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Seminars and conferences

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

Results

  • María Blanchard. Woman with fan, 1916. Oil on canvas Museo Reina Sofía Collection
    19 december, 2012 - 18:00 h

    About María Blanchard

    Avant-garde and identity

    Seminars and conferences Seminar

    Overshadowed by the orthodox histories of the avant-garde, the figure of María Blanchard has several aspects that have resulted in her being relegated to a secondary, and decidedly minor, position. These aspects include her condition as a woman and her distance from the prevailing cubist grammars. At this seminar Eugenio Carmona, Carmen Bernárdez, María Dolores Jiménez-Blanco, Xon de Ros and María José Salazar present some new frameworks for better understanding the artist and, at the same time, the historical avant-gardes.

  • Installation view
    20 november, 2012 - 19:00 h
    Seminars and conferences Conference

    The Horizons of Contemporary Art in Spain is a research initiative by Museo Reina Sofía, Fundación Banco Santander and YGBArt (Rosina Gómez-Baeza and Lucia Ybarra). Conceived as a plural space for reflection and debate, its purpose is to engage in a critical diagnosis of the Spanish art scene, viewed from a variety of standpoints and bringing together many different voices.

  • Ral Veroni. La Muestra Nómade, 1990-1991. Afiche
    26 - 27 October 2012

    Losing the human form

    Conversations about the 80s in Latin America

    Seminars and conferences Encounter

    One of the primary aims of this seminar is to facilitate testimony and oral discourse as a stimulant and as a counterpoint to exhibition discourse and, at the same time, to produce a debate between the artists and agents that were involved and a new generation of historians and critics that are rewriting Latin American art practices as they overflow toward a context that has more social and political activism, but that is also more subjective, identitary and sexual.

  • Eric Andersen. Stories. Performance, 1985
    22 october, 2012 - 7:30 p.m.

    The event in the origins of Fluxus

    Encounter with Eric Andersen

    Seminars and conferences Encounter

    Eric Andersen (Antwerp, 1940) has been linked to Fluxus from practically the very beginning. In 1962, he had the idea of organising a festival in Copenhagen's Nikolai Church. Before that he was involved in setting up art-poetry networks throughout Europe. His participation in this Festum Fluxorum, as the most public and festive qualities of Fluxus were known, was the beginning of a long collaboration in an array of Fluxus events that continue to this day.

  • Herbert Bayer. Things to come. Photomontage, 1939
    2 october, 2012 - 5:30 p.m.

    Reflections on Encounters with the 1930s

    Round table with the team of curators

    Seminars and conferences Conference

    This round table brings together the team of curators behind the exhibition Encounters with the 1930s (Museo Reina Sofía, 3 October 2012 - 7 January 2013), to give the audience the chance to learn about the research process and the dialogue that have arisen from this dynamic rereading of the 1930s, which reveals the links between the temporary exhibition and a broader reinstallation project involving the Museum's Collection, undertaken to mark the 75th anniversary of the bombing of Guernica.

  • 26 september, 2012
    Seminars and conferences Film series
  • Los nombres del pueblo
    21, 22 and 23 June 2012 - Time: 6 p.m. Thursday and Friday; 11 a.m. and 5:30 p.m., Saturday
    Seminars and conferences Seminar

    This seminar aims to reflect on new emerging political coordinates and their meaning in a globalised world. Jorge Alemán, Germán Cano and Ignacio Castro address these questions through different critical and diagnostic notions developed in recent political philosophy.

    Associated project
  • Nacho Criado. Trasvase, 1991. (Detail) Particular Collection
    14 june, 2012 - 6 p.m.
    Seminars and conferences Seminar

    This seminar brings together Juan Manuel Bonet, Fernando Castro Flórez and José Díaz Cuyás, with the idea of questioning the construction of the recent narrations of the last few decades of art in Spain. The seminar engages in a critique of the interpretations of Nacho Criado as an artist focused on the idea of the collapse of language and on the idea of art.

  • Rosemarie Trockel. Dessert. Sculpture, 2007
    13 june, 2012 - 7:30 p.m.
    Seminars and conferences Conference

    A lecture by Anne Wagner, a professor emerita in the Department of Art History at the University of California. In the conference she puts forward a guide to the cosmos of artist Rosemarie Trockel, setting out from the study of a number of recent works in relation to the exhibition Rosemarie Trockel: a cosmos.

  • Miniature, s. XI.
    8 june, 2012 - 10 a.m. to 14:30 p.m. and 14 p.m. to 8 p.m.
    Seminars and conferences Seminar

    This symposium brings together a group of art historians whose work is known for its interdisciplinary approach, its innovative methodology and its relevance in meditating on the way we think about, write about and imagine art history today.

