The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.
This workshop explores the relationship between sound and situationism, focusing specifically on the concepts of drift, psychogeography, aurality, etc. The workshop is conceived as a collective sound project led by the French sound artist Eric La Casa.
The piano-mezzo soprano duo formed by Antón Cardó and Elena Gragera has a special interest in the Spanish vocal repertoire of the 20th century, as shown by their recordings of a number of Robert Gerhard's songs for voice and piano.
March 13, 15 and 20, 2012 - 5:00 p.m. and 7:30 p.m.
All About Love, a title borrowed from the film of the same name made by Ann Hui (Anshan, 1947), sums up the subject matter of this Chinese filmmaker's work, which usually revolves around social and personal relationships and has a great deal of affective and emotional content.
Jacobo Durán-Loriga (1958) takes on another of the commissions proposed by the Centro Nacional de Difusión Musical (CNDM), which will be performed by the Madrid-based group Modus Novus, directed by Santiago Serrate.
The Centro Nacional de Difusión Musical (CNDM) is committed to strengthening the Spanish repertory of string quartets, as one of the most important and richest channels of musical creation of recent years. To this end, it has commissioned a new piece by the master Antón García Abril, one of the most outstanding composers of his generation.
Theatre and performative practices in contemporary art museums
Reactivate/reinterpret brings together a varied group of specialists from different fields (art history, dance, drama, performance, curatorship) with the idea of analysing the place of performative practices within the realm of contemporary art museums.
Founded in 2008, the young Granada-based group Neoars Sonora will be at the Centro Nacional de Difusión Musical (CNDM) to give the premier performance of two new works: Quasi una serenata by Jorge Fernández Guerra and Aleph, for voice, violin, cello and piano, by the Gerona-born composer Iluminada Pérez.
Guy de Cointet (Paris, 1934-Los Angeles, 1983) is one of the artists that best synthesizes the new relationship between theatre and contemporary art, from the end of the 1960s onwards. His work is based on the hermeticism of language and on art's capacity to invent systems of representation between play and logic.
Guernica, a testimony and condemnation of the bombing by Franco's forces of the Basque town of the same name is considered a foundational work of 20th century art and it continues to be a universal symbol of the struggle against oppression. Its arrival in Madrid in September of 1981 was presented as the symbolic conclusion of Spain's transition to democracy following the dictatorship. The complicated diplomatic negotiations undertaken to bring about the painting's move were also the first important steps in cultural policy to be taken by the country's new government, and they highlighted the role that avant-garde art would play in the official culture of Spain's young democracy. With its arrival, it ceased to be the emblem of dissidence against the dictatorship and became the symbol of the healing of the fracture between the two historical factions in Spain: a sign of the reconciliation upon which the new democratic society would be based.
This series presents a number of videos and performances that have arisen out of contemporary feminist, queer/cuir and "transmarikabollo" (Spanish slang term for LGBT) practices situated within the tradition of guerrilla video: exercises in appropriation of lightweight mass media as counter-information media, but also as dissident gender and sexuality production techniques.
Five hundred years into the invention of America, and two hundred years after the birth of the first Latin American republics, a question appears, like an inescapable shadow, hidden in the very name comprising these countries: Is it possible to think about a thing called Latin America? Is it even possible to think of it as a unit that can be grasped? Evidently, the answer is no. However, the main issue eludes this contradiction inasmuch as the name given to this part of the world calls for general reflections that encompass the whole and also multiple reflections that go further and take into account particular questions relevant to each geographical area.