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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

Results

  • Jean-Marie Straub. Kommunisten. Film, 2014
    October 7 - November 25, 2016

    Jean-Marie Straub and Danièle Huillet

    To Make the Revolution Also Means to Put Back Into Place Things that Are Very Ancient But Forgotten

    Cinema and video Film series

    Museo Reina Sofía will present, in collaboration with Filmoteca Española, a comprehensive retrospective on the film-makers Jean-Marie Straub and Danièle Huillet. The series, comprising works spanning from 1962 to the present day, reflects one of the most cohesive and relevant film projects in the 20th century, whereby cinema is both an artistic form and a way of politically bursting forth in the present. Engaging in dialogue with Jean-Marie Straub, the series includes new translations of the vast majority of the films, original format screenings, remastered copies, a significant number of premieres in Spain, and a new publication featuring essays on the film-makers.       

       

  • YOCOCU 2016
    September 21 - 23, 2016
    Seminars and Lectures Seminar

    The Museo Reina Sofía’s Department of Conservation-Restoration and the YOCOCU (YOuth in COnservation of CUltural Heritage) association organises the fifth edition of the international conference on Youth in Conservation of Cultural Heritage, to be held from 21 to 23 September.

    Restoration
  • Equipo Crónica. El realismo socialista y el Pop Art en el campo de batalla (Socialist Realism and Pop Art in the Battle Field) (detail), 1969. Painting, Museo Nacional Centro de Arte Reina Sofía collection. Long-term loan of Manuel Valdés, 2010
    September 5 - 7, 2016

    Cold Atlantic

    Cultural War, Artistic Dissent, Networks and Contact Zones during the Iron Curtain Period

    Seminars and Lectures Seminar

    The international conference Cold Atlantic will examine the artistic, cultural and aesthetic exchanges produced between the USA, Europe, Africa and Latin America during the Cold War. The aim is to highlight the axes of alignment and artistic exchange between the geopolitically minor actors that were trapped inside the huge theatrical strategy from this period.

    Study center
  • Walter Benjamin
    May 11 - 13, 2016 - 6:00 p.m.
    Seminars and Lectures Conference

    At the present time, Humanities have lost the Renaissance concept stemming from the linguistic, social and philosophical-historical disciplines that were at every level of the formal education still taught a few decades back. The processes of globalisation inscribed in capitalist systems have prioritised education as a field of pragmatic knowledge at the expense of those disciplines engaged in the formation of civilised social coexistence and the role of citizenship understood from responsibility.  

    Study center
  • Santos Yubero, Martín. Exhibición deportiva en Ciudad Universitaria. Photography b/w, s/f.
    May 10 - June 14, 2016
    Seminars and Lectures Seminar

    The period of autocracy in Spain presents itself as an abominable decade characterised by the triumphant Francoist aesthetic and ideology on all fronts. This series of lectures, in conjunction with the exhibition Campo Cerrado. Spanish Art 1939–1953, debates and calls into question this acknowledgement through the views of six historians and theorists hailing from different fields of study and different generations. 

  • Compañía La Veronal, 2015
    April 28 - 29, 2016
    Music, Dance and Performance Encounter Modern dance

    The Museo Reina Sofía once again takes part in the activities that mark International Dance Day, organising two sessions that aim to grant visibility to and assimilate inside its spaces an artistic practice that is becoming increasingly prominent in the Museo’s programming, lines of research and Collection.

  • Carlos Arévalo. Rojo y negro [Red and Black]. Film, 1942
    April 28 - May 27, 2016 - 7:00 p.m.
    Cinema and video Film series

    This film series, organised in conjunction with the exhibition Campo Cerrado. Spanish Art 1939–1953, focuses on post-war Spanish cinema, moving beyond the clichés that have buried it for a number of decades to present a dark yet fascinating filmic and historical labyrinth displaying conflicts, searches and objectives from the main narratives in a melancholy, wounded and confrontational period.

  • Josh Zakary. Arrival of Syrian refugees to Vienna. 2015
    April 4 - 13, 2016
    Seminars and Lectures Seminar Conference

    Inside the framework of Constituent Machines: Constituent Power, Biopolitics, Democracy, the Museo Reina Sofía will hold the second session in the programme of lectures and seminars, on this occasion conducted by Wolfgang Streeck.

