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Cinema and Video

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

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  • Gordon Matta-Clark.  Splitting, 1974
    11 december, 1996 - 21 december, 1996
    Cinema and video Film series

    Elementary Triptych of Spain is the last film project by José Val del Omar. The idea arose in the last stages of his life and was aimed at creating a trilogy using his three ‘elemental pieces’: Aguaespejo granadino [Water-Mirror of Granada] (1955), Fuego en Castilla [Fire in Castille] (1960) and Acariño galaico [Galician Caress] (1961).

  • Anne Teresa de Keersmaeker. Achterland, 1994
    8 may, 1996 - 1 june, 1996
    Cinema and video Film series

    For the second year in a row, the Museo Nacional Centro de Arte Reina Sofía is dedicating an audiovisual programme to video dance, a genre that is validated by some of the most representative works in the field. Choreographic art, expressed through moving images, continues to generate unique works which are beautiful and intense, and in which audiovisual creation displays its wealth of formats, techniques and styles. Dance on camera occupies and attains unique spaces, reorganising ‘real’ time and championing their communicative capacity.

  • Diamanda Galas. Double Barrel Prayer, 1992
    10 april, 1996 - 26 april, 1996
    Cinema and video Film series

    Once upon a Time…from Minimal Art to Cabaret: 1970s - 90s is a series dedicated to performance art made by women designed to introduce the works and approaches that have served as reference points for many of the latest creations in the visual arts. The pieces in this programme, which spans almost three decades, show the richness and dynamism of this means of expression and help to explain the development of performance art and its versatility.

  • Nigel Rolfe. La cuerda que nos une nos hace libres, 1983
    6 march, 1996 - 30 march, 1996
    Cinema and video Film series

    Lights, Action, Sound and Movement…for the Camera is an anthology that describes the relationship between video and performance art over the last 25 years. Although it brings together some of the most representative pieces created by important figures in this field, the programme as a whole does not presume to present a definitive history of video performance. Rather, it is designed to show the evolution of this hybrid form, which is increasingly complex and developed, in four different programmes.

  • RASKIN. No tienes corazón, 1991
    31 january, 1996 - 24 february, 1996
    Cinema and video Film series

    The series Retrospective: German Video Art presents a retrospective of German video art from the 1980s to the present day. Axel Wirths, the curator, has organised the programme (a total of 34 pieces) into five blocks of works grouped according to their thematic dichotomies: Body and Soul, Politics and Daily Life, Nature and Technology, Music and Language and Irony and Fate.