17 july, 2003 - 27 july, 2003
A Brief History of Video Art in Holland. 30 Years in the Work of 30 artists
A Brief History of Video Art in Holland is a video programme curated by Sebastián López, director of the Gate Foundation. It features the participation of 30 artists who are already prominent in the history of the audiovisual medium because of their important contributions, both to the development of video and to the issues that characterised the visual arts between 1972 and 2002. The exhibition charts the diversity and variety of the artists who have drawn the history of Dutch video art without constrictions in a medium supposedly without borders, opening up numerous cross-cultural connections and providing an open space for discussion where the artistic interrogates the cultural. The exhibition thus contributes to establishing new parameters to better understand the video work of the last three decades and the historical context in which these works were produced.
04 june, 2003 - 22 june, 2003
Adolescents. Films and Videos for/about Girls and Boys
Adolescents. Films and Videos for/about Girls and Boys is a programme of underground films that deal with the problems faced by adolescents and the challenges entailed in reaching the earliest years of adult life. Despite the difficulties involved in this vital phase for most people who experience it, as series curator Susana Blas notes, “we have gone from thinking of youth as an illness that is quickly cured to completely sublimating it. It seems that nobody wants to let go of this young way of living, which for many people has become a way of feeling, from being radical to just adopting their aesthetics and fashions. Today, you can find 40-year-old adolescents.” Drawing on this observation, the series is designed to break with the most perverse aspects involved in the sublimation of adolescence and unearth some of the clichés that have emerged around this difficult and venerated time of life. At the same time, it is introducing audiences to the work of a series of essential artists in the contemporary audiovisual world.
09 may, 2003 - 18 may, 2003
Focus: Video Library. Turin Gallery of Modern Art
Focus: Video Library is a film and video exhibition created for the Museo Nacional Centro de Arte Reina Sofía by the Galleria d'Arte Moderna (GAM) in Turin. The GAM has created a museum video collection, which could not be found in Italy until well into the 1990s, and has managed to build up a large collection of works that are now available to the public. The collection includes pieces by artists like Vito Acconci (New York, 1940), Dan Graham (Urbana, 1942), Marina Abramović (Belgrade, 1946) and Martha Rosler (New York, 1943) from the era when video was first being used as an art medium, works by John Baldessari (National City, 1931), Marcel Odenbach (Cologne, 1953) and Ana Mendieta (Havana, 1948 - New York, 1985) from the 1980s and more recent pieces from Sadie Benning (Madison, 1973) and Lydie Jean-Dit-Panel (Montbéliard, 1968). The selection also contains video works by young Italian artists, including Paolo Chiasera (Bologna, 1978) and Marcello Maloberti (Codogno, 1966), among others.
07 march, 2003 - 03 april, 2003
With Single-channel, the Museo Nacional Centro de Arte Reina Sofía presents a comprehensive review of the Spanish video created between 1996 and 2003, looking at 46 pieces that will be previewed on the museum façade during the days of the ARCO fair, along with the programme The Swiss Screen. The list includes some very well-known artists such as Txomin Badiola (Bilbao, 1957), Jordi Colomer (Barcelona, 1962) and Eulàlia Valldosera (Vilafranca del Penedès, 1963) alongside emerging figures who are being closely followed by audiences attuned to the latest trends such as Olga Adelantado (Valencia, 1970), Pilar Albarracín (Seville, 1968), Carles Congost (Olot, 1970), Dora García (Valladolid, 1965) and Fernando Sánchez Castillo (Madrid, 1970).
10 february, 2003 - 17 february, 2003
The Swiss Screen
How should a programme that is both personal and at the same time representative of Swiss art in the field of video be approached? How should the selection be organised given the particular context in which it will be presented, i.e., in the city of Madrid for a series of Swiss art events presented alongside ARCO 2003 and at the Museo Nacional Centro de Arte Reina Sofía?
13 november, 2001 - 19 december, 2001
Film and Almost Film 2001
Film and Almost Film 2001 presents a selection of 22 works by experimental film directors and artists who, influenced by film and television, have taken a new approach to their work in an attempt to create a new genre of ‘art film’. This genre has traditionally been linked, both in terms of technique and narrative, to European experimental film, which, produced with low or medium budgets, has tried to reorient film practices and aesthetics. Nonetheless, in the last few years, the connotations inherent in the idea of ‘art film’ have grown.
