06 october, 2010 - 06 october, 2010 - 7:30 p.m.
Eugeni Bonet y Javier Ortiz-Echagüe.
Presentación de :desbordamiento de VAL DEL OMAR
This encounter looks at the research that stems from the exhibition : VAL DEL OMAR Overflow. Eugeni Bonet, curator of the exhibition, and Javier Ortiz-Echagüe, assistant curator, present the results of work linked to the exhibit that is based on the attempts to reconstruct non-existent techniques and the recovery of unreleased work by the film-maker from Granada.
04 october, 2010 - 07 october, 2010
Miralda. De gustibus non disputandum
To mark the occasion of the exhibition Miralda. De gustibus non disputandum (24 June -11 October 2010), the Museo Nacional Centro de Arte Reina Sofía is presenting three video programmes by the artist Antoni Miralda (Tarrasa, 1942) that explain his view of art in the context of the exhibition.
30 september, 2010 - 30 september, 2010
Enlace-50. Jenny Marketou
Jenny Marketou (Athens, 1954) is a multidisciplinary artist whose work clamours for public participation at the same time that it questions the systems that structure how we live with respect to the limits of public space and our freedom.
23 september, 2010 - 23 september, 2010 - 7:30 p.m.
Guernica. Mass Media and Collective Imaginary
This presentation explores some of the themes addressed in the last issue of Archivos de la Filmoteca, a periodical published by the Generalitat Valenciana Film Institute. The aim of this publication is to examine Guernica in the light of visual culture studies and their relationship with cinema and photography as mass communication media.
13 september, 2010 - 26 september, 2010
The Storyteller presents a group of international artists who use stories as a way to understand and convey political and social events. All of the works in The Storyteller revolve around situations that are either in the process of unfolding or that continue to impact the lives of the artists or protagonists.
02 september, 2010 - 02 september, 2010 - 7:30 PM
Eviva Il Cotello (Lang lebe das Messer). Ines Doujak
Ines Doujak's performance Eviva Il Cotello (Lang lebe das Messer) intervenes the exhitibion space and discoursive realm of the The Potosí Principle. How Shall We Sing the Lord’s Song in a Strange Land? In her work, Ines Doujak examines the norms of human behaviour as structural and constituent elements of society from a decidedly feminist perspective.
June 30 - July 2, 2010 - Workshop: 10:00 h to 17:00 h. Conferences: 19:30 h
The Drift Is Ours
Drift is Ours is a workshop of experience, reflection and debate from the perspective of pedagogy and modern utopia based in Latin America, linked to the exhibition project Drifts and Derivations. Experiences, Journeys and Morphologies. The event will consist in three workshops led by activists, architects, geographers, poets and town planners.
June 9 - 24, 2010 - 7 p.m.
Action Behind The Margins
This series of conferences and screenings analyse, from the 1970s onwards, the creative use of abandoned and peripheral spaces, particularly in the Lower Manhattan area of New York. The debates delve deeper into photographic projects and performances, along with screenings of films and videos, to reveal a version of the city that greatly differs from the official one.
09 june, 2010 - 24 june, 2010
Action Behind the Margins
During the 1970s, a time of intensive de-industrialisation and the transition to an information economy in New York, artists found new ways to use the city. The creative use of abandoned and peripheral spaces intensified, especially in Lower Manhattan, which was becoming a centre of the commercial art world. Action Behind the Margins combines debates, performances pieces and film screenings to reveal a city where public and private spheres intermingle and marginal subjects assert their right to the city.
19 may, 2010 - 28 may, 2010
From Ecstasy to Rapture. 50 Years of Alternative Spanish Film
Since the 1950s, Spain has been home to an important tradition of experimental film cut off from conventional exhibition spaces. This series was designed to give this unknown branch of film the visibility it deserves. From more than a thousand films, forty-three were chosen to be screened at the Museo Nacional Centro de Arte Reina Sofía in six sessions. In order to spark a dialogue between the different eras, this vastly diverse group of seminal films was shown out of chronological order, blazing a trail through the almost unknown history of Spanish cinema.
