List of selected artworks. Maps for the tour in the museum



Cinema and Video

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    


  • Maya Deren. Meshes of the Afternoon. Film, 1943. Courtesy of Filmmakers Showcase
    November 12 - December 18, 2015 - 7:00 p.m.

    Avid Eyes

    Masterworks from American Avant-garde Experimental Film (1920–1970)

    Cinema and video Film series

    Avid Eyes is an anthology of experimental American cinema curated by researcher Bruce Posner, who also oversaw the landmark film series Unseen Cinema, held in the Museo Reina Sofía in 2006. Avid Eyes features a selection of 37 recently remastered films that introduce the multiple pathways traced by American avant-garde cinema between 1920 and 1970.

  • Poster of Informe general II. El nuevo rapto de Europa, 2015
    December 2-4, 2015 - 7:00 p.m.
    Cinema and video Film series

    The premiere of Informe general II. El nuevo rapto de Europa (General Report II. The New Abduction of Europe), Pere Portabella’s latest film which addresses the political, economic, social and ecological dimension of the crisis from a perspective of networks and culture. The premiere will also be joined by the screening of a new restored version of Informe general sobre algunas cuestiones de interés para una proyección pública (General Report on Some Interesting Facts for a Public Showing), Portabella’s 1976 film that precedes Informe general II. The film-maker will be present on December 2.

  • Luis Gordillo. Payseyes, 1979. Painting. Museo Nacional Centro de Arte Reina Sofía collection, Madrid. © Luis Gordillo, VEGAP, Madrid, 2015
    December 3, 2015 - 7:30 p.m.

    The Evolving World of the Posthuman

    Encounter with Rosi Braidotti

    Seminars and conferences Conference

    The Museo Reina Sofía Study Centre organises this encounter around the thinking of Rosi Braidotti, in reference to the publication of her book The Posthuman (Polity Press, 2013). The intervention sees Rossi Braidotti explore the “posthuman turn”, understood as an event based on the convergence of posthumanism and postanthropocentrism.

  • Exhibition view. Daniel G. Andújar. Operating System, 2015
    December 11 - 12, 2015
    Seminars and conferences Seminar

    In this seminar, Fundación de los Comunes, Red de Conceptualismos del Sur and Museo Reina Sofía put forward a reflection on issues of social, cultural and political memory through the work of archives that guard, transmit and produce public memory generated by the current forms of social action conservation, which also shuts out major parts of collective experience from dominant discourse.

    Study center
See past activities