03 may, 2001 - 25 may, 2001
Historias sin argumento. The films of Pere Portabella
Historias sin argumento is a programme that presents the different stages in the filmography of Pere Portabella (Figueres, 1929) as a filmmaker and producer from the 1950s to today. His production company 59 Films was the driving force behind some of the cornerstone productions of Spain’s post-civil war critical realism (Los golfos, Carlos Saura; El cochecito, Marco Ferreri; Viridiana, Luis Buñel). At the end of the 1960s he was involved with the formation of the Barcelona School. His early films as a director, written in collaboration with the poet Joan Brossa (Barcelona, 1919-1998) (No compteu amb els dits and Nocturn 29), combine the cultural inheritance of the avant-garde with the languages that were coming onto the scene and shaking up the 1960s, and became known as ‘new cinema’. He was one of the key figures in the development of independent, alternative and clandestine cinema whose work was inextricably linked to his political opposition to Franco’s regime. Films like Vampir-Cuadecuc (1970), Umbracle (1971-1972) and his series of short films about Joan Miró (1969-1973), along with his participation in the Grup de Treball, were radical interventions in the cinema and art worlds.
01 february, 2001 - 11 march, 2001
B&W and Colour. Latin America: cinema, video and multimedia
With B&W and Colour. Latin America: cinema, video and multimedia, the Museo Nacional Centro de Arte Reina Sofía presents an up-to-date panorama of Latin American audiovisual art along with an exhibition entitled Agitation as Daily Ritual - Cartographies of Desire that brings 30 films and videos made by female artists between 1965 and 1987 to Spain for the first time. B&W and Colour crosses conventional boundaries, not only because of its unusual nature, variety and the contents of the selected works, but because of its pluralist inclination. Most of these pieces deal with the fragmentation of society into different ethnic, social and cultural groups and show us how to decode a culture that seems closer than it really is.
19 october, 2000 - 19 october, 2000
Enlace-2. Arte Visión: Spanish Electronic Art
Cameras, screens, computers, recorders, photocopiers, printers, scanners, holograms, magnetic material and CDs are a regular part of the contemporary scene as both instruments and ubiquitous, versatile media. The electronic and media arts are not the result of the seduction of novelty, but rather a consequence of responsible proximity to what is happening in the world. The arts have adopted instruments from the information and communication industries and factories and given them other functions and configurations that make abundant use of inter-, multi- and transmedia amalgams.
03 june, 1999 - 26 june, 1999
Calculated Cinema is a film and video series that focuses its attention on the pioneering use of computers and electronics in experimental films as expressed in works by filmmakers like Oskar Fischinger (Gelnhausen, 1900 - Los Angeles, 1967), Mary Ellen Bute (Houston, 1906 - New York, 1983), John (Pasadena, 1917 - Los Angeles, 1995) and James Whitney (Pasadena, 1921 - Los Angeles, 1982), Jordan Belson (Chicago, 1926 - San Francisco, 2011), Peter Kubelka (Vienna, 1934), Werner Nekes (Erfurt, 1944), Larry Cuba (Atlanta, 1950) and Robert Darroll (England, 1946).
11 february, 1999 - 06 march, 1999
Composing with Images: A Robert Cahen Retrospective
This programme presents a broad and representative cross-section of the work of Robert Cahen (Valence, 1945), a filmmaker, photographer and composer who has made more than fifty films and videos since 1973, when he first became interested in the audiovisual arts after meeting Pierre Schaeffer (Nancy, 1910 - Aix, 1995), with whom he studied Musique concrète at the Conservatoire de Paris. Cahen finds inspiration in images and memories, in the sensations of travelling, the world of theatre, dance and art, and in the visual and sound experiments that he has been conducting with electronic images and Musique concrète for more than thirty years. In every case, his extraordinary knowledge of the music world shapes the work, its conception and its rhythm.
20 september, 1998 - 21 october, 1998
Antoni Muntadas: Videos 1971-1996
Twenty-five years separate the first video work by Antoni Muntadas (Barcelona, 1942), Acciones (a study of the so-called sub-senses carried out from a series of experiments done between 1971 and 1973), and his latest episode of Political Advertisements (1984-1996), the fourth piece dedicated to analysing election campaigns in the United States, where he has lived since the 1970s. This selection presents these twenty-five years of video work by Muntadas, a pioneer in new audiovisual and electronic media and one of the most important directors, both nationally and internationally. The programme includes all of his video work, 21 single-channel pieces organised into nine programmes arranged chronologically, allowing the viewer to follow the evolution of his interest in the context of the media, which has influenced all of his work.