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Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • Hanna Höch. Álbum, 1925 –1933
    26 november, 2010 - 7:30 p.m.
    Seminars and conferences Encounter

    Georges Didi-Huberman, the curator of the exhibition Atlas. How to carry the world on one's back?, introduces the implications of narrating history based upon the "survival" of images and how the anachronism is integrated into the exhibition of art, using analysis of and references to the ideas of Aby Warburg. 

  • October 29, 2010 - February 10, 2011
    Seminars and conferences Seminar

    The research residencies inside the Study Centre look to integrate the Museo’s visitors and workspaces and the university, bringing research time into the museum context and the relationship capacity within the academic sphere. The results of this first edition are presented in successive presentations with diverse formats.

  • 25 october, 2010 - 7 p.m.

    Art, Culture and Deception (as also seen at the Museum)

    Round table on action, participation and representation in Spain and Argentina

    Seminars and conferences Seminar
  • Eugeni Bonet y Javier Ortiz-Echagüe.
    6 october, 2010 - 7:30 p.m.

    Eugeni Bonet y Javier Ortiz-Echagüe.

    Presentación de :desbordamiento de VAL DEL OMAR

    Seminars and conferences Encounter

    This encounter looks at the research that stems from the exhibition : VAL DEL OMAR Overflow. Eugeni Bonet, curator of the exhibition, and Javier Ortiz-Echagüe, assistant curator, present the results of work linked to the exhibit that is based on the attempts to reconstruct non-existent techniques and the recovery of unreleased work by the film-maker from Granada.

  • Guernica. Medios de masas e imaginario colectivo
    23 september, 2010 - 7:30 p.m.
    Seminars and conferences Book presentation

    This presentation explores some of the themes addressed in the last issue of Archivos de la Filmoteca, a periodical published by the Generalitat Valenciana Film Institute. The aim of this publication is to examine Guernica in the light of visual culture studies and their relationship with cinema and photography as mass communication media.

  • Acto poético recorrido terreno, Ciudad Abierta, c. 1970.Fotografía, b/n. Archivo Histórico José Vial Armstrong, Escuela de Arquitectura y Diseño de la Pontificia Universidad Católica de Valparaíso, Chile.
    June 30 - July 2, 2010 - Workshop: 10:00 h to 17:00 h. Conferences: 19:30 h
    Seminars and conferences Workshop

    Drift is Ours is a workshop of experience, reflection and debate from the perspective of pedagogy and modern utopia based in Latin America, linked to the exhibition project Drifts and Derivations. Experiences, Journeys and Morphologies. The event will consist in three workshops led by activists, architects, geographers, poets and town planners.

  • Joan Jonas, Songdelay, 1973. Película 16 mm, 18'35". Cortesía Electronic Arts Intermix, Nueva York.
    June 9 - 24, 2010 - 7 p.m.
    Seminars and conferences Seminar

    This series of conferences and screenings analyse, from the 1970s onwards, the creative use of abandoned and peripheral spaces, particularly in the Lower Manhattan area of New York. The debates delve deeper into photographic projects and performances, along with screenings of films and videos, to reveal a version of the city that greatly differs from the official one.