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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

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  • James Benning. Natural History. Film, 2014
    8 April – 11 May, 2015 - 7:30 p.m.
    Cinema and video Film series

    This series explores how the museum has been conceived, represented and questioned in different film poetics. Filming the museum institution entails not only a discussion on how art is exhibited and its mechanism of interpretation, but also how other past times in the present are inserted and reactivated, articulating an amalgamation of transience, inside and outside the present, that is specific to the museum and its narrations.

  • Exhibition view. Federico Guzmán. Tuiza. The Cultures of the Bedouin Tent, 2015
    April 16 - July 2, 2015
    Live Arts Concert Cinema and video Film series Seminars and conferences Conference Poetry reading

    This programme of activities, which relates Sahrawi culture to a broader social and cultural framework, aims to become tuiza, a space that reimagines an alternative possible geography, where its centres are not metropolises of financial power, but narrations and accounts of a periphery that lives on in expressions of identity and cultural contamination.

  • Andreas Seltzer & Dieter Hacker. Volksfoto: Foto kaput. Installation, Museum Bochum (Germany). Reconstruction in Not Yet. On the Reinvention of Documentary and the Critique of Modernism, Museo Reina Sofía, 2015
    May 11 - 26, 2015 - 19:00 h
    Seminars and conferences Conference

    In relation to the exhibition Not Yet. On the Reinvention of Documentary and the Critique of Modernism, this series of lectures offers a context for the discussion on the reframing of documentary culture in the 1970s and 1980s. The programme brings together international scholars to debate some of the key aspects of the exhibition from different perspectives.

  • Alex Mendizabal. Concert on the fronton of Eztegara in Bera. Ertz Festival, 2012. Photography: Asier Gogortza
    May 20 - June 24, 2015 - 7:00 p.m.
    Live Arts Concert

    Resonance is a series of sound interventions for a specific site, activating the acoustic and historical space in the Museo Reina Sofía’s Sabatini Building. The programme refrains from using the auditorium and electronic amplification, which means guest artists, musicians and composers will present a series of pieces that set in motion alternative contexts for sound and contemporary music.

  • Film still. Bruce Nauman, Revolving Upside Down, 1969. Museo Nacional Centro de Arte Reina Sofía Collection, Madrid. Courtesy Electronic Arts Intermix (EAI), New York (http://www.eai.org)
    June 8, 11, 15, 18, 22, 25 and 29; July 1 and 2, 2015 - 7:00 p.m.

    Displaced bodies

    Audiovisual traces between dance and performance, 1963–1986

    Cinema and video Film series

    A debate runs through a whole century of images of bodies in movement: that which refers to the correspondence between these bodies in live performance (on stage, in the gallery or museum) and in film. Through this question, the aim is to elucidate whether the audiovisual record of practices in which the body is at the centre – contemporary dance and artistic performance – “faithfully” reflects its apparent inherent truth.

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