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  • Subtramas. Diagram. Drawing, 2012
    January 11-12, 2013
    Seminars and conferences Seminar

    This seminar studies audiovisual works that use methodologies and processes of a collective nature at different levels. This seminar juxtaposes three fundamental lines of work related to the politics of collaborative practices in the field of images: the audiovisual production of new imaginaries, the participatory experiences they undergo upon reception and a pedagogy of the collective image.

    Study center
  • Expanded theatricalities Gestural models and dissident repertoires
    Course 2013

    Expanded theatricalities

    Gestural models and dissident repertoires

    Live Arts Theatre Workshop Modern dance

    Over the past thirty years, the social sciences have highlighted some aspects of contemporary social life that appear to be incompatible with traditional forms of representation and theatricality: nomadism, liquidity, ongoing identity construction, virtual communication, hyperexhibition, etc. The replacement of a theatre paradigm by a performative paradigm can be understood as a sign of transformation and liberation.

    Study center
  • Rafael Saar. Homem-ave, 2010. Photograph: Angelo Zolini
    January 9 - February 15, 2013 - 7:00 p.m.

    The friction of bodies

    Film and video about the 1980s in Latin America

    Cinema and video Film series

    The friction of bodies is a film and video series that presents a broad panorama of different artistic and political manifestations from the 1980s, which arose during and co-existed with the years of repression in Latin America. Many of these videos and films, most of which have never been shown publicly outside of their original contexts, demonstrate the emergency of new political subjects and forms of subcultural participation. The program also includes recent film proposals that look back at the agitated times of the 1980s in this context, to offer different readings or to activate a memory still throbbing within us.

  • Somatheque 2013. Living and resisting in the neoliberal condition
    2013 course program

    Somatheque 2013

    Living and resisting in the neoliberal condition

    This research and teaching program intends to examine the body as a political and cultural archive, critically distancing itself from approaches that consider the body a corpus, temple, nature, seat of sovereign power, sheath, place of residence, or property. In philosophical terms, it can be said that the modern body (healthy or sick, normal or pathological) does not have an ontological status but rather, a biopolitical and performative status.

    Study center
  • Urban transformations. From the Paris Commune to the Madrid Commune
    2013 Course program

    Urban transformations

    From the Paris Commune to the Madrid Commune

    The city, the metropolis, has been presented on numerous occasions (always from the viewpoints of power and knowledge) as a living organism, a body made of physiological functions regulated according to the ideal of a harmonious composition of its parts. This course, however, sets out with the inverse hypothesis: the urban realm as an incoherent multiplicity, as a series of dynamic balances that remain unstable. 

    Study center
  • María Blanchard. Woman with fan, 1916. Oil on canvas Museo Reina Sofía Collection
    19 december, 2012 - 18:00 h

    About María Blanchard

    Avant-garde and identity

    Seminars and conferences Seminar

    Overshadowed by the orthodox histories of the avant-garde, the figure of María Blanchard has several aspects that have resulted in her being relegated to a secondary, and decidedly minor, position. These aspects include her condition as a woman and her distance from the prevailing cubist grammars. At this seminar Eugenio Carmona, Carmen Bernárdez, María Dolores Jiménez-Blanco, Xon de Ros and María José Salazar present some new frameworks for better understanding the artist and, at the same time, the historical avant-gardes.

  • Installation view
    20 november, 2012 - 19:00 h
    Seminars and conferences Conference

    The Horizons of Contemporary Art in Spain is a research initiative by Museo Reina Sofía, Fundación Banco Santander and YGBArt (Rosina Gómez-Baeza and Lucia Ybarra). Conceived as a plural space for reflection and debate, its purpose is to engage in a critical diagnosis of the Spanish art scene, viewed from a variety of standpoints and bringing together many different voices.

  • Subtramas. Diagram. drawing, 2012
    November 16, 23, 28 and 30; December 13, 14 and 21, 2012

    The Open Research Zone Subtramas is a series of activities programmed in connection with an art research project exploring the processes and methodologies involved in collaborative audiovisual creation. The program features a review of past experiences, from the 1970s up through current practices. In all of them, images take part in the formation of symbolic spaces that are conducive to the collective production of emotions, subjectivities and autonomous forms of relationality.

