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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

Results

  • Daría de Benedetti. Fall-Out, 2010
    18 April 2013 - 7:30 p.m.

    This conference is organised by the art research group Otros Criterios, which is linked to the History of Contemporary Art and Visual Culture master's program and to the complementary action program of the Faculty of Fine Arts, at the Universidad Complutense de Madrid. The event is an attempt to examine the artistic phenomenon using the subject of creation - the artist - as its point of departure. 

    Study center
  • Rabih Mroué. The Pixelated Revolution. Performance, 2012
    April 12 - 13, 2013
    Seminars and conferences Seminar Live Arts Performance art

    The new direction taken by political and social happenings in recent years has once again made public space an excellent place for manifestations by the community. In contrast with the situation during the last third of the 20th century, dissident action does not avoid urban spectacularization, hiding in private or clandestine spheres. Instead it transforms and is shown in public space. This seminar explores the use of “theatrical” gestures, behaviours and performances in social space for the purpose of expressing disagreement and dissidence, and it also examines the way that today's art, specifically theatre, has taken in and dialogued with these non-artistic theatricalities.

    Study center
  • Rabih Mroué. The Inhabitants of Images. Performance, 2009. Photograph: Ernesto Donegana
    April 12, 2013 - 8:30 p.m.

    Rabih Mroué

    The Inhabitants of Images

    Live Arts Conference Performance art

    Three mysterious occurrences in a city haunted by images, of people known to me, and others unknown. Images abandoned by their occupants; some have become ruins. An image is invaded, a new face moves in—sometimes an ally, sometimes an old foe. One vanishes, while another travels from one picture to another

    Rabih Mroué.

  • Ignacio Gómez de Liaño. El juego del Correo, 11 VIII 1972. Photograph: José del Río Mons
    April 11, 2013 - 7:00 p.m.

    Ignacio Gómez de Liaño

    In the network of time 1972 1977. Personal diary

    Seminars and conferences Book presentation

    Closely connected to the Computing Centre, the visual poet, experimental artist, researcher, professor and writer Ignacio Gómez de Liaño is one of the essential references in Spanish art in the 1970s. This book of memories recounts that period's most important events and describes many of their protagonists. The book, the Spanish title of which is En la red del tiempo 1972 -1977, constitutes an indispensable document in any effort to understand contemporary art practices in the final years of the dictatorship.

  • Maruja Mallo. El canto de las espigas. Pintura, 1939. Colección Museo Reina Sofía.
    April 8 – May 14, 2013 - 7:00 p.m.
    Seminars and conferences Conference Seminar

    This post-graduate course, associated with the research project "After the Republic: networks and two-way paths in Spanish art from 1931 to 1981" (National Plan for Research, Development and Innovation HAR2011-25864), is conceived as an introduction to the evolution, creation, promotion and historiographic fate of Spanish art, in times of peace and war and both within and outside the country, over a period of five decades. The period examined spans the Republic, the Civil War and dictatorship-exile.

    Study center
  • José Ignacio Linazasoro. Remodelled Escuelas Pías. Architectural intervention, 1996- 2004
    March 11, 2013 - 7 p.m.

    Collecting at the University

    The artistic and architectural heritage of the UNED

    Seminars and conferences Book presentation

    The main purpose of universities is generally understood to revolve around teaching and research, but these institutions also have other important roles that tend to receive less attention. This event looks at the architectural and artistic heritage belonging to Spain's National University of Distance Education (UNED). The collection is brought together for the first time in this publication, which examines how contemporary art has been collected, exhibited and supported by the university as an institution.

    Study center
  • Beatriz Preciado. The Death of the Clinic?
    March 9, 2013 - 7:30 p.m.

    Beatriz Preciado

    The Death of the Clinic?

    Seminars and conferences Conference

    In The Birth of the Clinic, Michel Foucault suggested that for each model of power there was a specific way of organising sexuality and reproduction and that this organisation was concentrated in institutions such as the school, the hospital or the factory. All of these are now in decline, so we must ask ourselves: What model of somatopolitial administration characterises contemporary neoliberal society, following the crisis occurring in Foucault's clinic? This lecture is the inaugural event of Somatheque 2013.

