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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

Results

  • Rembrandt. The Rape of Europe. 1632. Digital image courtesy of the Getty's Open Content Program, The Paul Getty Museum
    February 27 – March 1, 2014
    Seminars and conferences Workshop Seminar

    This encounter reflects on the formation of a new type of European political and cultural agency following the exhaustion of a union based on the market economy and on the precarious geopolitical balance of the States.

  • Aki Kaurismäki. Dogs have no hell. Film, 2002
    February 21 - March 22, 2014 - 7:00 p.m.

    After the Shipwreck

    The Cinema of Aki Kaurismäki (1983-1996)

    Cinema and video Film series

    With a filmography that contains theatrical parody and documentary realism in equal proportions, Kaurismäki’s cinema is based on the paradoxes and fault lines of contemporaneity. This retrospective, the first to be held in a modern art museum, is complemented by a master class and a carte blanche program chosen by the filmmaker. 

  • Image of 2nd Annual Conference of European and Latin American Museums
    February 18 - 20, 2014
    Seminars and conferences Encounter

    Part of the ARCOmadrid International Contemporary Art Fair, this meeting will bring together professionals from museums and private collections around the theme Private collecting and common heritage: proposals for a discussion.

  • Hildegarde Rosenthal. Untitled (urban scene in Sao Paulo). Photography, c. 1940
    7 February, 2014 - 7:00 p.m.

    The times of photography

    A talk with Boris Kossoy

    Seminars and conferences Conference

    The author of a variety of works that are barely known by the Spanish-speaking world, the Brazilian Boris Kossoy is one of the key historians in the recent approaches to photography. His work, now in Spanish translation for the first time, places this medium between the historical document and the art object.

  • Amos Gitai. House. Movie, 1980
    5, 6, 11, 12, 13, 17, 18, 19, 24 and 26 February, 2014

    Biography, history, territories

    Nine films by Amos Gitai

    Cinema and video Film series

    The cinema of Amos Gitai is that of an architect-filmmaker, but it is also that of a biographer-filmmaker. Organised in connection with the exhibition The Biographies of Amos Gitai, this series spans over 30 years of activity and points to the historical strata underlying the conflict between Israel and Palestine.   

  • Rafael França. Prelúdio de uma morte anunciada. Video, 1991
    December 11, 2013 - 7:00 p.m.
    Cinema and video Film series

    AIDS Anarchive began within the framework of the 2012-2013 research residencies at Museo Reina Sofía, as part of the production process of a “counter-archive” or an anarchive of AIDS policies, with attention being paid for the first time to practices occurring outside of the Anglo-Saxon or Western and Central European settings.

    Study center
  • December 4 and 5, 2013

    Cities in revolt

    Producing common knowledge in Madrid

    Seminars and conferences Workshop Seminar

    This activity presents the research conducted by Pulska Grupa, a Croatian collective of architects and urban planners who have been research residents at Museo Reina Sofía in 2012-2013.

    Study center
  • Library and Documentation Centre, Museo Reina Sofía
    December 2, 2013 - 7:00 p.m.
    Seminars and conferences Conference Encounter

    This activity brings together a group of writers and theorists representative of the return to the essay as a type of writing that is both prospective and interrogative.

  • Claire Tenu. Exhibition view. Saint-Ouen, 2011
    November 27, 2013 - 7:00 p.m.

    Conversation on Biographical Forms

    Jean-François Chevrier, Ahlam Shibli and Claire Tenu

    Seminars and conferences Encounter

    This event serves as an introduction to the exhibition Biographical forms with a lecture by its curator, Jean-François Chevrier, followed by a colloquium with two of the artists represented.

  • November 27 and 28, 2013 - 10:00 a.m. and 4:00 p.m.
    Seminars and conferences Seminar Conference

    This project is conceived as a plural space for reflection and debate, the aim of which is generate proposals based on a critical diagnosis of the contemporary art system in Spain.

  • Exhibition view. Idea: Pintura Fuerza, 2013
    November 15, 2013 - 6:00 p.m.
    Seminars and conferences Seminar Conference

    With the participation of Armando Montesinos, Mariano Navarro and Juan Pablo Wert, this activity presents the exhibition Idea: Painting-Force

  • Performance: Vaslav (1989). Gelabert-Azzopardi Companyia de Dansa. Photography: Ros Ribas
    November 13, 20, and December 4, 2013 - 7:30 p.m.

    Dance in the 80s

    The first steps of contemporary dance in Spain. Conferences

    Live Arts Conference

    Through the gaze of three curators, this lecture series inquires into different topics such as feminism, video dance and the diversity of languages present during these years.

  • Matt Mullican. Untitled (Matt Mullican under hypnosis: Zürich). Performance, 2004
    November 12, 2013 - 7:00 p.m.
    Cinema and video Conference Performance art

    In this performative lecture, in parallel with the presentation of Minimal Resistance. Between late modernism and Globalisation: artistic practices during the 80s and 90s, Mullican reviews and comments on some of his performances under hypnosis, in which he recreates, as he does in his visual works, the logic of an unstable and irrational world.

  • February, June and November 2013
    Seminars and conferences Seminar

    This series of three seminars is an interuniversity partnership project based on the collaborative work of a diverse group of researchers. The debate platform, with the participation of the Faculty of Fine Arts of the Universidad Complutense de Madrid, the Universidad de Navarra and the Museo Reina Sofía, analyses art education at a time in which academic teaching hovers between the creative industry and the specificity of the artist's role.

  • David Cronenberg. Videodrome. Film, 1983. Courtesy of Video Profilmar
    November 11, 14, 18, 24, 25, 28 and December 2, 5, 12, 2013 - 7:00 p.m. except for November 24

    The image is a virus

    Histories of cinema (1980-1990s)

    Cinema and video Film series

    This audiovisual series looks at the 1980s, and that decade’s prolongation into the 1990s, as a genealogy of much of the dialectics that explain contemporary, as a time period and cultural category.