28 may, 2008 - 20 june, 2008
In and Against Cinema. Around May ’68.
May 2008 marked the fortieth anniversary of the largest general strike in the history of France, and the only widespread insurrection in a developed capitalist society in the second half of the twentieth century. ‘Reactive memory’ (political, media-driven, cultural) downplays the importance of May ’68 by reducing it to a student revolt, a generational conflict, a sudden acceleration of modernity (the explosion of hedonist individualism, liberation from tradition), etc. In the face of this current attempt to de-politicise the event, In and Against Cinema. Around May ’68 seeks to awaken a contrary and conflictive memory, that of the search for political spaces outside, on the margins of and against institutional politics. This search did not just take place in the field of organised struggle, but it influenced filmmaking in equal measure, perhaps more than any other cultural form or language.