05 may, 2010 - 05 may, 2010
Enlace-48. Cal Cego
Pedro Garhel (Tenerife, 1952-2005), a multifaceted and multidisciplinary artist, was a pioneer in the field of electronic and interactive art in Spain. He began his work in the area of performance and video art in Madrid, where in 1981 he founded the emblematic Espacio P, a multi-purpose centre managed by the artists themselves that became a meeting point between the sound, visual and performing arts.
28 april, 2010 - 28 april, 2010
Enlace-47. Pedro Garhel
The title Reacción en cadena applies to a selection of videos from the Cal Cego Contemporary Art Collection (Barcelona) that create genealogies of artists, works and discourses. Viewing the videos reveals the relationships, associations, counterpositions, superpositions, revisions and conflicts generated between them.
April 6 - 9, 2010
Since its first edition, Eurojazz orients its line up towards musicians within the sphere of continental Europe. The festival’s poster design looks to connect the jazz genre with European cultural identity. In this edition the Museo presents concerts by Rita Marcoully, Tingvall Trio, Terje Rypdal, Posé-Salvador-Roper Trío and Louis Sclavis Quintet.
15 march, 2010 - 29 march, 2010
Transitland: video art from Central and Eastern Europe 1989-2009
Transitland: video art from Central and Eastern Europe 1989-2009 is a project put together to mark the occasion of the 20th anniversary of the fall of the Berlin Wall. It includes a selection of one hundred works produced between 1989 and 2009 that reflect the political, social and personal transformations that occurred in post-socialist Central and Eastern Europe.
03 march, 2010 - 04 march, 2010
Enlace-46. Shirin Neshat
Shirin Neshat (Iran, 1957) is a visual artist based in the United States whose works explore the image of women in Islamic society. She first gained recognition on an international level after the publication of her portraits included in the series Women of Allah (1993-1997) and then became more widely known in 1999 when she received the International Prize at the Venice Biennale for her video installations Turbulent (1998) and Rapture (1999).
01 february, 2010 - 28 february, 2010
LAX (the code for the Los Angeles international airport) is a project conceived of and produced by the Museo Reina Sofía Audiovisual Department coinciding with ARCO10, which hosted Los Angeles as a guest city. The project is divided into three sections: L.A. Films, Video Art in Los Angeles (1970-1984) and, for the first time in Spain, a retrospective on the underground California filmmaker Kenneth Anger (Santa Monica, 1927).
18 january, 2010 - 18 january, 2010
Enlace-45. Leandro Katz
Leandro Katz’ work (Buenos Aires, 1938) grapples with the passage of time and the construction of memory through the politics of perception made possible by audiovisual media. Two films, El día que me quieras (1997) and Exhumación (2007), explore the icon Che Guevara from the image of the leader’s lifeless body and later story of his death.
07 january, 2010 - 12 february, 2010
Film at the Pamplona Encounters
Film at the Pamplona Encounters is a series of screenings and debates organised on the occasion of Encuentros de Pamplona 72. Fin de fiesta del arte experimental (The Pamplona Encounters 1972. End of the Party for Experimental Art), held at the Museo Reina Sofía (28 October 2009 - 22 February 2010). According to Vicente J. Benet, the Encounters “offered an overview of audiovisual media characterised by a hybridisation that may seem somewhat baffling today. The array of options for the viewers ranged from the most heterodox trends in the new video media of the time to vestiges of the earliest films, slices of the historical avant-garde of the 1920s, recent experimental films, examples of professional-quality films with ties to modern writing and independent films”.
23 october, 2009 - 25 october, 2009
Misura italiana/The Italian Measure
The world is not perfect, although it can and must change to adjust to the needs of the moment and the people who inhabit it. This is the conceptual framework of Misura italiana, the video art series organised by the Centro per l'arte contemporanea Luigi Pecci-Prato for the Museo Nacional Centro de Arte Reina Sofía.
14 october, 2009 - 12 december, 2009
Singular Multitude: The Art of Resistance
Singular Multitude: The Art of Resistance is an ambitious series that includes conferences, a performance piece and a selection of audiovisual works that reflect the desire of their creators to investigate the unlimited possibilities found on the edges of official taste and the socio-political circumstances of the present day, all while recalling events, revealing traumas, mediating memory and producing counterimages in contemporary society and art.