    Study center
  • Diana Vázquez. Conceptual Map of Domesticities. 2016
    April 2, 2016 - 12:00 p.m.

    Domesticities

    Ways of inhabiting, institutions that inhabit us, and schizophrenic subjectivities

    Seminars and Lectures Seminar

    Within the context of the networks in which the Museo Reina Sofía participates alongside collectives, organisations and independent research groups, the Museo’s Study Centre welcomes the conference Domesticities, organised by the Las Raras collective.

    Study center
  • Yes to the Constituent. Photography by José Luis Durón
    March 14 - 21, 2016
    Seminars and Lectures Seminar

    The Museo Reina Sofía will host a lecture and seminar by Portuguese sociologist Boaventura de Sousa Santos, to take place within the context of the programme Constituent Machines: Constituent Power, Biopolitics, Democracy, jointly organised with the Commons Foundation, and in collaboration with Intermediae.

    Study center
  • Art and Education
    March 9, 2016 - 6:00 p.m.

    Art and Education

    Identities and Cross-border Relations

    Seminars and Lectures Seminar

    The Museo Reina Sofía’s Education Department organises a conference to debate the contemporary reshaping of the relations between education and art, featuring participation from Mónica Romero and Oriol Fontdevila. In open dialogue with the speakers, we will discuss the friction and hybridisation between the identity of the artist, educator and curator at a time when the rise in notions of “education shift” and “mediation”has problematically displaced the relationships between these roles.

  • Constant. New Babylon Nord, (detail). Plan, 1958
    February 17, 2016 - 6:30 p.m.

    New Babylons

    Constant and the Right to the City

    Seminars and Lectures Seminar

    New Babylon (1956–1974) is a networked city project conceived by the Dutch artist and architect Constant Nieuwenhuys for the “total fulfilment of life”, an approach to urbanism based on the freedom of the individual through the power of play and creativity. This activity, which marks the end of the retrospective in the Museo devoted to Constant, examines this total artwork’s place in the utopian urbanism that followed World War Two through a lecture by Anthony Vidler and a round-table discussion featuring participation from José Miguel de Prada Poole, Izaskun Chinchilla, José Pérez de Lama and Ethel Baraona.

  • Andrzej Wróblewski. Muzeum (Museum).Drawing, 1956
    February 11 - 12, 2016 - 7:00 h

    Luc Tuymans and Andrzej Wajda

    Two Readings of Andrzej Wróblewski

    Cinema and video Screenings Seminars and Lectures Seminar

    The conversation between the painter Luc Tuymans and the curator Ulrich Loock, and the film Wróblewski According to Wajda, premiered by the film-maker Andrzej Wajda in the Museo Reina Sofía, represent two reflections on the painting of Andrezej Wróblewski, who still challenges the interpretative frameworks of 20th-century art history today. A realist and at the same time abstract, an individualist whilst also an advocate of collective artistic practice, experimental yet socially committed, Wróblewski considers a series of ambivalences through his work that call into question key aspects of both his own epoch and the present.

  • Alexandre Estrela. Cápsulas de silencio, 2015
    December 16, 2015 - 7:00 p.m.
    Seminars and Lectures Encounter

    Alexandre Estrela (Lisbon, 1971) belongs to a generation of artists, like Laure Provost, Florian Pumhösl, Rosa Barba and Francisco Tropa, who have explored diverse perceptive, mental and cultural themes of cinematic devices in a museum space. This conversation with João Fernandes presents the works in his exhibition Pockets of Silence, set within the Fisuras (Fissures) programme.

  • Exhibition view. Daniel G. Andújar. Operating System, 2015
    December 11 - 12, 2015
    Seminars and Lectures Seminar

    In this seminar, Fundación de los Comunes, Red de Conceptualismos del Sur and Museo Reina Sofía put forward a reflection on issues of social, cultural and political memory through the work of archives that guard, transmit and produce public memory generated by the current forms of social action conservation, which also shuts out major parts of collective experience from dominant discourse.