    Associated project
  • Yann Moulier Boutang
    6 june, 2012 - 7 p.m.
    Seminars and conferences Conference

    Presentation of the book La abeja y el economista (The Bee and the Economist), by Yann Moulier Bountang, co-editor of the magazine Multitudes and professor of political economy. He is one of the main people responsible for the design theory on the critique of the political economy of cognitive capitalism.

  • Sharon Hayes performing
    18 may, 2012 - 12:30 p.m.
    Seminars and conferences Encounter

    This activity sees artist Sharon Hayes enter into dialogue with Beatriz Preciado, coordinator of the seminar Somateca, and students from the Critical Practices Programme, as well as the general public with an interest in the subject. The encounter marks the start of an individual exhibition on the artist inside the Museo, entitled Habla.

  • Landscape
    3 may, 2012 - 7 p.m.
    Seminars and conferences Book presentation

    This event looks at the career of Raúl Zurita in a debate and then a poetry reading, both of which will take place in the Collection room dedicated to artistic activism in Latin America. This activity is also a presentation of the book Zurita, which have as a backdrop the military coup in Chile.

  • ames Coleman. Photograph (1998-1999).Proyección de diapositivas, 1999.
    26 april, 2012 - 7:30 p.m.
    Seminars and conferences Room conferences

    Rachel Haidu, professor at the University of Rochester (New York), debates the importance of staging, dramatic narration and the role of the actor in James Coleman’s work and in that of other artists influenced by his slide-tape works. This conference marks the start of the individual exhibition on the artist inside the Museo.

  • ames Coleman. Photograph (1998-1999).Proyección de diapositivas, 1999.
    25 april, 2012 - 7:30 p.m.
    Seminars and conferences Conference

    Rachel Haidu, professor at the University of Rochester (New York), debates the importance of staging, dramatic narration and the role of the actor in James Coleman’s work and in that of other artists influenced by his slide-tape works. This conference marks the start of the individual exhibition on the artist inside the Museo.

  • La Familia Lavapiés. Artecontradicción. Poster, 1975
    March 16 - 17, 2012 - 10:30 a.m.to 20:00 h
    Seminars and conferences Seminar

    This seminar comprises some of the diverse research projects that have emerged in recent years and are geared towards questioning the hegemonic narratives that envelop the complex process of Spain’s transition to democracy. It is the outcome of a collaboration between the Museo and Brumaria.

  • Hans Haacke. Germany Pavillion. Venice Biennale. Installation, 1993.
    15 april, 2012 - 7:30 p.m.
    Seminars and conferences Encounter

    In this talk, Haacke and the art critic and historian Walter Grasskamp look at several decades of this dialectic of tension between the artist and the museums. The dialogue consists of a diachronic examination of the artist's fifty years of production, by looking at ten works commented in relation to their different institutional models and contexts.

  • Anónimo, The pope-ass, 1522.
    12 april, 2012 - 7:30 p.m.
    Seminars and conferences Conference

    This first session of Somatheque. Biopolitical production, feminisms, queer and trans practices explores the changes in the governmental methods of body production and of sexual difference that took place after World War II, with the transformation of war techniques into techniques of somatic production and communication.

  • Gego. Proyecto Lausanne, ca 1975. Colección Museo Nacional Centro de Arte Reina Sofía ©Fundación Gego, all rights reserved. Gego is a registered trademark. Total or partial reproduction of this work is prohibited.
    March 2-3, 2012 - 10:30 a.m.and 16:30 h
    Seminars and conferences Seminar

    This seminar intends to build a constellation of critical gazes regarding modern art in Latin America. It hopes to serve as the critical substratum that will help shape plans for the exhibition of the Patricia Phelps de Cisneros Collection (CPPC) of modern art that Museo will be organizing in 2013.

  • Una encuesta a las trabajadores. Trabajo colectivo por los estudiantes de posgrado del Museo Reina Sofía y Bojana Piskur, 2010-en curso
    10 february, 2012 - 7:30 p.m.
    Seminars and conferences Conference

    This conference presents recent examples of the work of the Radical Education collective, whose research deals with political imagination in art. The research process they put forward includes collective translations of Marx’s A Worker’s Inquiry, with the aim of questioning new modulations and regulations of work.

  • Imagen del abrazo entre Francisco Franco y Dwight D. Eisenhower en visita oficial, Madrid, 1959
    13 de enero (Conference), 27 de enero (visita comentada por la 4ª planta de la colección) - 7:30 p.m.
    Seminars and conferences Conference

    The public presentation of the Julián Díaz Sánchez research residency. This project analyses Spanish Informalism in relation to the exhibition New Spanish Painting and Sculpture, held in New York’s MoMA in 1960.