List of selected artworks. Maps for the tour in the museum

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  • Hannes Schüpbach. Verso, 2008
    1 april, 2009
    Cinema and video Encounter

    The films of the multifaceted Swiss artist Hannes Schüpbach (Winterthur, 1965) start from a direct encounter with a place or person and take the depiction to the limits of the metaphor. His latest works, Verso (2008) - starring his father - and L’Atelier (2007), are being screened along with Spin (2001), an earlier film with the artist’s mother.

  • Hitomi Steyerl. Lovely Andrea, 2007
    23 march, 2009 - 5 april, 2009
    Cinema and video Film series

    Film has made its way into museums and galleries at the same time that art has opened up avenues in the world of film. Exhibition spaces often host multimedia installations, experimental film sessions and even narrative films. In their quest to integrate image, sound and movement, more and more artists are turning to cinema as a means of expression, exploring experimental abstraction, documentary and narrative fiction.

  • Lillian Ball. Ballhorses, 2008
    18 march, 2009
    Cinema and video Screenings

    Lillian Ball, an artist and environmental activist who has received numerous awards from institutions like the Guggenheim Foundation and the United States National Endowment for the Arts, has dedicated a large part of her work to protecting the wetlands.

  • Glòria Martí. Cuando la Tierra Tiembla, 2006
    19 january, 2009
    Cinema and video Encounter

    Cuando la tierra tiembla (2006) is a visual document of the human drama of exile, migration and displacement. The video draws on the circumstances of the Mexican community residing in New York to look at the situation of emigrants on both sides of the U.S.-Mexico border. Their testimonies, along with those of members of associations who work with ‘illegals,’ form the central thread that runs through the story.

  • Robert Gardner. Forest of Bliss, 1986
    2 january, 2009 - 23 january, 2009
    Cinema and video Film series

    India is a place of abundant contrasts: part of the population lives in full post-modernity, modernity can still be found in another, while another segment - perhaps the majority of the population - lives anchored in feudalism. From a western standpoint, Indian film is a complex thing that breaks with the aesthetic codes and parameters established in the West in its themes and forms. Understanding it means delving into the culture and idiosyncrasy of its peoples.

  • Gabriela y Sally Gutiérrez Dewar. Tapologo, 2008
    15 december, 2008
    Cinema and video Encounter

    In Freedom Park, a squatter settlement in South Africa, a group of HIV-infected women created a network called Tapologo. Working with nurses from their community, they transformed misery and degradation into resistance and hope. Catholic bishop Kevin Dowling helped them, raising doubts about the sexual and moral doctrine of the Church in this context.

  • Pere Portabella. Films 59, 1959
    4 december, 2008
    Cinema and video Encounter

    The camera never stops moving while it follows the operation of emptying the Huerta de San Vicente of all of its contents - paintings, furniture, rugs, flowerpots, knickknacks, a piano - leaving it clean and bare, and accompanying the objects wrapped in semi-transparent plastic to a storage site where they are placed in a pile.

  • Marina Abramović. Cleaning the Mirror II, 1995
    10 november, 2008 - 1 december, 2008
    Cinema and video Film series

    The Museo Nacional Centro de Arte Reina Sofía presents a selection of works from the Colección Pi Fernandino in Madrid, one of the few private collections that concentrates on works done in audiovisual format from recent decades.

  • 28 october, 2008 - 30 october, 2008
    Cinema and video Film series

    The concept and evolution of television ads produced by political organisations and parties during electoral campaigns have changed noticeably since they first appeared in the United States in the 1960s. Today, campaign ads have become a hybrid genre, the product of the convergence of different television formats ranging from advertisements, to fiction, documentaries, news reporting, music videos, political propaganda, parodies and sports and music events.

  • Jack Smith, foyer de la película Flaming Creatures, 1963. Cortesía The Plaster Foundation
    22 september, 2008 - 23 october, 2008
    Cinema and video Film series Conference

    New York, February 1963. Jack Smith (Columbus, 1932 - New York, 1989), Tony Conrad (Concord, 1940), and Henry Flynt (Greensboro, 1940) protest outside the Met, MoMA and Lincoln Center carrying signs that read: “Demolish Serious Culture! Demolish Art Museums! Demolish Concert Halls!” “Making art was never supposed to be easy. It really has to be very boring. It must become very, very boring.”

  • Constanze Ruhm. X Love Scenes / Pearls Without a Strings, 2007
    15 september, 2008
    Cinema and video Encounter

    Constanze Ruhm (Vienna, 1965) is an artist and filmmaker whose work looks at the relationship between film and the new media from the viewpoint of the ideas of feminist film theory, representation and identity. The Museo Nacional Centro de Arte Reina Sofía presents, for the first time in Spain, her film X Love Scenes (2007), the fifth in the X Characters series, which she began in 2001.

  • Li Wei, Freedegree over 25th Story, 2004
    10 july, 2008 - 16 july, 2008
    Cinema and video Film series

    The term performance art in Chinese (xingwei yishu) translates as ‘conduct or behaviour in art,’ an idea that emphasises the relationship of the individual to the community, which is so fundamental in the history of social and political thought in China. In this ‘behaviour art,’ personal and group commitment exceeds artistic parameters to fully enter the field of ethics and philosophy. Art/Action China presents a look at action art through interviews carried out between 2005 and 2007 with two generations of artists who work with installation, conceptual art, photography, video and performance art. Cang Xin (Heilongjiang, 1967), Zhu Ming (Changsha, 1972) Song Dong (Beijing, 1966), the pair of Sun Yuan (Beijing, 1972) & Peng Yu (Heilongjiang, 1974), Li Wei (Hubei, 1970), He Yunchang (Yunnan, 1967) and Chen Lingyang (Yiwu, 1975) explain the close relationship between their work and the political, social and urban changes that Chinese society has experienced over the last three decades. All the artists are determined to meld art with life and share the desire to have an impact on their social environment using means that are as poetic as they are subversive.

  • Chris Marker & Mario Marret. A Bientot, J'espere, 1968
    28 may, 2008 - 20 june, 2008
    Cinema and video Film series

    May 2008 marked the fortieth anniversary of the largest general strike in the history of France, and the only widespread insurrection in a developed capitalist society in the second half of the twentieth century. ‘Reactive memory’ (political, media-driven, cultural) downplays the importance of May ’68 by reducing it to a student revolt, a generational conflict, a sudden acceleration of modernity (the explosion of hedonist individualism, liberation from tradition), etc. In the face of this current attempt to de-politicise the event, In and Against Cinema. Around May ’68 seeks to awaken a contrary and conflictive memory, that of the search for political spaces outside, on the margins of and against institutional politics. This search did not just take place in the field of organised struggle, but it influenced filmmaking in equal measure, perhaps more than any other cultural form or language.

  • Marcel Odenbach. Disturbed Places, 2007
    21 april, 2008
    Cinema and video Encounter

    Since the 1970s, Marcel Odenbach (Cologne, 1953) has had a decisive influence on the development of video, using the qualities and possibilities offered by the medium to make political and social statements. “From the very start of my career as a video artist, I took the recording of moving pictures for granted,” says Odenbach.

  • Isaac Julien. The Attendant, 1993
    6 april, 2008 - 27 april, 2008
    Cinema and video Film series

    This cycle presents the VIVA video art festival programme, dedicated to exploring the increasingly intense dialogue between the art and audiovisual worlds from the perspective of the viewing context of movies theatres, which is more traditional than the spaces provided by museums and exhibitions.