    Study center
  • Luis Gordillo. Payseyes, 1979. Painting. Museo Nacional Centro de Arte Reina Sofía collection, Madrid. © Luis Gordillo, VEGAP, Madrid, 2015
    December 3, 2015 - 7:30 p.m.

    The Evolving World of the Posthuman

    Encounter with Rosi Braidotti

    Seminars and Lectures Conference

    The Museo Reina Sofía Study Centre organises this encounter around the thinking of Rosi Braidotti, in reference to the publication of her book The Posthuman (Polity Press, 2013). The intervention sees Rossi Braidotti explore the “posthuman turn”, understood as an event based on the convergence of posthumanism and postanthropocentrism.

  • Poster of Informe general II. El nuevo rapto de Europa, 2015
    December 2-4, 2015 - 7:00 p.m.
    Cinema and video Film series

    The premiere of Informe general II. El nuevo rapto de Europa (General Report II. The New Abduction of Europe), Pere Portabella’s latest film which addresses the political, economic, social and ecological dimension of the crisis from a perspective of networks and culture. The premiere will also be joined by the screening of a new restored version of Informe general sobre algunas cuestiones de interés para una proyección pública (General Report on Some Interesting Facts for a Public Showing), Portabella’s 1976 film that precedes Informe general II. The film-maker will be present on December 2.

  • Fabià Puigserver, drawing for the “Llibertat d’expressió” campaign, 1977 Centre de Documentació i Museu de les Arts Escèniques (MAE) del Institut del Teatre
    November 19 - 27, 2015
    Seminars and Lectures Seminar Conference

    Independent theatre groups in Spain revamped the stage from popular culture, university classrooms, alternative circuits and touring as a form of representation. As a whole, they represent a key chapter in the history of 20th-century theatre in Spain, and this seminar, integrated into a broader network project, looks to remedy the absence of debates and studies around this crucial subject.

  • Andrzej Wróblewski, Słońce i inne gwiazdy, 1948, Muzeum Sztuki w Łodzi © Cortesía Andrzej Wróblewski Foundation
    November 18, 2015 - 7:00 p.m.

    Encounter Andrzej Wróblewski

    Éric de Chassey and Marta Dziewańska

    Seminars and Lectures Encounter

    The confrontation between abstraction-realism and artistic imagination-social commitment has polarised a major part of 20th-century art history, dividing fronts, periods and movements from both sides. Yet the work of Andrzej Wróblewski (1927–1957) constitutes an exceptional chapter; the painter imagined a universe that was free from Biomorphic Abstraction whilst, on the back of the same painting, he figuratively documented the opposite: the existential suffering in the Second World War. This conversation introduces his work.

  • Maya Deren. Meshes of the Afternoon. Film, 1943. Courtesy of Filmmakers Showcase
    November 12 - December 18, 2015 - 7:00 p.m.

    Avid Eyes

    Masterworks from American Avant-garde Experimental Film (1920–1970)

    Cinema and video Film series

    Avid Eyes is an anthology of experimental American cinema curated by researcher Bruce Posner, who also oversaw the landmark film series Unseen Cinema, held in the Museo Reina Sofía in 2006. Avid Eyes features a selection of 37 recently remastered films that introduce the multiple pathways traced by American avant-garde cinema between 1920 and 1970.


  • Hito Steyerl. How Not to be Seen: A Fucking Didactic Educational .MOV File. Video, 2013
    November 10, 2015 - 6:30 p.m.
    Music, Dance and Performance Performance art Cinema and video Screenings Seminars and Lectures Conference

    This double performance serves as an introduction to the Hito Steyerl retrospective in the Museo. The studied disappearance of the image in modern surveillance technology is developed in a performance lecture by the artist, followed by an exploration into the new acoustic landscape of war – between military noise and sounds from consumer devices - by Kassem Mosse. Both performances are a posthumous homage to Harun Farocki.

  • View of the Falckenberg Collection at Phoenix Kulturstiftung, with works by General Idea
    November 3, 2015 - 7:00 p.m.

