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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

Results

  • Alex Mendizabal. Concert on the fronton of Eztegara in Bera. Ertz Festival, 2012. Photography: Asier Gogortza
    May 20 - June 24, 2015 - 7:00 p.m.
    Live Arts Concert

    Resonance is a series of sound interventions for a specific site, activating the acoustic and historical space in the Museo Reina Sofía’s Sabatini Building. The programme refrains from using the auditorium and electronic amplification, which means guest artists, musicians and composers will present a series of pieces that set in motion alternative contexts for sound and contemporary music.

  • Andreas Seltzer & Dieter Hacker. Volksfoto: Foto kaput. Installation, Museum Bochum (Germany). Reconstruction in Not Yet. On the Reinvention of Documentary and the Critique of Modernism, Museo Reina Sofía, 2015
    May 11 - 26, 2015 - 19:00 h
    Seminars and conferences Conference

    In relation to the exhibition Not Yet. On the Reinvention of Documentary and the Critique of Modernism, this series of lectures offers a context for the discussion on the reframing of documentary culture in the 1970s and 1980s. The programme brings together international scholars to debate some of the key aspects of the exhibition from different perspectives.

  • Colliers Magazine, Preview of a War We Don’t Want, 1957
    April 29 - 30, 2015 - 6:00 p.m.
    Seminars and conferences Seminar

    This seminar sets out to rewrite the history of post-war art in Europe, traditionally presented as the disjointed amalgamation of art scenes divided into antagonistic blocs. By deconstructing national limits and articulating a transversal debate, this programme presents a divergent history, whilst also identifying new voices and positions.

  • Nouvel Building, Courtyard
    April 29, 2015 - 2:00 p.m.

    International Dance Day

    Open session. Reinterpreting Rosas danst Rosas by Anne Teresa de Keersmaeker

    Live Arts Modern dance

    To mark International Dance Day, the Museo calls on all those interested in taking part, for 10 minutes, in the reinterpretation of one of the most emblematic pieces in the history of contemporary dance: Rosas danst Rosas.

  • Steve Paxton. Bound. Performed by Jurij Konjar. Photograph by Nada Žgank
    April 20 - 25, 2015
    Live Arts Workshop Performance art Modern dance Conference

    After organising activities with Merce Cunningham and Simone Forti, the Museo presents the choreographer and dancer Steve Paxton (USA, 1939), a central figure in the development of contemporary dance and the creator of contact improvisation. On this occasion Bound, a solo devised by Paxton, will be performed, for the first time in Spain, by the dancer Jurij Konjar, who will also hold a workshop.

  • Mathias Goeritz. Dibujo ideográfico del Museo Experimental El Eco, 1952. Colección Luis Enrique Noriega
    Seminar: April 8 - 9, 2015 - 6:00 p.m.
    Seminars and conferences Seminar Book presentation

    This seminar is the culmination of the exhibition The Return of the Snake. Mathias Goeritz and the Invention of Emotional Architecture and looks to generate a debate centred on the artist Mathias Goertiz as a unique case study with which to understand the phenomena of the translation, reinterpretation and survival of modernity in a new time in history, straight after the war.

  • James Benning. Natural History. Film, 2014
    8 April – 11 May, 2015 - 7:30 p.m.
    Cinema and video Film series

    This series explores how the museum has been conceived, represented and questioned in different film poetics. Filming the museum institution entails not only a discussion on how art is exhibited and its mechanism of interpretation, but also how other past times in the present are inserted and reactivated, articulating an amalgamation of transience, inside and outside the present, that is specific to the museum and its narrations.

  • Daniel García Andújar. Not Found, 1000 casos de estudio, 2014. Courtesy of the artist
    March 26 - 27, 2015 - 6:00 p.m.
    Seminars and conferences Workshop Seminar

    The Internet has produced new behaviours, subjectivities and institutions linked to another way of being and doing. This seminar debates how these changes throw established categories of art, the author and the circulation of unique work off balance, whilst also forming profound contradictions – from creativity as an economic value to indistinct work time. Is considering another artistic ecosystem possible from these ambiguities?

     

  • Lucas Ospina. El agente triple. Photomontage, 2007. Made for Luis Ospina. Un tigre de papel. Film, 2007
    26, 27 February 2, 3 March, 2015 - 7:00 p.m.
    Cinema and video Film series

    Luis Ospina has directed some of the most incisive and critical films on the identity stereotypes that are still prevalent in Colombia and, by extension, Latin America. Setting out from the term “porno-misery”, his films explicitly speak out against the use of violence and poverty as representation and spectacle. This series, with the film-maker present, serves as an introduction to his work.

  • View of the Nouvel Building, Auditorium 200, Museo Reina Sofía
    February 25-26, 2015

    4th Meeting of European and Latin American Museums

    Travelling Exhibitions: The Production of Circuits, Routes and Collaborative Networks

    Seminars and conferences Seminar

    Organize with the occasion of ARCOmadrid, this meeting aims to provide a space for reflection where art professionals working in museums and contemporary art centres can exchange ideas about the possibilities that this exhibition format offers to their institutions.

  • Theaster Gates. The Black Monks of Mississippi. Performance, 2014
    February 17, 2015 - 7:00 p.m.
    Seminars and conferences Conference Encounter

    This activity introduces conversations, a new series of twice-monthly dialogues and lectures that open up a new space aside from the research conducted by the Museo. In this first instalment, Thelma Golden and artists Theaster Gates and Glenn Ligon debate the recent shift in the politics of race and representation in the United States.

  • Exhibition view. If You Lived Here…, Dia Art Foundation (New York, 1989)
    February 11, 2015 - 7:00 p.m.

    Encounter with Martha Rosler

    In conversation with Jorge Ribalta

    Seminars and conferences Conference Encounter

    This encounter brings together Martha Rosler (New York, 1943) and the historian and theorist of photography Jorge Ribalta. The activity signals the start of the exhibition Not Yet. On the Reinvention of Documentary and the Critique of Modernity and looks to debate some of the question marks it raises.

  • Gregory J. Markopoulos. The Illiac Passion. Film still, 1964-1967
    February 6-10, 2015
    Cinema and video Film series

    This film series presents a selection of work by Gregory J. Markopoulos (1928-1992), who made some of the most subjective and allegorical film poetics in post-war experimental cinema. With four sessions screened in both La Casa Encendida and the Museo Reina Sofía, Film as Film explores the keys to a sensual and excessive body of work, in which homosexual identity, initiation rites and allegory circle around complex editing techniques.

  • Daniel G. Andújar. Not Found, 1000 casos de estudio, 2014. Courtesy of the artist
    January 21, 2015 - 7:00 p.m.

    Encounter with Daniel G. Andújar

    In conversation with Manuel Borja-Villel and Iris Dressler

    Seminars and conferences Conference Encounter

    This encounter sees Daniel G. Andújar engage in conversation with the curator of the exhibition, Manuel Borja-Villel, and a critic with extensive knowledge of his output, Iris Dressler, to look at some of the key aspects of the artist’s work. The role of the artist in the new cultural ecosystem and the Internet as a utopian, and also repressive, space are some of the themes touched upon.

  • Núria Güell and Levi Orta, Arte político degenerado, 2014. Photograph courtesy of Eva Carol
    November 27, 2014 - 7:00 p.m.
    Seminars and conferences Conference

    Can strategies of capital be replicated to build horizontal social dynamics? As part of an action in the Really Useful Knowledge exhibition, artists Núria Güell and Levi Orta donate bank accounts in tax havens to a group of activists, who will use this route to attack the system that produces it. The project culminates in this seminar, which is organised by both artists.