List of selected artworks. Maps for the tour in the museum

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  • May 2014
    Exhibitions

    The Exhibition photobooks. Spain 1905-1977 presents a journey through the history of the photobook in Spain, setting off at the beginning of the 20th century and ending in the mid seventies, via a selection from the Museo Reina Sofía Collection, contextualised and accompanied by an assortment of complementary material. Curated by Horacio Fernández, the exhibition photobooks. Spain 1905-1977 is in collaboration with Acción Cultural Española (AC/E) to present part of the line of investigation and acquisition carried out by the Museo Reina Sofía concerning photobooks.

  • June 2014
    Exhibitions

    In this interview, artist Kerry James Marshall (Birmingham, Alabama, 1955; currently resident of Chicago), talks about the reasons why he chose to address themes related to life, culture and Afro-American history, until that moment barely represented, approached through multiple lenses to provide new visions of issues connected to racial politics, cultural representation and social emancipation.

  • July 2014
    The Museum

    The Museo Reina Sofía wishes to embody the concept of an expanded museum, where the experience of contemporary art is both a source of enjoyment and knowledge. Its Collection, made up of over 20,000 works, avoids representing one sole and closed interpretation of art history, opting instead for multiple histories. A museum that is a catalyst for ideas, discourses and poetics in its temporary exhibitions and intensive programme of audiovisuals and live arts, as well as a continual forum for thought, debate and education designed for all ages through courses, conferences and workshops in which visitors take centre stage.

  • October 2014
    Exhibitions

    republic is an exhibition by Juan Luis Moraza (Vitoria, 1960), assembling a broad selection of his works and structuring them in areas that examine the museum as a system of conventions and possibilities of citizenship. Moraza has always constructed, in a mutual interaction with his artistic output, a conceptual discourse, where language and ideas also denote a place inhabited by the artist, along with the forms and characteristics of objects and situations put forward in each project.

  • November 2014
    Exhibitions

    Virginia Torrente, curator of the exhibition Patricia Gadea. Atomic- Circus, talks about the work of a key artist to understand the cultural situation of our country during the eighties and nineties. The core of this exhibition revolves around the most productive period of Patricia Gadea's work, on his return from New York, where he formed the group Estrujenbank with the painter Juan Ugalde and the poet Dionisio Cañas. At this stage emphasizes the Circus Series (1991-1996), which summarizes the events of that decade in Spain as a clairvoyant messages of great forcefulness. Imbued with irony, like the rest of her work, to date they still have an overwhelming clarity and modernity.

  • November 2014
    Exhibitions

    The exhibition analyse Goeritz’s stints in Spain and North Africa in the 1940s, along with the international expansion of his career, which, in a Cold War context, occurred in the wake of his return to Mexico and which saw him become one of the key figures in the cultural landscape of that country.

  • November 2014
    Exhibitions

    In the installation designed specifically for the Palacio de Cristal, Janet Cardiff and George Bures Miller appeal to our voyeuristic condition, urging us to move closer and peer into a solitary roulotte. Inside it we come across a woman that appears to be sleeping along with a series of marionettes and puppets in the process of being created and the figure of an old draughtsman that appears to be pondering how to breathe life into them. The scene is replete with metaphorical connotations that prompt a reflection on themes such as the passing of time, the humbling power of the imagination (both individual and collective) and the servitudes and limitations of the creative impulse.

  • March 2013
    Exhibitions

    The artist Mitsuo Miura in Imagined memories, his intervention in Palacio de Cristal, he delves into two of the aesthetic themes that give expression to his artistic vocabulary: geometric shapes and pure colours. For this building, one of Museo Reina Sofía's two secondary sites in Parque del Retiro, his proposal begins on the pictorial level and extends to the spatial level, through circles of colours distributed on the floor and suspended from the ceiling.

  • April, 2013
    Exhibitions

    Montse Aguer, one of the exhibition's curators, takes viewers on a tour of the Salvador Dalí show, putting forward a new vision of the artist as a thinker, writer and creator of a very particular vision of the world. The exhibition comprises approximately two hundred works and is organised into eleven sections that follow something of a chronological order. The works on display date from the early years of his career up through his religious and mystical phases, his period of experimentation with scenography and also the end of his career, which was closely linked to science and technology.

  • The Collection Centro de estudios

    Produced on the occasion of the master lectures of 2011, this video offers a comprehensive theoretical introduction to modernism with the art historian TJ Clark. The author of Picasso and Truth: From Cubism to Guernica (2013) and Farewell to an Idea: Episodes from a History of Modernism (1999), among other seminal studies, TJ Clark discusses the ideas that shaped modernism (the process of secularization, the loss of the aura or the disenchantment with the world) and how these notions survive or have been transformed throughout history, placing special emphasis on the Museum's Collection.

  • Exhibitions

    The Museo Reina Sofía pays homage to the figure of Richard Hamilton by means of an eponymous exhibition, held between 27 June and 13 October 2014. The piece, produced by Javi Álvarez, explores the most unique aspects of Hamilton’s work, reinterpreting many of the artist’s techniques, such as appropriation and collage, to convey them in the sphere of contemporary video.

  • April, 2013
    Exhibitions

    In this video the artist Cristina Iglesias explains the keys to her exhibition "Metonymy." This retrospective looks at her interest in sculpture as an expanded field in which to question objects and their relationship with space and architecture. Her sculptures integrate with the architecture of the places they occupy, and thus play with the interweaving of reality and appearances.

  • July, 2013
    Exhibitions Centro de estudios

    The curators of this exhibition, Julia Robinson and Christian Xatrec, explain in this video some of the keys to understand why 1961 was a decisive year that led to the invention of the “expansion of the arts”. The exhibition looks at the origins of the change, the experimental activity and the earliest collective actions that pointed to the beginning of an unprecedented expansion of the notion of “composition” and soon generated a multidisciplinary project that took place in real time/simultaneously over the course of that year.

  • July, 2013
    Activities Centro de estudios

    On June 19th, to mark the opening of the exhibition ± I96I Founding the Expanded Arts, the following performances were put on, with contribution from Simoni Forti: Huddle, Platforms, Slant Board, Accompaniment For Sound and Censor; all of them dating from 1961.

    ± I96I presents the first detailed analysis of the decisive year in the 1960s that led to the invention of the “expansion of the arts”. The exhibition looks at the origins of the change, the experimental activity and the earliest collective actions that pointed to the beginning of an unprecedented expansion of the notion of “composition” and soon generated a multidisciplinary project that took place in real time/simultaneously over the course of that year.

  • August, 2013
    Exhibitions

    All of the poetic suggestions and all of the plastic possibilities presents Dalí as an omnivorous and visionary artist who used himself as an object of study, and whose actions in the public sphere, whether they were calculated or improvised, made him an essential figure in the sphere of contemporary representation. The exhibition focuses primarily on his surrealist period. Special attention is devoted to his paranoid-critical method, which he developed as a mechanism for the transformation and subversion of reality, allowing the final interpretation of a work to depend totally on the viewer.