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Cinema and Video

Seminarios y Conferencias

Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

Results

  • Richard Hamilton. Swingeing London 67. Lithography, 1968-69. © R. Hamilton. All Rights Reserved, VEGAP, Madrid, 2014
    19, 26, 30 September and 9 October, 2014 - 7:00 p.m.

    What is it that makes Pop so different, so attractive?

    Art and popular culture in a world undergoing a transformation

    Seminars and conferences Seminar

    Appropriating the theme raised by Richard Hamilton in his well-known 1956 collage, this seminar examines the crossover between artistic practices and popular culture that gave rise to multiple phenomena associated with Pop Art. With participation from Kerstin Stakemeier, Eloy Fernández Porta, Diedrich Diederichsen and Benjamin Buchloh.

  •  Zanny Begg and Oliver Ressler. The Right of Passage. HD Video, 2013. Image courtesy of the artists
    12 November - 4 December, 2014
    Cinema and video Film series

    The presence of the spectral keeps track of film, sound and literary representations and defines the poetics of repressed persistence, continuities between somewhere out of place and out of time. This series explores a selection of alterations in the recent image in movement, bearing the prints of a disturbing past, whilst also imagining a future that learns to live with such ghosts.

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