    Harald Falckenberg

    The Falckenberg Collection. European and American Post-war Counterculture

    Seminars and Lectures Conference

    The Falckenberg Collection, built around the concept of art as a space of revolt, assembles one of the most salient historical ensembles of art criticism in post-war Germany and America. In the face of complacency over the market and its logics, this collection represents a counter-current to ways of understanding the role of and narratives that stem from collecting.

  • Ignasi Aballí, Rótulo (imagen-texto), 2014. Cortesía Galería Estrany de la Mota
    October 28, 2015 - 7:00 p.m.

    Encounter with Ignasi Aballí

    In conversation with João Fernandes

    Seminars and Lectures Encounter

    This talk offers the chance to move beyond the exhibition and focus on the references and shifts that make up the work of Ignasi Aballí, a key artist since the 1990s. Literature, exploring language and time and alluding to Georges Perec and Raymond Queneau, and film, as a space of representation, enter into dialogue within an artistic practice realised in different mediums and infiltrated by reality and its margins.

  • Carlos Pazos. Artissimo. Película de citas (A Film of Quotes). Poster, 2015
    October 21 and 24, 2015 - 7:00 p.m.
    Cinema and video Screenings

    Artissimo is a montage of film fragments based around the futility and stereotypes of the artist. Pazos’ film pieces together offcuts of mainstream cinema to show the artist as a fanciful and irate being beset with melancholy - a son of Saturn. He runs through all the clichés that still reside in the collective imagination, conveying what art is, or as Pazos himself puts it, that essential praise of the useless.

  • Adolfo Senbra. Popular assembly in Valencia, 2011
    October 22, 2015 - 8:00 p.m.

    The Way of the World: Neoliberal reason vs. common reason

    Encounter with Christian Laval and Pierre Dardot

    Seminars and Lectures Encounter

    This encounter, within the framework of the project Redes, from the Museo’s Study Centre, sees sociologist Christian Laval and philosopher Pierre Dardot set out a reflection of “the common” as a strategic paradigm for considering new socio-economic and political concepts of use in the design of new forms of democratic organisation that go beyond the categories of representation and political sovereignty that are consubstantial with modernity.

  • Dominique Gonzalez-Foerster, Otello 1887. Film, 2015
    October 14 and 17 octubre - 7:00 p.m.
    Cinema and video Screenings

    Dominique Gonzalez-Foerster employs literature to explore the relationship between fiction and reality, and theatre to juxtapose an imaginary narrative of the present. This Intervalos session sees three of her films screened, including Otello 1887, a cinematic opera filmed in the Palacio de Cristal and co-produced by the Museo.

  • Exhibition view. Danh Vō. Banish the Faceless / Reward your Grace, 2015
    October 2, 2015 - 7:00 p.m.

    Encounter with Danh Vō

    In conversation with Patricia Falguières

    Seminars and Lectures Encounter

    Iconoclasm, desire, vulnerability, migration and cultural translation are some of the themes that impress particular intensity upon the work of Danh Vō. This encounter, also held in the Palacio de Cristal, sees the artist enter into conversation with Patricia Falguières, professor at the École des hautes etudes in social sciences in Paris, and author of essays such as Les Chambres de merveilles (Bayard, 2002).

  • Cristina Iglesias. Tres Aguas (Three Waters). 2014
    September 30, 2015 - 7:00 p.m.

    Presentation of Tres Aguas (Three Waters)

    Cristina Iglesias in conversation with James Lingwood and Manuel Borja-Villel

    Seminars and Lectures Book presentation

    The presentation of Cristina Iglesias’ book and project could be seen as an epilogue to the exhibition Metonymy, a 2013 retrospective on the artist held in the Museo. Tres Aguas (Three Waters) is a sculptural intervention in the city of Toledo that joins nature, history and landscape.

  • Nasreen Mohamedi. Untitled, ca. 1970. Drawing. Kiran Nadar Museum of Art, New Delhi
    September 23, 2015 - 7:00 p.m.
    Seminars and Lectures Encounter

    This encounter serves as an introduction to the retrospective devoted to Indian artist Nasreen Mohamedi (Karachi, 1937 – Baroda, 1990), an exhibition that looks to acknowledge the specific nature of her work, beyond the canonical accounts that have systematically placed it within minimalist abstraction.

