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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

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  • Yervant Gianikian and Angela Ricci Lucchi. Pays Barbare. Film, 2013
    7, 8 and 14 May, 2014 - 7:00 p.m.
    Cinema and video Encounter Screenings

    As part of the Intervalos programme, Yervant Gianikian and Angela Ricci Lucchi’s latest work is screened, with both film-makers also participating at an encounter. Joining film practices based on found footage, documentary and experimental cinema, Pays Barbare is a complex tale about historical memory, fascism and colonialism.

  • Cecilia Barriga. Ojo eje, 2009
    28 october, 2010
    Cinema and video Encounter

    The work of Cecilia Barriga (Concepción, 1957), a Chilean filmmaker residing in Madrid since 1977, maintains a keen commitment to questions of social equality and reflections on gender, questioning the way in which our individual and group identities are constructed and represented, whether through the image impulse of what is most intimate or through the changing cultural and political circumstances that surround us.

  • Jenny Marketou. Red Eyed Sky Walkers, 2008
    30 september, 2010
    Cinema and video Encounter

    Jenny Marketou (Athens, 1954) is a multidisciplinary artist whose work clamours for public participation at the same time that it questions the systems that structure how we live with respect to the limits of public space and our freedom.

  • Abigail Child. Mayhem, 1987
    31 may, 2010
    Cinema and video Encounter

    Abigail Child (San Francisco, 1948) explores the possibilities inherent in mixing genres and narrative strategies to engage public space through memory and history.

  • Douglas Gordon. Play Dead, Real Time (Other Way), 2003
    5 may, 2010
    Cinema and video Encounter

    Pedro Garhel (Tenerife, 1952-2005), a multifaceted and multidisciplinary artist, was a pioneer in the field of electronic and interactive art in Spain. He began his work in the area of performance and video art in Madrid, where in 1981 he founded the emblematic Espacio P, a multi-purpose centre managed by the artists themselves that became a meeting point between the sound, visual and performing arts.

  • Pedro Garhel y Rosa Galindo. Etcétera, 1983
    28 april, 2010
    Cinema and video Encounter

    The title Reacción en cadena applies to a selection of videos from the Cal Cego Contemporary Art Collection (Barcelona) that create genealogies of artists, works and discourses. Viewing the videos reveals the relationships, associations, counterpositions, superpositions, revisions and conflicts generated between them.

  • Shirin Neshat. Women Without Men, 2009
    3 march, 2010 - 4 march, 2010
    Cinema and video Encounter

    Shirin Neshat (Iran, 1957) is a visual artist based in the United States whose works explore the image of women in Islamic society. She first gained recognition on an international level after the publication of her portraits included in the series Women of Allah (1993-1997) and then became more widely known in 1999 when she received the International Prize at the Venice Biennale for her video installations Turbulent (1998) and Rapture (1999).

  • Leandro Katz. Exhumación, 2007
    18 january, 2010
    Cinema and video Encounter

    Leandro Katz’ work (Buenos Aires, 1938) grapples with the passage of time and the construction of memory through the politics of perception made possible by audiovisual media. Two films, El día que me quieras (1997) and Exhumación (2007), explore the icon Che Guevara from the image of the leader’s lifeless body and later story of his death.

  • Johan Grimonprez. Double Take, 2009
    18 september, 2009 - 19 september, 2009
    Cinema and video Encounter

    Somewhere between documentary and film essay, Double Take (2009) presents Alfred Hitchcock - and his doppelganger Ron Burrage - as a paranoid history professor unwillingly trapped between archive images of the Cold War and the broadcast of a live television programme.

  • Vasco Araujo. O Jardim, 2005
    14 september, 2009
    Cinema and video Encounter

    The works of Vasco Araújo (Lisbon, l975) focus on socio-political aspects and investigate the problematics of identity and memory using classical mythology, opera, Baroque dance, palace protocol and social behaviours.

  • Pablo Helguera. Performances, 2009
    18 june, 2009
    Cinema and video Encounter

    Pablo Helguera (Mexico City, 1971) is an artist based in New York whose work emphasises socio-political reality and delves into the nature of memory. He uses language and historical narrative, availing himself of theatrical and literary resources that he then transposes into conceptual language.

  • Hannes Schüpbach. Verso, 2008
    1 april, 2009
    Cinema and video Encounter

    The films of the multifaceted Swiss artist Hannes Schüpbach (Winterthur, 1965) start from a direct encounter with a place or person and take the depiction to the limits of the metaphor. His latest works, Verso (2008) - starring his father - and L’Atelier (2007), are being screened along with Spin (2001), an earlier film with the artist’s mother.

  • Glòria Martí. Cuando la Tierra Tiembla, 2006
    19 january, 2009
    Cinema and video Encounter

    Cuando la tierra tiembla (2006) is a visual document of the human drama of exile, migration and displacement. The video draws on the circumstances of the Mexican community residing in New York to look at the situation of emigrants on both sides of the U.S.-Mexico border. Their testimonies, along with those of members of associations who work with ‘illegals,’ form the central thread that runs through the story.

  • Gabriela y Sally Gutiérrez Dewar. Tapologo, 2008
    15 december, 2008
    Cinema and video Encounter

    In Freedom Park, a squatter settlement in South Africa, a group of HIV-infected women created a network called Tapologo. Working with nurses from their community, they transformed misery and degradation into resistance and hope. Catholic bishop Kevin Dowling helped them, raising doubts about the sexual and moral doctrine of the Church in this context.

  • Pere Portabella. Films 59, 1959
    4 december, 2008
    Cinema and video Encounter

    The camera never stops moving while it follows the operation of emptying the Huerta de San Vicente of all of its contents - paintings, furniture, rugs, flowerpots, knickknacks, a piano - leaving it clean and bare, and accompanying the objects wrapped in semi-transparent plastic to a storage site where they are placed in a pile.