September 7 and 14, 2013
News from Ideological Antiquity: Marx/Eisenstein/Capital
News from Ideological Antiquity: Marx/Eisenstein/Capital (2008) is one of the most complex and monumental films of recent film history. Throughout the almost nine hours that the film lasts, its director, Alexander Kluge (Germany, 1932), offers his own construction of Eisenstein's unfinished project of filming Capital by Karl Marx, an idea conceived after a feverish encounter between the Russian filmmaker and James Joyce in 1927.
Friday August 30th and Saturday August 31st - Sessions starting at 11 a.m.
The Audiovisual Dalí
This audiovisual series looks at Salvador Dalí's film, video and television production, as a cul
mination of the exhibition Dalí. All of the poetic suggestions and all of the plastic possibilities. Almost five hours in length, this collection of works, with repeat screenings over two days, argues that the relationship between Dalí and mass culture is key to understanding the artist's work, but also to developing a different idea of modernity, one that conveys the spectacular and tumultuous nature of 1930s modernity.
July 17 - August 30, 2013 - 7:00 p.m.
Imaginaries of the insurgency in contemporary film
This summer film series explores one of the contemporary cinematographies that, although very interesting, is among the least distributed in Europe. Midway between new auteur voices and the poetics of documentary, this series shows how film responds to a situation of provisionality and how it imagines the future from the vantage point of uncertainty.
February 23 – April 12, 2013 - 7:00 p.m.
Eduardo Coutinho (São Paulo, 1933) is an essential name in Latin American documentary film. His work is shaped by political issues but manages to avoid propaganda, as he addresses the everyday lives and subjectivities of marginal majorities with a sensibility not altered by melodrama. This retrospective, the most extensive to date, presents a body of work that ranges from the context of Cinema Novo to the analysis of fiction in contemporary film.
January 9 - February 15, 2013 - 7:00 p.m.
The friction of bodies
Film and video about the 1980s in Latin America
The friction of bodies is a film and video series that presents a broad panorama of different artistic and political manifestations from the 1980s, which arose during and co-existed with the years of repression in Latin America. Many of these videos and films, most of which have never been shown publicly outside of their original contexts, demonstrate the emergency of new political subjects and forms of subcultural participation. The program also includes recent film proposals that look back at the agitated times of the 1980s in this context, to offer different readings or to activate a memory still throbbing within us.
November 5 - December 5, 2012
New forms of documentary in Spain
The urgencies of contemporeneity
This collection offers a broad vision of how some of the audiovisuals now being made in Spain and produced outside of the industry are responding to today's situation of change and structural crisis. It also shows how documentary images constitute one of the most lively spheres for formal experimentation and essay film in the new systems of production and distribution.
October 4 - 31, 2012 - 7 p.m.
The cinema of the 1930s. Blue Flowers in a Catastrophic Landscape
In his 1936 essay, The Artwork in the Age of Its Technical Reproducibility, Walter Benjamin uses the Blaue Blume—the romantic incarnation of unobtainable desire—to signify the artifice and perceived immediacy of film made possible through the concealment of the cinematic apparatus.
April 23 and 26, May 3, 7, 10, 17, 21, 24, 28, 31 and June 4, 2012
The Turbulent Screen
Histories of cinema. Collection 3 (1962-1982)
The presence of film in the successive re-readings of Museo Reina Sofía Collection alludes to the crisis in the distinction between hierarchies and artistic narrations, but it also points to the idea that a collection involves a network of stories, memories and times that are inseparable from film practice.
March 13, 15 and 20, 2012 - 5:00 p.m. and 7:30 p.m.
All About Love. Ann Hui, retrospectiva (1982-2009)
All About Love, a title borrowed from the film of the same name made by Ann Hui (Anshan, 1947), sums up the subject matter of this Chinese filmmaker's work, which usually revolves around social and personal relationships and has a great deal of affective and emotional content.
17 october, 2011 - 21 october, 2011
Oteiza and film
At the end of 1950, Jorge Oteiza concluded his investigations in the field of sculpture but, far from fading away, his aesthetic interests continued in a different sphere, one previously unexplored by him: film.
30 september, 2011 - 07 october, 2011
When Brazil devoured cinema
Brazilian cinema back then was not just film, it was something more: cinema of invention, Quasi-cinema, experimental cinema, barbaric cinema, bad taste cinema, Boca do Lixo, Cinema Marginal, udigrudi, pornochanchada. These are the expressions used by both critics and by the artists and filmmakers themselves to describe an important part of the film production of those years.
13 july, 2011 - 07 august, 2011
Another summertime cinema
In the midst of many changes in the area of audiovisual screening, as commercial circuits undergo a constant narrowing process, Museo Reina Sofía and ICAA (Madrid's Institute of Cinematography and Audiovisual Arts) reformulate the former as a new space for film.