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Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • View of the Nouvel Building, Auditorium 200, Museo Reina Sofía
    6, 7 and 8 May, 2014 - 19:00 h
    Seminars and conferences Seminar

    Presented as the culmination of the course on critical practices developed by Observatorio Metropolitano in the Museo, this seminar addresses the recent waves and movements of democracy, from Latin America to the Arab Spring. Over three days the sociologists Asef Bayat and Luis Tapia Mealla will debate the new international constituent situation.

    Study center
  • Edward Krasiński, Interwencja, 1990. Acrilic on fiber panel, wood and blue ribbon. © Grażyna Kulczyk Collection. Photography: Bartek Buśko
    11 and 12 April 2014 - 7:00 p.m. and 12:00 noon
    Seminars and conferences Seminar Conference

    The transformations in Europe over the past three decades challenge national historical/critical narratives, and those based on apparent global continuity. This debate explores how art practices have influenced these situations in constant flux, calling into question these narratives and imagining possible alternatives.

  • Exhibition view of Francisco López. Untitled #223. Museo Reina Sofía, 2010
    3-4 April, 2014 - 6:00 p.m.
    Seminars and conferences Seminar Conference

    With regard to the acknowledgement of research networks in different fields and new methods of collection and dissemination stemming from archive practices, the Museo Reina Sofía presents this project. MASE is a collective of researchers, critics and artists connected to sound art and an innovative online archive and platform in a traditionally ignored field.

  • Comba y Rico. Opening of the Philippines Exhibition. Opening Contest chaired by H.M. Queen Regent . Print, 1887. Courtesy of Biblioteca Nacional, España
    13 March, 2014 - 7:00 p.m.
    Seminars and conferences Encounter

    Artist and writer engage in conversation, dialogue that coincides with the opening of SPLENDIDE-HOTEL, a site-specific project carried out by Dominique Gonzalez-Foerster in the Palacio de Cristal. Fiction within reality, compulsive reading or literature as a tool for understanding the world, these are elements shared by both and mark an ongoing collaboration.

  • Rembrandt. The Rape of Europe. 1632. Digital image courtesy of the Getty's Open Content Program, The Paul Getty Museum
    February 27 – March 1, 2014
    Seminars and conferences Workshop Seminar

    This encounter reflects on the formation of a new type of European political and cultural agency following the exhaustion of a union based on the market economy and on the precarious geopolitical balance of the States.

  • February 18 - 20, 2014
    Seminars and conferences Encounter

    Part of the ARCOmadrid International Contemporary Art Fair, this meeting will bring together professionals from museums and private collections around the theme Private collecting and common heritage: proposals for a discussion.

  • Hildegarde Rosenthal. Untitled (urban scene in Sao Paulo). Photography, c. 1940
    7 February, 2014 - 7:00 p.m.

    The times of photography

    A talk with Boris Kossoy

    Seminars and conferences Conference

    The author of a variety of works that are barely known by the Spanish-speaking world, the Brazilian Boris Kossoy is one of the key historians in the recent approaches to photography. His work, now in Spanish translation for the first time, places this medium between the historical document and the art object.