    Study center
  • Call for Papers. Transatlantic Encounters: avant-garde discourses in Spain and Latin America
    February 28, 2013

    Call for Papers

    Transatlantic Encounters: avant-garde discourses in Spain and Latin America

    Seminars and conferences Seminar

    This program aims to explore the notion of avant-garde as it relates to the experience of modernity and to the shaping of the political and aesthetic vanguardia by post-war art and politics between 1920 and 1970. The specific nature of avant-garde and neo avant-garde practices, and the way in which transnational dialogue helped delineate artistic discourses in Spain and Latin America, will be the reflections guiding this event.

  • February 28 and March 1, 2013 - 7:00 p.m.

    Simón Marchán Fiz

    From object art to concept art (1972-2012)

    Seminars and conferences Lecture Seminar
  • Hans Haacke. Castillos en el aire. Instalación, 2012
    February 25, 2013 - 7:00 p.m.

    Malcolm Bull. Decline and Decadence

    Narratives of Collapse in Art and Economy since 1950

    Seminars and conferences Conference

    This lecture looks at the interaction between narrations of social and economic recession and narrations of the visual arts crisis since the 1960s. Do these stories take place in parallel or are they a form of cultural critique? How does the economic recession shape the perception and production of contemporary art? Malcolm Bull teaches at Oxford University and is also editor of the New Left Review.

  • Eulàlia Grau. Temps de lleure (Etnografía), 1974. Museo Nacional Centro de Arte Reina Sofía. Depósito temporal colección de la artista, 2010
    February 22 and 23, 2013
    Seminars and conferences Seminar

    This seminar seeks to contribute to the discussion begun by the exhibition Feminist Genealogies in Spanish Art: 1960-2010 (MUSAC, León, 24 June 2012 - 23 February 2013). This exhibition, curated by Juan Vicente Aliaga and Patricia Mayayo, highlights the role of discourses concerning gender and sexual identities in contemporary Spanish art, a topic traditionally ignored by historiography. The project, in parallel with the successive rearrangements of the Museum's Collection, proposes a rereading of recent art history in Spain, with different eyes and from a different perspective, recovering the work of many female artists who have been unfairly disdained.

  • Eduardo Coutinho. Babilônia 2000. 2000. Copia proporcionada por Videofilmes, Brasil
    February 23 – April 12, 2013 - 7:00 p.m.

    Eduardo Coutinho

    Retrospective

    Cinema and video Film series

    Eduardo Coutinho (São Paulo, 1933) is an essential name in Latin American documentary film. His work is shaped by political issues but manages to avoid propaganda, as he addresses the everyday lives and subjectivities of marginal majorities with a sensibility not altered by melodrama. This retrospective, the most extensive to date, presents a body of work that ranges from the context of Cinema Novo to the analysis of fiction in contemporary film.

  • VV.AA. (Post-NN). España, aparta de mí este cáliz. Serigrafía, 1992. Cortesía Archivo Adolfo Cornejo
    February 14, 2013 - 7:00 p.m.

    Affinities and contagion

    A possible glossary of the poetic-political practices of the 1980s in Latin America

    Seminars and conferences Book presentation

    This presentation introduces the publication Losing the human form. A seismic image of the 1980s in Latin America, conceived in connection to and in dialogue with the exhibition of the same name. The publication, unlike a conventional catalogue, does not enumerate the works and practices found in the exhibition but rather presents itself as yet another (possible) mechanism by which to activate these practices in a reflection about the present.

  • February 13 and 14, 2013 - Roundtable debates, 12 noon - 1:30 p.m. and 6:00 - 9:00 p.m., February 13th Conclusions, 12 noon - 3:00 p.m., February 14th
    Seminars and conferences Encounter

    Museum curators and international specialists gather to discuss the challenges faced by cultural institutions in their endeavour to activate and disseminate contemporary art. The seminar, designed to stimulate dialogue between Europe and Latin America, centers on the search for effective means of cooperation regarding production, research, memory and education.

  • Subtramas. Diagram. Drawing, 2012
    January 11-12, 2013
    Seminars and conferences Seminar

    This seminar studies audiovisual works that use methodologies and processes of a collective nature at different levels. This seminar juxtaposes three fundamental lines of work related to the politics of collaborative practices in the field of images: the audiovisual production of new imaginaries, the participatory experiences they undergo upon reception and a pedagogy of the collective image.

    Study center