List of selected artworks. Maps for the tour in the museum

Preview

Search

Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • Chris Killip. Helen and Her hula-hoop, Lynemouth, Northumberland. Serie: Seacoal, 1984. Courtesy of the artist © Chris Killip
    October 2, 2013 - 7:00 p.m.
    Seminars and conferences Encounter

    This talk, organised in connection with the exhibition Chris Killip. Trabajo/Work, is a unique opportunity to learn about the work of one of today's most important documentary photographers. The artist himself leads the visit through the exhibition, in which his photography is shown as a real and poetic document of the living conditions of the British working class, within the tradition of direct photography. 

  • View of the Sabatini Auditorium
    September 27 and 28, 2013

    After the margins

    A look at the other cinema in Spain

    Cinema and video Film series Seminars and conferences Seminar

    Film on the margins, from the peripheries, and the other cinema are among the terms used to refer to works that have been made outside the industry in recent years in Spain. Beyond this condition of existence, a number of additional criteria are fulfilled by these films, suggesting something of a group identity. More specifically: independent production and distribution platforms, the incorporation of the experimental language used in the field of art (exhibition video and film) and the liberal use of documentary techniques in the form of essay film are some of the features found throughout this other cinema.

  • Joaquín Torres-García. Círculo y cuadrado Magazine, n. 3, Asociación de Arte Constructivo, Montevideo, February 1937. Library and Documentation Centre, Museo Nacional Centro de Arte Reina Sofía, Madrid
    July 11 – 13, 2013
    Seminars and conferences Conference Seminar

    This international event, which brings together researchers, artists and curators from both sides of the Atlantic, seeks to stimulate reflection about the notion of avant-garde in relation to the experience and discourse of modernity between 1920 and 1970.

  • Zemos 98. Copylove diagram
    June 28 - 29, 2013
    Seminars and conferences Conference Workshop

    Copylove is a research project begun in 2012 by Rubén Martínez, Txelu Balboa and Sofía Coca that attempts to analyse and represent the relationships and tensions that arise between the commons and love within communities, between emotions and community links. 

  • Simone Forti, Huddle. Fotografía: Sally Stein
    June 19, 2013 - 5:30 p.m.

    About ± I96I

    Founding the Expanded Arts

    Seminars and conferences Encounter

    At this program, the curators Julia Robinson and Christian Xatrec present the premises of the exhibition ± I96I. Founding the Expanded Arts, followed by an intervention by Simone Forti in the auditorium and concluding with the representation of several of her pieces in the exhibition galleries. 

  • May 29, 2013 - 7:00 p.m.

    Laurent Bonelli

    When the peripheries burn. Social change and uprisings in the French banlieues

    Seminars and conferences Conference

    French sociologist Laurent Bonelli investigates the economic insecurity, riots and police repression that define the backdrop of the existence of a large part of the youth in the banlieu, the metropolitan outskirts of France. This conference questions and analyzes the creation of the new frontiers (spatial and moral) of an emerging social order and the resistance it generates. 


    Study center
  • Annie Sprinkle and Beth Stephens. Green Image with Boots. Print, 2012. Graphic design by Kern Toy
    May 25, 2013 - 07:00 p.m.

    Annie Sprinkle and Beth Stephens

    Assuming the Ecosexual Position

    Seminars and conferences Conference

    In this performative lecture, artists Annie Sprinkle and Beth Stephens explore the realm of ecosexuality as an expanded field of queer politics. The ecosexual community is a rapidly growing community that includes artists, academics, sex workers and other entities from diverse walks of life. 

    Study center
  • Brian Holmes. Movements of Capital. Sketch, 2005
    May 20 and 21, 2013 - 6:00 p.m. and 5:00 p.m.

    Unleashing the event

    Seminar with Brian Holmes

    Seminars and conferences Conference Seminar

    When trying to understand the impact that artistic practices have on the public sphere, people usually speak of a confrontation between art and politics. In this seminar, comprised of a lecture and a workshop, Brian Holmes takes a step beyond this dichotomy, and situates art, once again, in relation to existential affections, forms of organisation, bodies and theory. 

  • Image of The City and the Commons. A Story of our Time
    6 May, 2013 - 7:00 p.m.

