection, schools and educational spaces.

    Study center
  • View of the Nouvel Building, Auditorium 200, Museo Reina Sofía
    6, 7 and 8 May, 2014 - 19:00 h
    Seminars and conferences Seminar

    Presented as the culmination of the course on critical practices developed by Observatorio Metropolitano in the Museo, this seminar addresses the recent waves and movements of democracy, from Latin America to the Arab Spring. Over three days the sociologists Asef Bayat and Luis Tapia Mealla will debate the new international constituent situation.

    Study center
  • Oliver Ressler. Take The Square. Installation, 2012
    30 April - 27 June, 2014
    Seminars and conferences Seminar Course

    The exhibition Playgrounds takes a historical and political approach to space for play and its socialising and transgressive potential. In dialogue with the exhibition, this course and seminar debates the expansion of art towards spheres of institutional experimentation and intervention in public space, ultimately endeavouring to highlight the role of play in new modes of contemporary subjectivation.

  • Edward Krasiński, Interwencja, 1990. Acrilic on fiber panel, wood and blue ribbon. © Grażyna Kulczyk Collection. Photography: Bartek Buśko
    11 and 12 April 2014 - 7:00 p.m. and 12:00 noon
    Seminars and conferences Seminar Conference

    The transformations in Europe over the past three decades challenge national historical/critical narratives, and those based on apparent global continuity. This debate explores how art practices have influenced these situations in constant flux, calling into question these narratives and imagining possible alternatives.

  • Exhibition view of Francisco López. Untitled #223. Museo Reina Sofía, 2010
    3-4 April, 2014 - 6:00 p.m.
    Seminars and conferences Seminar Conference

    With regard to the acknowledgement of research networks in different fields and new methods of collection and dissemination stemming from archive practices, the Museo Reina Sofía presents this project. MASE is a collective of researchers, critics and artists connected to sound art and an innovative online archive and platform in a traditionally ignored field.

  • Comba y Rico. Opening of the Philippines Exhibition. Opening Contest chaired by H.M. Queen Regent . Print, 1887. Courtesy of Biblioteca Nacional, España
    13 March, 2014 - 7:00 p.m.
    Seminars and conferences Encounter

    Artist and writer engage in conversation, dialogue that coincides with the opening of SPLENDIDE-HOTEL, a site-specific project carried out by Dominique Gonzalez-Foerster in the Palacio de Cristal. Fiction within reality, compulsive reading or literature as a tool for understanding the world, these are elements shared by both and mark an ongoing collaboration.

  • Rembrandt. The Rape of Europe. 1632. Digital image courtesy of the Getty's Open Content Program, The Paul Getty Museum
    February 27 – March 1, 2014
    Seminars and conferences Workshop Seminar

    This encounter reflects on the formation of a new type of European political and cultural agency following the exhaustion of a union based on the market economy and on the precarious geopolitical balance of the States.