01 october, 2009 - 02 october, 2009
Enlace-44. Steve McQueen
Hunger (2008) is the first feature-length film directed by the British artist Steve McQueen (London, 1969), one of the most influential directors in the United Kingdom. The film depicts life in Maze Prison in Northern Ireland during the IRA hunger strike led by Bobby Sands in 1981. With an epic sense of detail, the film offers an opportune exploration of what happens when both mind and body are taken to the limit.
18 september, 2009 - 19 september, 2009
Enlace-43. Johan Grimonprez
Somewhere between documentary and film essay, Double Take (2009) presents Alfred Hitchcock - and his doppelganger Ron Burrage - as a paranoid history professor unwillingly trapped between archive images of the Cold War and the broadcast of a live television programme.
18 june, 2009 - 18 june, 2009
Enlace-41. Pablo Helguera
Pablo Helguera (Mexico City, 1971) is an artist based in New York whose work emphasises socio-political reality and delves into the nature of memory. He uses language and historical narrative, availing himself of theatrical and literary resources that he then transposes into conceptual language.
18 may, 2009 - 15 june, 2009
Visionaries - Audiovisual Works in Latin America
Visionaries - Audiovisual Works in Latin America is an eclectic exhibition that is full of vitality and deeply committed to audiovisual creation in Latin America. The series looks at Latin American experimental video and film from Mexico to the countries of the Southern Cone in a combination of screenings and conferences that put everything from pioneers in experimental film to more recent productions under the historical lens. Organised by Brazil’s Instituto Itaú Cultural, the series consists of 73 works grouped into nine programmes.
13 april, 2009 - 15 april, 2009
Fragments of the East. Performance Art and Feminist Discourse (1968-1989)
Fragments of the East. Performance Art and Feminist Discourse (1968-1989) is a video and conference series on the origin of feminist discourse in the artistic practice in three historical contexts with no public sphere. As artists beginning within the framework of the communist dictatorships of Romania, the former Yugoslavia and Poland, Geta Brătescu (Ploiesti, 1926), Sanja Iveković (Zagreb, 1929) and Ewa Partum (Grodzisk, 1945) created works that question artistic specificity and autonomy at the same time that they allude to repressive contexts and the subject’s capacity for transformation and representation in works of art.
01 april, 2009 - 01 april, 2009
Enlace-40. Hannes Schüpbach
The films of the multifaceted Swiss artist Hannes Schüpbach (Winterthur, 1965) start from a direct encounter with a place or person and take the depiction to the limits of the metaphor. His latest works, Verso (2008) - starring his father - and L’Atelier (2007), are being screened along with Spin (2001), an earlier film with the artist’s mother.
23 march, 2009 - 05 april, 2009
The best of KunstFilmBiennale 2007
Film has made its way into museums and galleries at the same time that art has opened up avenues in the world of film. Exhibition spaces often host multimedia installations, experimental film sessions and even narrative films. In their quest to integrate image, sound and movement, more and more artists are turning to cinema as a means of expression, exploring experimental abstraction, documentary and narrative fiction.
18 march, 2009 - 18 march, 2009
Enlace-39. Lillian Ball
Lillian Ball, an artist and environmental activist who has received numerous awards from institutions like the Guggenheim Foundation and the United States National Endowment for the Arts, has dedicated a large part of her work to protecting the wetlands.
19 january, 2009 - 19 january, 2009
Enlace-38. Glòria Martí
Cuando la tierra tiembla (2006) is a visual document of the human drama of exile, migration and displacement. The video draws on the circumstances of the Mexican community residing in New York to look at the situation of emigrants on both sides of the U.S.-Mexico border. Their testimonies, along with those of members of associations who work with ‘illegals,’ form the central thread that runs through the story.
02 january, 2009 - 23 january, 2009
India is a place of abundant contrasts: part of the population lives in full post-modernity, modernity can still be found in another, while another segment - perhaps the majority of the population - lives anchored in feudalism. From a western standpoint, Indian film is a complex thing that breaks with the aesthetic codes and parameters established in the West in its themes and forms. Understanding it means delving into the culture and idiosyncrasy of its peoples.