  • Colectivo Armadillo. 66 Exercises. Stage work, 2015
    September 17 and October 1, 2015 - 8:00 p.m.
    Music, Dance and Performance Theatre Seminars and Lectures Encounter

    The Museo marks the 55th anniversary of the OuLiPo group with two activities: The presentation of the work 66 Exercises in Style by Colectivo Armadillo, and a discussion which revolves around the group, which includes participation from illustrious specialists and certain members of this historic literary experiment.

  • Kleber Mendonça Filho. O som ao redor (Neighbouring Sounds). Film, 2012
    July 16 - August 13, 2015 - 10:00 p.m.

    Scene Games

    Contemporary Cinema in Latin America

    Cinema and video Film series

    This film series presents a panoramic view of recent independent film from Latin America, while also introducing a new screening area in the Museo – the transformation of the outdoor terraces into a new open-air cinema. Scene Games offers an interpretation of the latest films from Latin American cinema, barely seen in Europe, where theatricality is the key element in approaching reality.

  • Eduardo Arroyo. Los cuatro dictadores (The Four Dictators), 1963. Painting. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    June 18 - 20, 2015
    Seminars and Lectures Seminar

    The international conference Politics, State Power and the Making of Art History in Europe after 1945 explores the ways political power seeks to shape and influence the activities of art historians, art critics, museum professionals and cultural institutions in order to control the understanding of art and artistic heritage from 1945 to the present.

  • Poster of The Limitless Place
    June 14 - July 5, 2015 - Wednesdays at 8:00 p.m. and Sundays at 12:00 p.m.

    The Limitless Place

    Dramaturgy in Movement

    Music, Dance and Performance Theatre Conference

    The Limitless Place is the first collaboration between Museo Reina Sofía and the Centro Dramático Nacional (National Drama Centre) and Teatro Pradillo, with the latter conducting a programme of performances, lectures and encounters. It comes about from the desire to question the forms and language of the stage with the will to think about the theatre we actually want; what is, in short, the world we strive to build our society upon.

  • Marcel Broodthaers. Panel with Eggs and Stool, 1966. Assemblage. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    June 9 - 10, 2015

    Benjamin Buchloh

    Master Lecture

    Seminars and Lectures Lecture

    Started in 2010, the Museo Reina Sofía’s programme of master lectures marks the beginning, or end, of the annual academic activity conducted in the Museo, comprising a series of MAs, study programmes, debate groups and research residencies, run in collaboration with different universities.

    Study center
  • Videoframe of Dance or Exercise on the Perimeter of a Square (Square Dance), 1967-1968 de Bruce Nauman. © Bruce Nauman, VEGAP, Madrid 2015. Courtesy of Electronic Arts Intermix (EAI), New York
    June 8, 11, 15, 18, 22, 25 and 29; July 1 and 2, 2015 - 7:00 p.m.

    Displaced bodies

    Audiovisual traces between dance and performance, 1963–1986

    Cinema and video Film series

    A debate runs through a whole century of images of bodies in movement: that which refers to the correspondence between these bodies in live performance (on stage, in the gallery or museum) and in film. Through this question, the aim is to elucidate whether the audiovisual record of practices in which the body is at the centre – contemporary dance and artistic performance – “faithfully” reflects its apparent inherent truth.

  • Lav Diaz. Century of Birthing [Siglo ng pagluluwal]. Film, 2011
    June 6-13, 2015
    Cinema and video Film series

    In collaboration with FILMADRID, a new space devoted to contemporary auteur cinema, the Museo Reina Sofía and Filmoteca Española (the Spanish Film Institute) welcome the retrospective Lav Diaz. The Evolution of a Filipino Film-maker, centred upon a contemporary director whose experiments with duration best represent the popular and tragic history of a community.

    Associated project
  • Sabatini Building floorplan indicating the different sound interventions
    May 20 - June 24, 2015 - 7:30 p.m.
    Music, Dance and Performance Concert

    Resonance is a series of sound interventions for a specific site, activating the acoustic and historical space in the Museo Reina Sofía’s Sabatini Building. The programme refrains from using the auditorium and electronic amplification, which means guest artists, musicians and composers will present a series of pieces that set in motion alternative contexts for sound and contemporary music.

