April 27, 2017 - 7 p.m.
Congresso Internacional Extraordinário dos Críticos de Arte, 1959
In Brazil, in 1959, the International Congress of Art Critics was held, a symposium where artists, architects, art and architectural historians were brought together to debate the role of modernity in a new world surfacing in the post-war period. This new reading of the minutes sets out to activate the document, understood as a performative exercise of a past utopian episode that still has huge potency and resonates in a present time in which art history and critique have been displaced from their role and public influence.
April 6 - 7, 2017 - 8 p.m.
The Martha Graham Dance Company
In conjunction with the exhibition Pity and Terror in Picasso. The Path to Guernica and the eightieth anniversary of the first showing of Guernica, the Museo Reina Sofía presents Deep Song by Martha Graham (1894–1991), a dance solo created by the American choreographer as a response to the Spanish Civil War and performed, on this occasion, by Blakeley White-McGuire from the Martha Graham Dance Company.
February 23, 2017 - 8:30 p.m.
L’officina della resurrezione
In conjunction with Argentina’s special participation as Guest Country at ARCOMadrid 2017, the Museo Reina Sofía presents a piece by the Spanish-Argentinian composer Fabián Panisello entitled L’officina della resurrezione, which was created in 2013. The work seeks to establish a musical dialogue between biblical texts from the Book of Ezequiel and the writings of Erri de Luca, a prestigious Italian writer known for his commitment to social issues.
February 23, 2017 - 8:00 p.m.
A Breeze. Transient Action for 111 Cyclists
Within the framework of the parallel programming in relation to Argentina as Guest Country at ARCOMadrid 2017, the Museo Reina Sofía presents the intervention Eine Brise. Flüchtige Aktion für 111 Radfahrer (A Breeze. Transient Action for 111 Cyclists).
Monday 20 and Tuesday 21 February, 2017 - 8:00 p.m.
In conjunction with Argentina’s special participation as the Guest Country at ARCOMadrid 2017, the Museo Reina Sofía presents La Wagner, a work by the Argentinian dancer and choreographer Pablo Rotemberg. First performed in 2013, the piece was awarded the Main Prize in Choreographic Direction and Choreography at the World Theatre Awards.
February 17, 2017 - 11:00 a.m.
Dance in the Museum
Bolero Dance, Heritage and Creation
This activity is linked to the Seminar Dance, Gender and Nation 1930-1960, held in the Museo Reina Sofía from 29 September to 1 October 2016, and presents the results of the Workshop of Choreographic Research and Reconstruction: The Bolero School developed at the Conservatorio Superior de Danza María de Ávila between October 2016 and February 2017, inside the framework of the R+D+I project Dance During the Civil War and Francoism (1930–1960): Cultural Politics, Identity, Gender and Choreographic Heritage.
December 17, 2016 - 4:00 p.m.
20 Dancers for the XX Century
Museo Reina Sofía presents 20 Dancers for the XX Century by the French choreographer and incumbent director of the Musée de la danse, Boris Charmatz. The piece will feature the participation of twenty dancers and performers and will be executed across different gallery spaces housing the Museo’s Collection.
December 13, 2016 - 7:00 p.m.
Encounter with Boris Charmatz
Museo Reina Sofía will hold an encounter with Boris Charmatz, the French choreographer and incumbent director of Musée de la danse, in conjunction with the presentation of his piece 20 Dancers for the XX Century. Engaging in dialogue with João Fernandes, deputy director of Museo Reina Sofía, Charmatz will analyse the relationship between dance and contemporary art, along with the idea of the museum as a living institution which includes dance creation.
December 1, 2016 - 7:00 p.m.
Toni Jodar explains modern and contemporary dance
The dancer Toni Jodar, a representative of contemporary dance in Catalonia, puts forward this “dancing” lecture, in which he explains the history of dance, illustrated with his own body, across the 20th century.
November 10, 2016 - 7:00 p.m.
Joan La Barbara
Voice Is The Original Instrument
Throughout her career as a performer and composer, Joan La Barbara, a hugely influential figure in the sphere of contemporary experimental music, has explored the human voice as a multi-faceted instrument, developing a true and signature vocabulary of experimental techniques. She uses these techniques to explore the potential range of timbres in a single pitch, circular breathing inspired by French horn playing, and multiphonics, in addition to recovering classics such as choral singing.
May 18, 2016 - 12:00 p.m. and 6:00 p.m.
Company Carmen Fumero: …Eran casi las dos (…It Was Nearly Two O’clock)
To mark International Museum Day, the Museo Reina Sofía welcomes a piece awarded first prize in the 2015 Madrid Choreography Competition: the dance piece entitled …Eran casi las dos (…It Was Nearly Two O’clock), created by Carmen Fumero and Miguel Ballabriga.
May 18, 2016
International Museum Day 2016
On 18 May the Museo Reina Sofía will host a special programme to celebrate International Museum Day, held worldwide since 1977. The idea is to share a day of celebrations with visitors, who will be able to gain a better understanding of the lesser-known spaces and sides of the institution and feel part of its programme, exhibitions and working process.
May 18, 2016 - 8:00 p.m.
Niño de Elche: Animal Número
Niño de Elche ofrece en el Museo Reina Sofía un concierto cuyo título, Animal Numero, se basa en los números que portaban en sus cuerpos los presos marroquíes de Guantánamo. Cuenta para el evento con la colaboración de los músicos Raúl Cantizano y Darío del Moral, y Benito Jiménez a cargo de las luces.