    Study center
  • January, 2012 or The apotheosis of Isabella the Catholic (Los Hijos)
    November 5 - December 5, 2012

    New forms of documentary in Spain

    The urgencies of contemporeneity

    Cinema and video Film series

    This collection offers a broad vision of how some of the audiovisuals now being made in Spain and produced outside of the industry are responding to today's situation of change and structural crisis. It also shows how documentary images constitute one of the most lively spheres for formal experimentation and essay film in the new systems of production and distribution.

  • Traces of El Periférico de Objetos
    October 27, 2012 - 8:00 p.m.
    Live Arts Performance art

    El Periférico de Objetos is a theatre group with a dramaturgical style capable of conjuring up the trauma, fear and collective unconscious of the Argentine dictatorship. With both the doll and its manipulator playing a prominent role, its dramatic works, in allusion to Antonin Artaud, Witold Gombrowicz or Heiner Müller, explore the return and liberation of a repressed body. This performance reflects the importance of El Periférico and engages in a dialogue with the exhibition Losing the human form.

  • Ral Veroni. La Muestra Nómade, 1990-1991. Afiche
    26 - 27 October 2012

    Losing the human form

    Conversations about the 80s in Latin America

    Seminars and conferences Encounter

    One of the primary aims of this seminar is to facilitate testimony and oral discourse as a stimulant and as a counterpoint to exhibition discourse and, at the same time, to produce a debate between the artists and agents that were involved and a new generation of historians and critics that are rewriting Latin American art practices as they overflow toward a context that has more social and political activism, but that is also more subjective, identitary and sexual.

  • Bernardo Atxaga. Poetry Reading in front of Guernica
    October 25, 2012 - 7:00 p.m.

    Bernardo Atxaga

    Poetry Reading in front of Guernica

    Live Arts Dramatized readings

    Inspired by the tragic event that took place 75 years ago, Guernica is much more than a work of art. It has become a universal statement on the massacre. This condition, a synthesis of avant-garde pursuits and political engagement, has had a great influence not only on the visual arts but also on literature. The poetry reading, given in front of the painting by the writer Bernardo Atxaga (Guipúzcoa, 1951), includes poems by Luis Cernuda and Paul Éluard and traces the impact that the mural by Pablo Picasso has had on the written word.

  • 22 october, 2012 - 7:30 p.m.

    The event in the origins of Fluxus

    Encounter with Eric Andersen

    Seminars and conferences Encounter

    Eric Andersen (Antwerp, 1940) has been linked to Fluxus from practically the very beginning. In 1962, he had the idea of organising a festival in Copenhagen's Nikolai Church. Before that he was involved in setting up art-poetry networks throughout Europe. His participation in this Festum Fluxorum, as the most public and festive qualities of Fluxus were known, was the beginning of a long collaboration in an array of Fluxus events that continue to this day.

  • Efim Dzigan. We are from Kronstadt (My iz Kronshtadta), 1936. Copy provided by Arkeion Films, France. Courtesy of Mosfilm Cinema
    October 4 - 31, 2012 - 7 p.m.
    Cinema and video Film series

    In his 1936 essay, The Artwork in the Age of Its Technical Reproducibility, Walter Benjamin uses the Blaue Blume—the romantic incarnation of unobtainable desire—to signify the artifice and perceived immediacy of film made possible through the concealment of the cinematic apparatus.

  • 2 october, 2012 - 5:30 p.m.

    Reflections on Encounters with the 1930s

    Round table with the team of curators

    Seminars and conferences Conference

    This round table brings together the team of curators behind the exhibition Encounters with the 1930s (Museo Reina Sofía, 3 October 2012 - 7 January 2013), to give the audience the chance to learn about the research process and the dialogue that have arisen from this dynamic rereading of the 1930s, which reveals the links between the temporary exhibition and a broader reinstallation project involving the Museum's Collection, undertaken to mark the 75th anniversary of the bombing of Guernica.