  • Nouvel Building, Auditorium 400
    20 May, 2015 - 7:30 p.m.

    Conversations. Néstor García Canclini

    Creative, precarious and intercultural

    Seminars and Lectures Conference

    What are innovation and originality in diverse times? How does the precarious artist participate in the so-called economies of creativity? This lecture sees the Argentinian philosopher and cultural critic Néstor García Canclini analyse the redistributions and alternatives to creativity that come together in a new contemporary framework of institutions, movements, audiences and networks.

  • Restoration process of the work Portrait of Joella by Salvador Dalí and Man Ray
    May 16 - 18, 2015
    Music, Dance and Performance Concert Modern dance Education Workshop

    The Museo will once again be taking part in the celebration of International Museum Day (IMD), held on 18 May, contributing, on 16, 17 and 18 May, with dance activities, workshops and a programme of guided tours that aim to offer plural viewpoints of its Collection and temporary exhibitions like the remarkable White Fire. The Kunstmuseum Basel Modern Collection.

     

  • 13 May, 2015 - 7 p.m.

    Conversations. Claudia Zaldívar

    Museum of Solidarity

    Seminars and Lectures Conference

    Founded by intellectuals such as Mario Pedrosa, Dore Ashton, Carlo Levi and the Spanish critic José María Moreno Galván, this institution represented a brief experience that, while connecting Chile and Palestine, Senegal and the spaces of resistance in the Western world between 1971 and 1973, was used to seek alternative references during the Cold War. This talk by its director, Claudia Zaldívar, introduces its history and recovery. 

  • Andreas Seltzer & Dieter Hacker. Volksfoto: Foto kaput. Installation, Museum Bochum (Germany). Reconstruction in Not Yet. On the Reinvention of Documentary and the Critique of Modernism, Museo Reina Sofía, 2015
    May 11 - 26, 2015 - 19:00 h
    Seminars and Lectures Conference

    In relation to the exhibition Not Yet. On the Reinvention of Documentary and the Critique of Modernism, this series of lectures offers a context for the discussion on the reframing of documentary culture in the 1970s and 1980s. The programme brings together international scholars to debate some of the key aspects of the exhibition from different perspectives.

  • Carl Andre, Magnesium Copper Plain, 1969. Sculpture. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid
    May 4, 2015 - 6:00 p.m.

    Encounter centred on Carl Andre

    Yasmil Raymond in conversation with João Fernandes

    Seminars and Lectures Conference

    This encounter serves as an introduction to the exhibition in the Museo devoted to North American artist Carl Andre (Quincy, Massachusetts, 1935) and looks to provide perspective on an artistic career that spans the second half of the 20th century and which has been historiographically defined by its generational affiliation with the time Minimalism embarked upon the redefinition of sculpture.

  • Colliers Magazine, Preview of a War We Don’t Want, 1957
    April 29 - 30, 2015 - 6:00 p.m.
    Seminars and Lectures Seminar

    This seminar sets out to rewrite the history of post-war art in Europe, traditionally presented as the disjointed amalgamation of art scenes divided into antagonistic blocs. By deconstructing national limits and articulating a transversal debate, this programme presents a divergent history, whilst also identifying new voices and positions.

  • Nouvel Building, Courtyard
    April 29, 2015 - 2:00 p.m.

    International Dance Day

    Open session. Reinterpreting Rosas danst Rosas by Anne Teresa de Keersmaeker

    Music, Dance and Performance Modern dance

    To mark International Dance Day, the Museo calls on all those interested in taking part, for 10 minutes, in the reinterpretation of one of the most emblematic pieces in the history of contemporary dance: Rosas danst Rosas.

  • Dance Attacks 2014. Museo Reina Sofía. Photograph by Ignacio Urrutia
    April 29, 2015

    International Dance Day

    Dance Attacks in the Museo Reina Sofía

    Music, Dance and Performance Modern dance

    Once again, the Museo joins in with the activities held to mark International Dance Day, to take place on Wednesday 29 April, with a view to giving an artistic practice that is becoming increasingly more prominent in the Museo’s Collection and activities visibility and integrate it into its spaces.