04 november, 2010 - 27 november, 2010
The Tattooed Skeleton
Suzanne Lacy (California, 1945), an American visual artist, is a pioneer in using political activism to denounce violence against women. Her early works prefigure many of the themes found in current debates on contextual and community practices, defending the role of an engaged public and the active role of the artist in the design of public policies.
28 october, 2010 - 28 october, 2010
Enlace-51. Cecilia Barriga
The work of Cecilia Barriga (Concepción, 1957), a Chilean filmmaker residing in Madrid since 1977, maintains a keen commitment to questions of social equality and reflections on gender, questioning the way in which our individual and group identities are constructed and represented, whether through the image impulse of what is most intimate or through the changing cultural and political circumstances that surround us.
04 october, 2010 - 07 october, 2010
Miralda. De gustibus non disputandum
To mark the occasion of the exhibition Miralda. De gustibus non disputandum (24 June -11 October 2010), the Museo Nacional Centro de Arte Reina Sofía is presenting three video programmes by the artist Antoni Miralda (Tarrasa, 1942) that explain his view of art in the context of the exhibition.
30 september, 2010 - 30 september, 2010
Enlace-50. Jenny Marketou
Jenny Marketou (Athens, 1954) is a multidisciplinary artist whose work clamours for public participation at the same time that it questions the systems that structure how we live with respect to the limits of public space and our freedom.
13 september, 2010 - 26 september, 2010
The Storyteller presents a group of international artists who use stories as a way to understand and convey political and social events. All of the works in The Storyteller revolve around situations that are either in the process of unfolding or that continue to impact the lives of the artists or protagonists.
09 june, 2010 - 24 june, 2010
Action Behind the Margins
During the 1970s, a time of intensive de-industrialisation and the transition to an information economy in New York, artists found new ways to use the city. The creative use of abandoned and peripheral spaces intensified, especially in Lower Manhattan, which was becoming a centre of the commercial art world. Action Behind the Margins combines debates, performances pieces and film screenings to reveal a city where public and private spheres intermingle and marginal subjects assert their right to the city.
19 may, 2010 - 28 may, 2010
From Ecstasy to Rapture. 50 Years of Alternative Spanish Film
Since the 1950s, Spain has been home to an important tradition of experimental film cut off from conventional exhibition spaces. This series was designed to give this unknown branch of film the visibility it deserves. From more than a thousand films, forty-three were chosen to be screened at the Museo Nacional Centro de Arte Reina Sofía in six sessions. In order to spark a dialogue between the different eras, this vastly diverse group of seminal films was shown out of chronological order, blazing a trail through the almost unknown history of Spanish cinema.
05 may, 2010 - 05 may, 2010
Enlace-48. Cal Cego
Pedro Garhel (Tenerife, 1952-2005), a multifaceted and multidisciplinary artist, was a pioneer in the field of electronic and interactive art in Spain. He began his work in the area of performance and video art in Madrid, where in 1981 he founded the emblematic Espacio P, a multi-purpose centre managed by the artists themselves that became a meeting point between the sound, visual and performing arts.
28 april, 2010 - 28 april, 2010
Enlace-47. Pedro Garhel
The title Reacción en cadena applies to a selection of videos from the Cal Cego Contemporary Art Collection (Barcelona) that create genealogies of artists, works and discourses. Viewing the videos reveals the relationships, associations, counterpositions, superpositions, revisions and conflicts generated between them.
15 march, 2010 - 29 march, 2010
Transitland: video art from Central and Eastern Europe 1989-2009
Transitland: video art from Central and Eastern Europe 1989-2009 is a project put together to mark the occasion of the 20th anniversary of the fall of the Berlin Wall. It includes a selection of one hundred works produced between 1989 and 2009 that reflect the political, social and personal transformations that occurred in post-socialist Central and Eastern Europe.
03 march, 2010 - 04 march, 2010
Enlace-46. Shirin Neshat
Shirin Neshat (Iran, 1957) is a visual artist based in the United States whose works explore the image of women in Islamic society. She first gained recognition on an international level after the publication of her portraits included in the series Women of Allah (1993-1997) and then became more widely known in 1999 when she received the International Prize at the Venice Biennale for her video installations Turbulent (1998) and Rapture (1999).
01 february, 2010 - 28 february, 2010
LAX (the code for the Los Angeles international airport) is a project conceived of and produced by the Museo Reina Sofía Audiovisual Department coinciding with ARCO10, which hosted Los Angeles as a guest city. The project is divided into three sections: L.A. Films, Video Art in Los Angeles (1970-1984) and, for the first time in Spain, a retrospective on the underground California filmmaker Kenneth Anger (Santa Monica, 1927).
18 january, 2010 - 18 january, 2010
Enlace-45. Leandro Katz
Leandro Katz’ work (Buenos Aires, 1938) grapples with the passage of time and the construction of memory through the politics of perception made possible by audiovisual media. Two films, El día que me quieras (1997) and Exhumación (2007), explore the icon Che Guevara from the image of the leader’s lifeless body and later story of his death.
