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Live Arts

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

In the live arts, the Museum establishes a meeting point between its propositions in this realm and the proverbial white cube so often used in art exhibitions, but from which the live arts have been artificially expelled. By doing so it reveals that the genealogy of the live arts has been closely linked to that of the plastic avant-gardes since their very origins. The Museum's live arts programming, which includes theatre, music and sound art, is thus seen to bear a close connection to the Museum's theoretical discourse. Museo Reina Sofía also collaborates with the most important contemporary festivals in Spain, providing a venue for some of their performances. The Museum engages in continuous dialogue with them and plays a role in the formation of their discourses.

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  • Exhibition view. Federico Guzmán. Tuiza. The Cultures of the Bedouin Tent, 2015
    April 16 - July 2, 2015
    Live Arts Concert Cinema and video Film series Seminars and conferences Conference Poetry reading

    This programme of activities, which relates Sahrawi culture to a broader social and cultural framework, aims to become tuiza, a space that reimagines an alternative possible geography, where its centres are not metropolises of financial power, but narrations and accounts of a periphery that lives on in expressions of identity and cultural contamination.

  • Rabih Mroué. The Pixelated Revolution. Performance, 2012
    April 12 - 13, 2013
    Live Arts Performance art Seminars and conferences Seminar

    The new direction taken by political and social happenings in recent years has once again made public space an excellent place for manifestations by the community. In contrast with the situation during the last third of the 20th century, dissident action does not avoid urban spectacularization, hiding in private or clandestine spheres. Instead it transforms and is shown in public space. This seminar explores the use of “theatrical” gestures, behaviours and performances in social space for the purpose of expressing disagreement and dissidence, and it also examines the way that today's art, specifically theatre, has taken in and dialogued with these non-artistic theatricalities.

    Study center