April 27, 2017 - 7 p.m.
In Brazil, in 1959, the International Congress of Art Critics was held, a symposium where artists, architects, art and architectural historians were brought together to debate the role of modernity in a new world surfacing in the post-war period. This new reading of the minutes sets out to activate the document, understood as a performative exercise of a past utopian episode that still has huge potency and resonates in a present time in which art history and critique have been displaced from their role and public influence.