15 december, 2008 - 15 december, 2008
Enlace-37. Gabriela & Sally Gutiérrez Dewar
In Freedom Park, a squatter settlement in South Africa, a group of HIV-infected women created a network called Tapologo. Working with nurses from their community, they transformed misery and degradation into resistance and hope. Catholic bishop Kevin Dowling helped them, raising doubts about the sexual and moral doctrine of the Church in this context.
04 december, 2008 - 04 december, 2008
Mudanza. Screening and roundtable with Pere Portabella
The camera never stops moving while it follows the operation of emptying the Huerta de San Vicente of all of its contents - paintings, furniture, rugs, flowerpots, knickknacks, a piano - leaving it clean and bare, and accompanying the objects wrapped in semi-transparent plastic to a storage site where they are placed in a pile.
10 november, 2008 - 01 december, 2008
Actions and Situations. Colección Pi Fernandino
The Museo Nacional Centro de Arte Reina Sofía presents a selection of works from the Colección Pi Fernandino in Madrid, one of the few private collections that concentrates on works done in audiovisual format from recent decades.
28 october, 2008 - 30 october, 2008
Campaign Ads. The Show Business of Democracy
The concept and evolution of television ads produced by political organisations and parties during electoral campaigns have changed noticeably since they first appeared in the United States in the 1960s. Today, campaign ads have become a hybrid genre, the product of the convergence of different television formats ranging from advertisements, to fiction, documentaries, news reporting, music videos, political propaganda, parodies and sports and music events.
22 september, 2008 - 23 october, 2008
Jack Smith. Kill Time – See a Movie
New York, February 1963. Jack Smith (Columbus, 1932 - New York, 1989), Tony Conrad (Concord, 1940), and Henry Flynt (Greensboro, 1940) protest outside the Met, MoMA and Lincoln Center carrying signs that read: “Demolish Serious Culture! Demolish Art Museums! Demolish Concert Halls!” “Making art was never supposed to be easy. It really has to be very boring. It must become very, very boring.”
15 september, 2008 - 15 september, 2008
Enlace-36. Constanze Ruhm
Constanze Ruhm (Vienna, 1965) is an artist and filmmaker whose work looks at the relationship between film and the new media from the viewpoint of the ideas of feminist film theory, representation and identity. The Museo Nacional Centro de Arte Reina Sofía presents, for the first time in Spain, her film X Love Scenes (2007), the fifth in the X Characters series, which she began in 2001.
10 july, 2008 - 16 july, 2008
The term performance art in Chinese (xingwei yishu) translates as ‘conduct or behaviour in art,’ an idea that emphasises the relationship of the individual to the community, which is so fundamental in the history of social and political thought in China. In this ‘behaviour art,’ personal and group commitment exceeds artistic parameters to fully enter the field of ethics and philosophy. Art/Action China presents a look at action art through interviews carried out between 2005 and 2007 with two generations of artists who work with installation, conceptual art, photography, video and performance art. Cang Xin (Heilongjiang, 1967), Zhu Ming (Changsha, 1972) Song Dong (Beijing, 1966), the pair of Sun Yuan (Beijing, 1972) & Peng Yu (Heilongjiang, 1974), Li Wei (Hubei, 1970), He Yunchang (Yunnan, 1967) and Chen Lingyang (Yiwu, 1975) explain the close relationship between their work and the political, social and urban changes that Chinese society has experienced over the last three decades. All the artists are determined to meld art with life and share the desire to have an impact on their social environment using means that are as poetic as they are subversive.
28 may, 2008 - 20 june, 2008
In and Against Cinema. Around May ’68.
May 2008 marked the fortieth anniversary of the largest general strike in the history of France, and the only widespread insurrection in a developed capitalist society in the second half of the twentieth century. ‘Reactive memory’ (political, media-driven, cultural) downplays the importance of May ’68 by reducing it to a student revolt, a generational conflict, a sudden acceleration of modernity (the explosion of hedonist individualism, liberation from tradition), etc. In the face of this current attempt to de-politicise the event, In and Against Cinema. Around May ’68 seeks to awaken a contrary and conflictive memory, that of the search for political spaces outside, on the margins of and against institutional politics. This search did not just take place in the field of organised struggle, but it influenced filmmaking in equal measure, perhaps more than any other cultural form or language.