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Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • Núria Güell and Levi Orta, Arte político degenerado, 2014. Photograph courtesy of Eva Carol
    November 27, 2014 - 7:00 p.m.
    Seminars and conferences Conference

    After setting up a public limited company in a tax haven, the artists Núria Güell and Levy Orta will hand over the administration of one their company's bank accounts to a group of activists that are developing a company project on the fringes of capitalist dynamics.

  •  Zanny Begg and Oliver Ressler. The Right of Passage. HD Video, 2013. Image courtesy of the artists
    12 November - 4 December, 2014
    Cinema and video Film series

    The presence of the spectral keeps track of film, sound and literary representations and defines the poetics of repressed persistence, continuities between somewhere out of place and out of time. This series explores a selection of alterations in the recent image in movement, bearing the prints of a disturbing past, whilst also imagining a future that learns to live with such ghosts.

  • Diego de Pozo, Whisperers, 2014
    October 28, 2014 - February 9, 2015
    Action Seminars and conferences Workshop Encounter

    A programme of actions and activities within the context of the exhibition Really Useful Knowledge, devised by the collective Subtramas (Diego del Pozo, Montse Romaní and Virginia Villaplana). These actions take place inside the galleries of the exhibition and feature participation from different social and cultural collectives.

  • Trevor Plagen and Jacob Appelbaum. Transmediale Festival
    October 27, 2014 - 7:00 p.m.
    Seminars and conferences Conference

    Within the framework of the exhibition Really Useful Knowledge, artist Trevor Paglen and journalist and programmer Jacob Appelbaum debate the increase of government surveillance and the way in which this affects people’s freedom and their ability to act.

  • Juan Luis Moraza. Paragreenberg, 2010. Nickel-plated iron, wood. Artist's collection
    October 15, 2014 - 7:00 p.m.
    Seminars and conferences Encounter

    This encounter serves as an introduction to the Juan Luis Moraza exhibition republic in the Museo (15 October, 2014 - 2 March, 2015), bringing together the artist and João Fernandes, the curator of the exhibition and deputy director of the Museo Reina Sofía, in a public conversation. 

  • Luis López Carrasco. El futuro. Film, 2013
    September 22 - October 22, 2014 - 7:00 p.m.
    Cinema and video Film series

    This film season continues a series of programmes that have addressed the change to structures, narrations and methods of film-making in recent Spanish cinema. With three editions to date, The Memory of Disrepute develops, through double sessions, how other cinema invents its own genealogy, exercising a discontinuous and partisan history of recent cinema.

  • Richard Hamilton. Swingeing London 67. Lithography, 1968-69. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    19, 26 and 30 September, 2014 - 7:00 p.m.

    What is it that makes Pop so different, so attractive?

    Art and popular culture in a world undergoing a transformation

    Seminars and conferences Seminar

    Appropriating the theme raised by Richard Hamilton in his well-known 1956 collage, this seminar examines the crossover between artistic practices and popular culture that gave rise to multiple phenomena associated with Pop Art. With participation from Kerstin Stakemeier, Eloy Fernández Porta, Diedrich Diederichsen and Benjamin Buchloh.

  • John Mcllduff. Motion Sickness. Ireland, 2012
    19 September, 2014 - 7:00 p.m.

    Short Dance Films

    At the border between genres

    Live Arts Modern dance

    Short Dance Films is a touring programme that includes a selection of forty-five short dance films produced in Europe in recent years. It is curated by Núria Font/NU2’s, commissioned by the European Dancehouse Network, a network with the participation of 20 dance houses from 16 countries.

  • Mike Kuchar. Sins of the Fleshapoids. Film, 1965
    6 - 28 August, 2014 - 7:00 p.m.
    Cinema and video Film series

    This programme presents pop confronting pop, recognising the seduction of consumer culture whilst also keeping it at a critical distance. In relation to the exhibition devoted to Richard Hamilton, this series approaches the popular as subversion and as an investigation into the characteristics of a new society that emerged between the 1950s and 1970s.

  • Performing Gender Madrid, 2013. © Bárbara Velasco Ghisleri
    18 - 19 July, 2014
    Live Arts Performance art

    Performing Gender is a European project that takes a critical look at the politics of gender and sexuality using dance and performance tools. Bodies and their multiple gender inscriptions are the subject of exploration and experimentation by a group of artists that, over the course of one year, have carried out their research by touring around different European institutions.

  • Black Audio Film Collective. Handsworth Songs. Film, 1987. Courtesy of the Black Audio Film Collective and LUX, London
    2, 3, 9, 10 and 16 July 2014 - 7:00 p.m.
    Cinema and video Film series

    Active in the UK between 1982 and 1997, the Black Audio Film Collective symbolised a radical attempt to transform education, institutions and the representation of black identity in independent film, with their work condensing a complex palimpsest of voices that, found between nascent politics of representation, put forward a language of diaspora.

  • Kerry James Marshall, Better Homes, Better Gardens, 1994. Denver Art Museum Collection: Funds from Polly and Mark Addison, the Alliance for Contemporary Art, Caroline Morgan, and Colorado Contemporary Collectors: Suzanne Farver, Linda and Ken Heller, Jan and Frederick Mayer, Beverly and Bernard Rosen, Annalee and Wagner Schorr, and anonymous donors, 1995.77 © Kerry James Marshall Photograph courtesy of the Denver Art Museum
    13 June, 2014 - 7:00 p.m.
    Seminars and conferences Encounter

    This activity introduces the artist’s first individual exhibition in Europe, Kerry James Marshall: Painting and Other Stuff (13 June – 26 October, 2014), as he presents his work as an analysis of Afro-American racial identity and the space of the black subject, both in the current social context and in official history.

  • Ciudad Escuela
    9 and 11 June 2014 - 7 p.m.

    Within the framework of the Museo Reina Sofía 2013-2014 residencies, the collective 15Muebles presents urban teaching based on an open code: Ciudad Escuela, a gateway and invitation to ways of discovering, learning about and making a city.

    Study center
  • César Oiticica Filho. Hélio Oiticica. Film, 2013
    23 and 29 May, 2014 - 7:00 p.m.
    Cinema and video Screenings

    Premiere of the recent documentary about Hélio Oiticica. Put together as a living archive of numerous unpublished documents, from the artist’s thoughts as a narrative guide to unexplored audiovisual fragments, the film looks to articulate a complex and multiple narrative of the artist and the post-war Avant-garde movement in Brazil.

  • Sad Playground, as found by Peter Fischli on the World Wide Web
    Eight sessions, from 19 May to 11 June 2014 - 5:30 p.m.

    Playgrounds

    Reinventing the Square

    Seminars and conferences Workshop

    This workshop sets out from the discourse and works that articulate the exhibition Playgrounds in order to relate them to experiences of urban intervention in Madrid; a three-way exercise in active dialogue between the Museo, the participating audience and contemporary playgrounds.