07 january, 2010 - 12 february, 2010
Film at the Pamplona Encounters
Film at the Pamplona Encounters is a series of screenings and debates organised on the occasion of Encuentros de Pamplona 72. Fin de fiesta del arte experimental (The Pamplona Encounters 1972. End of the Party for Experimental Art), held at the Museo Reina Sofía (28 October 2009 - 22 February 2010). According to Vicente J. Benet, the Encounters “offered an overview of audiovisual media characterised by a hybridisation that may seem somewhat baffling today. The array of options for the viewers ranged from the most heterodox trends in the new video media of the time to vestiges of the earliest films, slices of the historical avant-garde of the 1920s, recent experimental films, examples of professional-quality films with ties to modern writing and independent films”.
23 october, 2009 - 25 october, 2009
Misura italiana/The Italian Measure
The world is not perfect, although it can and must change to adjust to the needs of the moment and the people who inhabit it. This is the conceptual framework of Misura italiana, the video art series organised by the Centro per l'arte contemporanea Luigi Pecci-Prato for the Museo Nacional Centro de Arte Reina Sofía.
14 october, 2009 - 12 december, 2009
Singular Multitude: The Art of Resistance
Singular Multitude: The Art of Resistance is an ambitious series that includes conferences, a performance piece and a selection of audiovisual works that reflect the desire of their creators to investigate the unlimited possibilities found on the edges of official taste and the socio-political circumstances of the present day, all while recalling events, revealing traumas, mediating memory and producing counterimages in contemporary society and art.
01 october, 2009 - 02 october, 2009
Enlace-44. Steve McQueen
Hunger (2008) is the first feature-length film directed by the British artist Steve McQueen (London, 1969), one of the most influential directors in the United Kingdom. The film depicts life in Maze Prison in Northern Ireland during the IRA hunger strike led by Bobby Sands in 1981. With an epic sense of detail, the film offers an opportune exploration of what happens when both mind and body are taken to the limit.
18 september, 2009 - 19 september, 2009
Enlace-43. Johan Grimonprez
Somewhere between documentary and film essay, Double Take (2009) presents Alfred Hitchcock - and his doppelganger Ron Burrage - as a paranoid history professor unwillingly trapped between archive images of the Cold War and the broadcast of a live television programme.
18 june, 2009 - 18 june, 2009
Enlace-41. Pablo Helguera
Pablo Helguera (Mexico City, 1971) is an artist based in New York whose work emphasises socio-political reality and delves into the nature of memory. He uses language and historical narrative, availing himself of theatrical and literary resources that he then transposes into conceptual language.
18 may, 2009 - 15 june, 2009
Visionaries - Audiovisual Works in Latin America
Visionaries - Audiovisual Works in Latin America is an eclectic exhibition that is full of vitality and deeply committed to audiovisual creation in Latin America. The series looks at Latin American experimental video and film from Mexico to the countries of the Southern Cone in a combination of screenings and conferences that put everything from pioneers in experimental film to more recent productions under the historical lens. Organised by Brazil’s Instituto Itaú Cultural, the series consists of 73 works grouped into nine programmes.
13 april, 2009 - 15 april, 2009
Fragments of the East. Performance Art and Feminist Discourse (1968-1989)
Fragments of the East. Performance Art and Feminist Discourse (1968-1989) is a video and conference series on the origin of feminist discourse in the artistic practice in three historical contexts with no public sphere. As artists beginning within the framework of the communist dictatorships of Romania, the former Yugoslavia and Poland, Geta Brătescu (Ploiesti, 1926), Sanja Iveković (Zagreb, 1929) and Ewa Partum (Grodzisk, 1945) created works that question artistic specificity and autonomy at the same time that they allude to repressive contexts and the subject’s capacity for transformation and representation in works of art.
01 april, 2009 - 01 april, 2009
Enlace-40. Hannes Schüpbach
The films of the multifaceted Swiss artist Hannes Schüpbach (Winterthur, 1965) start from a direct encounter with a place or person and take the depiction to the limits of the metaphor. His latest works, Verso (2008) - starring his father - and L’Atelier (2007), are being screened along with Spin (2001), an earlier film with the artist’s mother.
23 march, 2009 - 05 april, 2009
The best of KunstFilmBiennale 2007
Film has made its way into museums and galleries at the same time that art has opened up avenues in the world of film. Exhibition spaces often host multimedia installations, experimental film sessions and even narrative films. In their quest to integrate image, sound and movement, more and more artists are turning to cinema as a means of expression, exploring experimental abstraction, documentary and narrative fiction.
18 march, 2009 - 18 march, 2009
Enlace-39. Lillian Ball
Lillian Ball, an artist and environmental activist who has received numerous awards from institutions like the Guggenheim Foundation and the United States National Endowment for the Arts, has dedicated a large part of her work to protecting the wetlands.