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Live Arts

The audiovisual programs are intended to counteract the predominant model of the black cube, even at a time in which both film and video have become fully integrated and dissolved into contemporary art museums. Their aim is to explore the projected image using different formats and discourses: historical series that broaden – and question – the narrations told by the Collection, retrospectives that draw attention to other stories in the audiovisual history and programs that examine the close links that film and video have with contemporary artistic practices. At the same time, this programming seeks to define a space for film and video outside of the usual circuits, describing itineraries distinct from the spectacle and its derivatives.    

In the live arts, the Museum establishes a meeting point between its propositions in this realm and the proverbial white cube so often used in art exhibitions, but from which the live arts have been artificially expelled. By doing so it reveals that the genealogy of the live arts has been closely linked to that of the plastic avant-gardes since their very origins. The Museum's live arts programming, which includes theatre, music and sound art, is thus seen to bear a close connection to the Museum's theoretical discourse. Museo Reina Sofía also collaborates with the most important contemporary festivals in Spain, providing a venue for some of their performances. The Museum engages in continuous dialogue with them and plays a role in the formation of their discourses.

Results

  • Diego de Pozo, Whisperers, 2014
    October 28, 2014 - February 9, 2015
    Action Seminars and conferences Workshop Encounter

    A programme of actions and activities within the context of the exhibition Really Useful Knowledge, devised by the collective Subtramas (Diego del Pozo, Montse Romaní and Virginia Villaplana). These actions take place inside the galleries of the exhibition and feature participation from different social and cultural collectives.

  • Gregory J. Markopoulos. The Illiac Passion. Film still, 1964-1967
    February 6-10, 2015 - 7:00 p.m.
    Cinema and video Film series

    This film series presents a selection of work by Gregory J. Markopoulos (1928-1992), who made some of the most subjective and allegorical film poetics in post-war experimental cinema. With four sessions screened in both La Casa Encendida and the Museo Reina Sofía, Film as Film explores the keys to a sensual and excessive body of work, in which homosexual identity, initiation rites and allegory circle around complex editing techniques.

See past activities