    Peter Linebaugh

    The City and the Commons: A Story of our Time

    Seminars and conferences Conference

    In this conference, Anglo-American historian Peter Linebaugh explores the cycle of municipal occupations and urban encampments of recent years in cities including Cairo, Athens, London, New York and Madrid. Rather than discuss such events within discourses of citizenship or the public, Linebaugh considers them within the historical framework of the commons.

    Study center
  • Rabih Mroué. The Pixelated Revolution. Performance, 2012
    April 12 - 13, 2013
    Seminars and conferences Seminar Live Arts Performance art

    The new direction taken by political and social happenings in recent years has once again made public space an excellent place for manifestations by the community. In contrast with the situation during the last third of the 20th century, dissident action does not avoid urban spectacularization, hiding in private or clandestine spheres. Instead it transforms and is shown in public space. This seminar explores the use of “theatrical” gestures, behaviours and performances in social space for the purpose of expressing disagreement and dissidence, and it also examines the way that today's art, specifically theatre, has taken in and dialogued with these non-artistic theatricalities.

    Study center
  • Ignacio Gómez de Liaño. El juego del Correo, 11 VIII 1972. Photograph: José del Río Mons
    April 11, 2013 - 7:00 p.m.

    Ignacio Gómez de Liaño

    In the network of time 1972 1977. Personal diary

    Seminars and conferences Book presentation

    Closely connected to the Computing Centre, the visual poet, experimental artist, researcher, professor and writer Ignacio Gómez de Liaño is one of the essential references in Spanish art in the 1970s. This book of memories recounts that period's most important events and describes many of their protagonists. The book, the Spanish title of which is En la red del tiempo 1972 -1977, constitutes an indispensable document in any effort to understand contemporary art practices in the final years of the dictatorship.

  • Maruja Mallo. El canto de las espigas. Pintura, 1939. Colección Museo Reina Sofía.
    April 8 – May 14, 2013 - 7:00 p.m.
    Seminars and conferences Conference Seminar

    This post-graduate course, associated with the research project "After the Republic: networks and two-way paths in Spanish art from 1931 to 1981" (National Plan for Research, Development and Innovation HAR2011-25864), is conceived as an introduction to the evolution, creation, promotion and historiographic fate of Spanish art, in times of peace and war and both within and outside the country, over a period of five decades. The period examined spans the Republic, the Civil War and dictatorship-exile.

    Study center
  • José Ignacio Linazasoro. Remodelled Escuelas Pías. Architectural intervention, 1996- 2004
    March 11, 2013 - 7 p.m.

    Collecting at the University

    The artistic and architectural heritage of the UNED

    Seminars and conferences Book presentation

    The main purpose of universities is generally understood to revolve around teaching and research, but these institutions also have other important roles that tend to receive less attention. This event looks at the architectural and artistic heritage belonging to Spain's National University of Distance Education (UNED). The collection is brought together for the first time in this publication, which examines how contemporary art has been collected, exhibited and supported by the university as an institution.

    Study center
  • Beatriz Preciado. The Death of the Clinic?
    March 9, 2013 - 7:30 p.m.

    Beatriz Preciado

    The Death of the Clinic?

    Seminars and conferences Conference

    In The Birth of the Clinic, Michel Foucault suggested that for each model of power there was a specific way of organising sexuality and reproduction and that this organisation was concentrated in institutions such as the school, the hospital or the factory. All of these are now in decline, so we must ask ourselves: What model of somatopolitial administration characterises contemporary neoliberal society, following the crisis occurring in Foucault's clinic? This lecture is the inaugural event of Somatheque 2013.

    Study center
  • Call for Papers. Transatlantic Encounters: avant-garde discourses in Spain and Latin America
    February 28, 2013

    Call for Papers

    Transatlantic Encounters: avant-garde discourses in Spain and Latin America

    Seminars and conferences Seminar

    This program aims to explore the notion of avant-garde as it relates to the experience of modernity and to the shaping of the political and aesthetic vanguardia by post-war art and politics between 1920 and 1970. The specific nature of avant-garde and neo avant-garde practices, and the way in which transnational dialogue helped delineate artistic discourses in Spain and Latin America, will be the reflections guiding this event.